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  Volume 65, Number 2, May 2013

Table of Contents

Editorial Comment: Women/Performance/History

pp. 1-3


Ophelia's Intertheatricality, or, How Performance Is History

pp. 165-182

Siddons's Ghost: Celebrity and Gender in Sheridan's Pizarro

pp. 183-196

Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage

pp. 197-214

Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction

pp. 215-233

History Trouble: Reenactment and Pseudoperformativity at the Witch Festival of Nieuwpoort

pp. 235-251

Performance Reviews

Oregon Shakespeare Festival (review)

pp. 253-258

Eighteenth International Istanbul Theatre Festival (review)

pp. 258-261

South Africa's National Arts Festival (review)

pp. 261-264

Theatertreffen (review)

pp. 264-268

Der Ring des Nibelungen by Richard Wagner (review)

pp. 268-270

Tragédie by Olivier Dubois, and: Die Kontrakte des Kaufmanns: Eine Wirstschaftskomödie by Elfriede Jelinek (review)

pp. 271-273

Le Bourgeois Gentilhomme by Moliere (review)

pp. 273-275

Une puce, épargnez-la (One Flea Spare) by Naomi Wallace (review)

pp. 275-277

Troilus and Cressida by William Shakespeare (review)

pp. 277-279

What Country Friends Is This? The Comedy of Errors, Twelfth Night, the Tempest by William Shakespeare (review)

pp. 279-281

The Merry Wives of Windsor by William Shakespeare (review)

pp. 281-283

Hamlet: The Bad Ass Quarto, Uncut by William Shakespeare (review)

pp. 283-284

Cascabel by Rick Bayless, Tony Hernandez, and Heidi Stillman (review)

pp. 284-287

Review Essay

Black Performance Studies in the New Millennium

pp. 289-294

Book Reviews

Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)

pp. 295-296

Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 by Koritha Mitchell (review)

pp. 296-298

The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)

pp. 298-299

Suzan-Lori Parks: Essays on the Plays and Other Works ed. by Philip C. Kolin (review)

pp. 299-300

August Wilson: Completing the Twentieth-Century Cycle ed. by Alan Nadel (review)

pp. 301-302

The Problem of the Color[Blind]: Racial Transgression and the Politics of Black Performance by Brandi Wilkins Catanese (review)

pp. 302-303

Passing Strange: Shakespeare, Race, and Contemporary America by Ayanna Thompson (review)

pp. 303-304

Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction by Diana Rebekkah Paulin (review)

pp. 304-306

Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, And Anna Deavere Smith by Cherise Smith (review)

pp. 306-307

Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance by Marvin McAllister (review)

pp. 307-309

Troubling Vision: Performance, Visuality, and Blackness by Nicole R. Fleetwood (review)

pp. 309-310

Selected Plays by Alice Childress, and: Black Internationalist Feminism: Women Writers of the Black Left, 1945-1995 by Cheryl Higashida (review)

pp. 310-312

Doctoral Projects in Progress in Theatre Arts, 2013

pp. 315-319

Research Areas


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