1. The Swan’s Flight: Old Words and New Music
  2. Robert C. Ketterer
  3. pp. 1-12
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  1. Hero and Leander as Song: From Ovid’s Heroides to English Monody (1601; 1628–9)
  2. Tiziana Ragno
  3. pp. 13-49
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  1. The Fate of Orpheus on the Operatic Stage: Death and Transfiguration
  2. Peter Burian
  3. pp. 51-75
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  1. Parody of Greco-Roman Myth in Offenbach’s Orfée aux enfers and La belle Hélène
  2. Dana Munteanu
  3. pp. 77-101
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  1. Orpheus, the Original Penniless Poet: Plutus/Pluto in Anaïs Mitchell’s Hadestown
  2. Dave Oosterhuis
  3. pp. 103-126
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  1. Heavy Metal Music and the Appropriation of Greece and Rome
  2. Osman Umurhan
  3. pp. 127-152
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  1. The Music of Ben-Hur
  2. Jon Solomon
  3. pp. 153-178
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