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Browse Book and Journal Content on Project MUSE

  Volume 45, Number 1, Spring 2013

Table of Contents


The Formation of Social Class and the Reformation of Ireland: Maria Edgeworth’s Ennui

pp. 1-19 | DOI: 10.1353/sdn.2013.0001

Visibility, Interiority, and Temporality in The Invisible Man

pp. 20-36 | DOI: 10.1353/sdn.2013.0003

Reading Kitty’s Trauma in Rebecca West’s The Return of the Soldier

pp. 37-55 | DOI: 10.1353/sdn.2013.0005

Othello’s Sister: Racial Hermaphroditism and Appropriation in Virginia Woolf’s Orlando

pp. 56-79 | DOI: 10.1353/sdn.2013.0007

The Limitations of Vision and the Power of Folklore in John Dos Passos’s U.S.A.

pp. 80-101 | DOI: 10.1353/sdn.2013.0009

Family Incorporated: William Gaddis’s J R and the Embodiment of Capitalism

pp. 102-122 | DOI: 10.1353/sdn.2013.0010


The Hard Work of Victorian Fiction: Creating Compassion, Exploring Belief, and Reconciling Disharmony

pp. 123-130 | DOI: 10.1353/sdn.2013.0000


The Vulgar Question of Money: Heiresses, Materialism, and the Novel of Manners from Jane Austen to Henry James by Elsie B Michie (review)

pp. 132-134 | DOI: 10.1353/sdn.2013.0002

Before Fiction: The Ancien Régime of the Novel by Nicholas D Paige (review)

pp. 134-136 | DOI: 10.1353/sdn.2013.0004

The Political Novel: Re-Imagining the Twentieth Century by Stuart A Scheingold, and: The Novel After Theory by Judith Ryan (review)

pp. 136-140 | DOI: 10.1353/sdn.2013.0006

Michael Ondaatje by Lee Spinks (review)

pp. 140-142 | DOI: 10.1353/sdn.2013.0008

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