1. Leonardo Art Science Evening Rendezvous (LASERs): Bringing Artists and Scientists Together
  2. Tami I. Spector
  3. p. 200
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  1. Listening as the Land Talks Back: Ecology, Embodiment and Information in the Science Fictions of echo::system
  2. Grisha Coleman
  3. pp. 204-209
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  1. Color Plates
  2. pp. 211-213
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  1. A Personal Art/Science Connection: From the Explicatory to the Evocative
  2. Dennis Summers
  3. pp. 214-220
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  1. MINDtouch: Embodied Mobile Media Ephemeral Transference
  2. Camille C. Baker
  3. pp. 221-224
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  1. Biomorphic Presentation of Proteins: Artistic Science or Scientific Art?
  2. S. Balaji
  3. pp. 226-230
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  1. The Sound of Movement Wearables: Performing UKIYO
  2. Johannes Birringer, Michèle Danjoux
  3. pp. 232-240
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  1. Women in Performance, Resistance and Exile during the Yugoslav War 1991–2000
  2. Vesna Milanovic
  3. pp. 241-244
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  1. You Saw the Whole of the Moon: The Role of Imagination in the Perceptual Construction of the Moon
  2. Colleen Boyle
  3. pp. 246-252
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  1. Positioning Locative Media: A Critical Urban Intervention
  2. Thérèse F. Tierney
  3. pp. 253-257
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  1. Brunelleschi’s Discovery of Perspective’s “Rule”
  2. Malcolm Park
  3. pp. 259-265
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  1. Network Intelligence for All
  2. Burak Arıkan
  3. pp. 268-269
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  1. Designing Visualizations for Biological Data
  2. Miriah Meyer
  3. pp. 270-271
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  1. The Flavor Network
  2. Yong-Yeol Ahn, Sebastian Ahnert
  3. pp. 272-273
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  1. Network Science and Literary History
  2. Hoyt Long, Richard So
  3. p. 274
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  1. Navigation in Complex Networks
  2. Katharina Anna Zweig
  3. p. 275
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  1. Historical Relevance Feedback Detection by Text Re-use Networks
  2. Marco Büchler, Gregory Crane, Gerhard Heyer
  3. p. 276
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  1. Watching How Ideas Spread Over Social Media
  2. Yu-Ru Lin, David Lazer
  3. p. 277
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  1. Modeling Transportation in the Roman World: Implications for World Systems
  2. Elijah Meeks
  3. p. 278
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  1. Comparing Art Historical Networks
  2. Doron Goldfarb, Max Arends, Josef Froschauer, Dieter Merkl
  3. p. 279
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  1. Anachronistic Enactment: Deconstructing Perceptions of Modern Technology
  2. Simon Lock
  3. pp. 282-283
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  1. Sound Sketchbook: Synthetic Synesthesia on a Mobile Platform
  2. Meehei Kim, Sung Ju Woo, Woon Seung Yeo
  3. pp. 284-285
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  1. “Save YourSelf !!!” – An Externalized Sense of Balance
  2. Hideyuki Ando, Tomofumi Yoshida, Junji Watanabe
  3. pp. 286-287
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  1. Pseudo Architecture: Holographic Monument
  2. Andrew Pepper
  3. pp. 288-289
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  1. Three Dimensional Visualization of Complex Environmental Data Sets of Variable Resolution
  2. Brian Burnham
  3. pp. 290-291
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  1. A Boatload of Wild Irishmen by Mac Dara Ó Curraidbin (review)
  2. Martha Blassnigg
  3. pp. 293-294
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  1. Hiroshi Sugimoto: Memories of Origin by Yuko Nakamura (review)
  2. Giovanna L. Costantini
  3. pp. 294-296
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  1. The Universe in Zero Words: The Story of Mathematics as Told Through Equations by Dana MacKenzie (review)
  2. Phil Dyke
  3. p. 296
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  1. The Oxford Handbook of Sound Studies ed. by Trevor Pinch and Karin Bijsterveld (review)
  2. John F. Barber
  3. pp. 296-297
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  1. The Camera as Historian: Amateur Photographers and Historical Imagination, 1885–1918 by Elizabeth Edwards (review)
  2. Jan Baetens
  3. pp. 297-298
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  1. The Color Revolution by Regina Lee Blaszczyk (review)
  2. Roy R. Behrens
  3. pp. 298-299
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  1. The Alphabet and the Algorithm by Mario Carpo (review)
  2. Flutur Troshani
  3. p. 300
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  1. The Routledge Companion to Literature and Science ed. by Bruce Clark and Manuela Rossini (review)
  2. Jonathan Zilberg
  3. pp. 300-302
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  1. Science and Conscience: The Life of James Franck by Jost Lemmerich (review)
  2. Wilfred Niels Arnold
  3. p. 302
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  1. Digital_Humanities by Anne Burdick et al. (review)
  2. Dene Grigar
  3. pp. 303-304
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  1. Leonardo Reviews On-Line
  2. pp. 305-306
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  1. Leonardo Network News
  2. pp. 308-309
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  1. Small Molecules Count Too: Creativity and Change Post–Arab Spring
  2. Amal Alayan
  3. pp. 310-315
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  1. Erratum
  2. p. i
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