Volume 65, Number 2, May 2013

Table of Contents

Editorial Comment: Women/Performance/History

pp. 1-3

Articles

Ophelia's Intertheatricality, or, How Performance Is History

pp. 165-182
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Siddons's Ghost: Celebrity and Gender in Sheridan's Pizarro

pp. 183-196
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Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage

pp. 197-214
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Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction

pp. 215-233
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History Trouble: Reenactment and Pseudoperformativity at the Witch Festival of Nieuwpoort

pp. 235-251
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Performance Reviews

Oregon Shakespeare Festival (review)

pp. 253-258
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Eighteenth International Istanbul Theatre Festival (review)

pp. 258-261
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South Africa's National Arts Festival (review)

pp. 261-264
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Theatertreffen (review)

pp. 264-268
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Der Ring des Nibelungen by Richard Wagner (review)

pp. 268-270
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Tragédie by Olivier Dubois, and: Die Kontrakte des Kaufmanns: Eine Wirstschaftskomödie by Elfriede Jelinek (review)

pp. 271-273
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Le Bourgeois Gentilhomme by Moliere (review)

pp. 273-275
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Une puce, épargnez-la (One Flea Spare) by Naomi Wallace (review)

pp. 275-277
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Troilus and Cressida by William Shakespeare (review)

pp. 277-279
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What Country Friends Is This? The Comedy of Errors, Twelfth Night, the Tempest by William Shakespeare (review)

pp. 279-281
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The Merry Wives of Windsor by William Shakespeare (review)

pp. 281-283
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Hamlet: The Bad Ass Quarto, Uncut by William Shakespeare (review)

pp. 283-284
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Cascabel by Rick Bayless, Tony Hernandez, and Heidi Stillman (review)

pp. 284-287
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Review Essay

Black Performance Studies in the New Millennium

pp. 289-294
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Book Reviews

Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)

pp. 295-296
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Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 by Koritha Mitchell (review)

pp. 296-298
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The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)

pp. 298-299
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Suzan-Lori Parks: Essays on the Plays and Other Works ed. by Philip C. Kolin (review)

pp. 299-300
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August Wilson: Completing the Twentieth-Century Cycle ed. by Alan Nadel (review)

pp. 301-302
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The Problem of the Color[Blind]: Racial Transgression and the Politics of Black Performance by Brandi Wilkins Catanese (review)

pp. 302-303
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Passing Strange: Shakespeare, Race, and Contemporary America by Ayanna Thompson (review)

pp. 303-304
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Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction by Diana Rebekkah Paulin (review)

pp. 304-306
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Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, And Anna Deavere Smith by Cherise Smith (review)

pp. 306-307
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Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance by Marvin McAllister (review)

pp. 307-309
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Troubling Vision: Performance, Visuality, and Blackness by Nicole R. Fleetwood (review)

pp. 309-310
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Selected Plays by Alice Childress, and: Black Internationalist Feminism: Women Writers of the Black Left, 1945-1995 by Cheryl Higashida (review)

pp. 310-312
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Doctoral Projects in Progress in Theatre Arts, 2013

pp. 315-319
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