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  Volume 41, Number 3 & 4, Spring-Summer 2013

Table of Contents


Personalizing Violence in Balzac's Les Chouans

pp. 191-203 | DOI: 10.1353/ncf.2013.0011

Affective Capital and Social Struggle in Dumas Père's Angèle

pp. 204-219 | DOI: 10.1353/ncf.2013.0017

Nerval, Ronsard and the Orphic Lyre: Modulating Romantic Irony in Les Chimères

pp. 220-236 | DOI: 10.1353/ncf.2013.0022

Félicien Rops, graveur de la décadence latine

pp. 237-254 | DOI: 10.1353/ncf.2013.0027

Turning Tricks, Turning the Tables: Plotting the Brasserie à femmes in Tabarant's Virus d'amour

pp. 255-271 | DOI: 10.1353/ncf.2013.0032

The Evolution of Mallarmé's Social Consciousness

pp. 272-291 | DOI: 10.1353/ncf.2013.0004

New light on the Bibliothèque Cardinal

pp. 292-304 | DOI: 10.1353/ncf.2013.0009


French Romanticism

Enquêtes sur les Promenades dans Rome ed. by Xavier Bourdenet and François Vanoosthuyse (review)

pp. 305-307 | DOI: 10.1353/ncf.2013.0015

Les Boudoirs dans l'œuvre d'Honoré de Balzac: surveiller, mentir, désirer, mourir by Jean-François Richer (review)

pp. 307-309 | DOI: 10.1353/ncf.2013.0020

Alexandre Privat d'Anglemont: le funambule by Willy Alante-Lima (review)

pp. 310-311 | DOI: 10.1353/ncf.2013.0025

Women's Studies

Isabelle de Montolieu reads Jane Austen's Fictional Minds. The First French Translations of Free Indirect Discourse from Jane Austen's Persuasion by Adam Russell (review)

pp. 311-313 | DOI: 10.1353/ncf.2013.0030

Approaches to Teaching Duras's Ourika ed. by Mary Ellen Birkett and Christopher Rivers (review)

pp. 313-314 | DOI: 10.1353/ncf.2013.0002

George Sand: Intertextualité et Polyphonie 1. Palimpsestes, Échanges, Réécritures ed. by Nigel Harkness and Jacinta Wright, and: George Sand: Intertextualité et Polyphonie 2. Voix, Image, Texte ed. by Nigel Harkness and Jacinta Wright (review)

pp. 314-317 | DOI: 10.1353/ncf.2013.0007


The Wild Ass's Skin by Honoré de Balzac (review)

pp. 317-318 | DOI: 10.1353/ncf.2013.0013

An Anthology of Nineteenth-Century Women's Poetry from France by Gretchen Schultz (review)

pp. 319-320 | DOI: 10.1353/ncf.2013.0018

Epistolary Studies

Lettres d'Émile Souvestre à Édouard Turquéty, 1826-1852 by David Steel (review)

pp. 321-322 | DOI: 10.1353/ncf.2013.0023

À cinq heures nous serons tous morts! Sur la barricade Saint-Merry, 5-6 juin 1832 by Charles Jeanne (review)

pp. 323-326 | DOI: 10.1353/ncf.2013.0028

Diachronic Perspectives

Victor Hugo, Jean-Paul Sartre, and the Liability of Liberty by Bradley Stephens (review)

pp. 326-328 | DOI: 10.1353/ncf.2013.0000

The Fevered Novel from Balzac to Bernanos. Frenetic Catholicism in Crisis, Delirium and Revolution by Francesco Manzini (review)

pp. 328-330 | DOI: 10.1353/ncf.2013.0005

Word and Image

Balzac, Grandville, and the Rise of Book Illustration by Keri Yousif (review)

pp. 330-332 | DOI: 10.1353/ncf.2013.0010

Æsthetic Rivalries: Word and Image in France, 1880-1926 by Linda Goddard (review)

pp. 332-334 | DOI: 10.1353/ncf.2013.0016

Cultural Studies

By Sword and Plow: France and the Conquest of Algeria by Jennifer E. Sessions (review)

pp. 334-336 | DOI: 10.1353/ncf.2013.0021

Accounting for Taste: The Triumph of French Cuisine by Priscilla Parkhurst Ferguson (review)

pp. 336-338 | DOI: 10.1353/ncf.2013.0026

The Romantic Machine: Utopian Science and Technology after Napoleon by John Tresch (review)

pp. 338-339 | DOI: 10.1353/ncf.2013.0031

Making Way for Genius. The Aspiring Self in France from the Old Regime to the New by Kathleen Kete (review)

pp. 339-341 | DOI: 10.1353/ncf.2013.0003

Fin de Siècle

The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community from Baudelaire to Beardsley by Matthew Potolsky (review)

pp. 341-343 | DOI: 10.1353/ncf.2013.0008

Proust, the One, and the Many: Identity and Difference in À la recherche du temps perdu by Erika Fülöp (review)

pp. 343-345 | DOI: 10.1353/ncf.2013.0014

L'Europe en automobile: Octave Mirbeau, écrivain voyageur ed. by Éléonore Reverzy and Guy Ducrey (review)

pp. 345-347 | DOI: 10.1353/ncf.2013.0019

Exhibition Catalogues

Old Masters, Impressionists, and Moderns: French Masterworks from the State Pushkin Museum, Moscow by Irina A. Antonova and Charlotte Eyerman (review)

pp. 347-349 | DOI: 10.1353/ncf.2013.0024

Monet et l'abstraction. Monet and Abstraction by Paloma Alarcó, et al. (review)

pp. 349-350 | DOI: 10.1353/ncf.2013.0029

Édouard Vuillard: A Painter and His Muses, 1890-1940 by Stephen Brown (review)

pp. 350-352 | DOI: 10.1353/ncf.2013.0001


p. 353 | DOI: 10.1353/ncf.2013.0006

Nineteenth-Century French Studies: Spring-Summer 2013 / Volume 41 Numbers 1-4

pp. 354-359 | DOI: 10.1353/ncf.2013.0012

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