1. Can the Arts Help to Save the World?
  2. Ricardo Dal Farra
  3. p. 110
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  1. CO2morrow: Shedding Light on the Climate Crisis
  2. Marcos Lutyens, Andrew Manning, Alessandro Marianantoni
  3. pp. 124-132
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  1. One Color—: A White Asbestos (Chrysotile) Painting
  2. Chris Foster
  3. pp. 134-138
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  1. Color Plates
  2. pp. 141-144
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  1. Neural Correlates of Myths in Which an Image Becomes Alive
  2. Julien d'Huy
  3. pp. 145-150
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  1. Hybrid Biological-Digital Systems in Artistic and Entertainment Computing
  2. Wim van Eck, Maarten H. Lamers
  3. pp. 151-158
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  1. Lunar Cemetery: Global Heterotopia and the Biopolitics of Death
  2. Katarina Damjanov
  3. pp. 159-162
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  1. Drawing w/Digits_Painting w/ Pixels: Selected Artworks of the Gesture over 50 Years
  2. Maureen Nappi
  3. pp. 163-169
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  1. Algorithms as Structural Metaphors: Reflections on the Digital-Cultural Feedback Loop
  2. Romy Achituv
  3. pp. 171-177
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  1. Deadline Every Second: On Assignment with 12 Associated Press Photo-Journalists produced by Ken Kobré and John Hewitt (review)
  2. Amy Ione
  3. pp. 179-180
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  1. Open Access by Peter Suber (review)
  2. Rob Harle
  3. pp. 180-181
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  1. Alien Phenomenology: Or, What It's Like to Be a Thing by Ian Bogost (review)
  2. Brian Reffin Smith
  3. p. 181
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  1. The Future Was Here: The Commodore Amiga by Jimmy Maher (review)
  2. John F. Barber
  3. pp. 181-182
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  1. Under Blue Cup by Rosalind E. Krauss (review)
  2. Jan Baetens
  3. pp. 182-184
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  1. Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage by Branden W. Joseph (review)
  2. Stephen Petersen
  3. pp. 184-185
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  1. High Society: Mind-Altering Drugs in History and Culture by Mike Jay (review)
  2. Jan Baetens
  3. pp. 185-186
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  1. Debates in the Digital Humanities ed. by Matthew K. Gold (review)
  2. Dene Grigar
  3. pp. 186-187
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  1. When Biometrics Fail: Gender, Race, and the Technology of Identity by Shoshana Amielle Magnet (review)
  2. Hannah Drayson
  3. pp. 187-189
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  1. Cybertext Poetics: The Critical Landscape of New Media Literary Theory by Markku Eskelinen (review)
  2. Jan Baetens
  3. pp. 189-190
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  1. The Art of Cruelty: A Reckoning by Maggie Nelson (review)
  2. Allan Graubard
  3. pp. 190-191
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  1. Leonardo Reviews On-Line
  2. p. 191
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  1. Leonardo Network News
  2. pp. 192-193
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  1. SEAD: The Network for Sciences, Engineering, Arts and Design
  2. Carol LaFayette
  3. pp. 194-198
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  1. Context Machines: A Series of Situated and Self-Organizing Artworks
  2. Benjamin David Robert Bogart, Philippe Pasquier
  3. pp. 114-122
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