1. A Note from the Co-Executive Editor
  2. Ryan Minor
  3. pp. 129-130
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  1. Armide, the Huguenots, and The Hague
  2. Rebekah Ahrendt
  3. pp. 131-158
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  1. The Gestures of the Dutchman: Wagner's Staging Instructions, 1852 and Today
  2. Clemens Risi, Jake Fraser
  3. pp. 159-171
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  1. Billy Budd's Song: Authority and Music in the Public Sphere
  2. Jonathan A. Neufeld
  3. pp. 172-191
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  1. Creating the Inner Life of a Character: Donizetti's Maria Stuarda
  2. Federico Fornoni, Elizabeth Parker
  3. pp. 192-212
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  1. Despots, Triangles, and Bass Drums: Orientalism on the Operatic Stage in Gustav III's Stockholm
  2. Erling Sandmo
  3. pp. 213-229
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  1. Singer-Machines: Describing Italian Singers, 1800-1850
  2. Céline Frigau Manning, Nicholas Manning
  3. pp. 230-258
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  1. French Grand Opera and the Historical Imagination by Sarah Hibberd (review)
  2. Gabriela Cruz
  3. pp. 259-267
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