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  Volume 2, Number 1, May 2013

Table of Contents

Transcolonial Film Coproductions in the Japanese Empire: Antinomies in the Colonial Archive

Takashi Fujitani and Nayoung Aimee Kwon

Transcolonial Film Coproductions in the Japanese Empire:
Antinomies in the Colonial Archive

Introduction

pp. 1-9 | DOI: 10.1353/ach.2013.0008

Collaboration, Coproduction, and Code-Switching: Colonial Cinema and Postcolonial Archaeology

pp. 10-40 | DOI: 10.1353/ach.2013.0002

One Film, or Many?: The Multiple Texts of the Colonial Korean Film Volunteer

pp. 41-61 | DOI: 10.1353/ach.2013.0000

A Propaganda Film Subverting Ethnic Hierarchy?: Suicide Squad at the Watchtower and Colonial Korea

pp. 62-88 | DOI: 10.1353/ach.2013.0009

The Colonial and Transnational Production of Suicide Squad at the Watchtower and Love and the Vow

pp. 89-115 | DOI: 10.1353/ach.2013.0007

Between Ideology and Spectatorship: The "Ethnic Harmony" of the Manchuria Motion Picture Corporation, 1937-1945

pp. 116-138 | DOI: 10.1353/ach.2013.0005

Negotiating Colonial Korean Cinema in the Japanese Empire: From the Silent Era to the Talkies, 1923-1939

pp. 139-169 | DOI: 10.1353/ach.2013.0006

Review Essays

Knowing Society, Cultivating Citizens, and Making the State in Post-Imperial China

pp. 171-182 | DOI: 10.1353/ach.2013.0004

Governmentality in Late Colonial Korea?

pp. 183-193 | DOI: 10.1353/ach.2013.0003

Mortuary Practices, Buddhism, and Family Relations in Japanese Society

pp. 194-201 | DOI: 10.1353/ach.2013.0001

Re-envisioning the Chinese Cityscape: Tabula Rasa and Palimpsest

pp. 202-210 | DOI: 10.1353/ach.2013.0010

Research Areas

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