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  Volume 2, Number 1, May 2013

Table of Contents

Transcolonial Film Coproductions in the Japanese Empire: Antinomies in the Colonial Archive

Takashi Fujitani and Nayoung Aimee Kwon

Transcolonial Film Coproductions in the Japanese Empire:
Antinomies in the Colonial Archive

Introduction

pp. 1-9
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Collaboration, Coproduction, and Code-Switching: Colonial Cinema and Postcolonial Archaeology

pp. 10-40
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One Film, or Many?: The Multiple Texts of the Colonial Korean Film Volunteer

pp. 41-61
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A Propaganda Film Subverting Ethnic Hierarchy?: Suicide Squad at the Watchtower and Colonial Korea

pp. 62-88
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The Colonial and Transnational Production of Suicide Squad at the Watchtower and Love and the Vow

pp. 89-115
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Between Ideology and Spectatorship: The "Ethnic Harmony" of the Manchuria Motion Picture Corporation, 1937-1945

pp. 116-138
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Negotiating Colonial Korean Cinema in the Japanese Empire: From the Silent Era to the Talkies, 1923-1939

pp. 139-169
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Review Essays

Knowing Society, Cultivating Citizens, and Making the State in Post-Imperial China

pp. 171-182
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Governmentality in Late Colonial Korea?

pp. 183-193
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Mortuary Practices, Buddhism, and Family Relations in Japanese Society

pp. 194-201
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Re-envisioning the Chinese Cityscape: Tabula Rasa and Palimpsest

pp. 202-210
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Research Areas

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