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  Volume 69, Number 4, June 2013

Table of Contents

From: Notes

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Documenting the Zenith of Women Song Composers: A Database of Songs Published in the United States and the British Commonwealth, ca. 1890–1930

pp. 671-687
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Johann Philipp Kirnberger and Authorship

pp. 688-705
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Reassessing Eugène Bozza: Discoveries in the Bibliothèque Municipale de Valenciennes Archive

pp. 706-720
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Notes for Notes

Notes for Notes

pp. 721-723
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Book Reviews

Jewishness (as Heard by Others)

The Music Libel Against the Jews by Ruth HaCohen (review)

pp. 724-730
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Reference

Hugo-Wolf-Werkverzeichnis (HWW): Thematisch-chronologisches Verzeichnis der musikalischen Werke Hugo Wolfs by Margret Jestremski (review)

pp. 730-732
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The Music Library of a Noble Florentine Family: A Catalogue Raisonné of Manuscripts and Prints of the 1720s to the 1850s Collected by the Ricasoli Family Now Housed in the University of Louisville Music Library ed. by Susan Parisi (review)

pp. 732-734
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Giacomo Puccini: a Discography by Roger Flury (review)

pp. 735-736
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Instruments and Performance

The Art of Partimento: History, Theory, Practice by Giorgio Sanguinetti (review)

pp. 736-739
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Style and Performance for Bowed String Instruments in French Baroque Music by Mary Cyr (review)

pp. 739-741
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Great Wagner Conductors: A Listener’s Companion by Jonathan Brown (review)

pp. 741-743
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The Drum: A History by Matt Dean (review)

pp. 743-744
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The Trombone in the Renaissance: A History in Pictures and Documents by Stewart Carter (review)

pp. 744-746
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World Musics

Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana by Steven Feld (review)

pp. 746-748
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Romani Routes: Cultural Politics and Balkan Music in Diaspora by Carol Silverman (review)

pp. 748-750
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Songs from the Edge of Japan: Music-making in Yaeyama and Okinawa by Matt Gillan (review)

pp. 750-752
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Times and Places

Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain by Susan Boynton (review)

pp. 752-754
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Moral Fire: Musical Portraits from America’s Fin de Siècle by Joseph Horowitz (review)

pp. 754-757
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British Music and Literary Context: Artistic Connections in the Long Nineteenth Century by Michael Allis (review)

pp. 757-760
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The Journals and Letters of Susan Burney: Music and Society in Late Eighteenth-Century England by Philip Olleson (review)

pp. 760-761
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Identities

From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity by Miles White (review)

pp. 761-765
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Music, Sexuality and the Enlightenment in Mozart’s Figaro, Don Giovanni and Così fan tutte by Charles Ford (review)

pp. 765-767
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Composers

György Ligeti: Of Foreign Lands and Strange Sounds ed. by Louise Duchesneau and Wolfgang Marx, and: Ligeti’s Laments: Nostalgia, Exoticism, and the Absolute by Amy Bauer (review)

pp. 767-770
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John Cage by Rob Haskins, and: “we must arrange everything”: Erfahrung, Rahmung und Spiel bei John Cage by Michael Rebhahn (review)

pp. 770-775
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Rethinking Schumann ed. by Roe-Min Kok and Laura Tunbridge (review)

pp. 775-778
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Books Recently Published

Books Recently Published

pp. 779-796
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Digital Media Reviews

Naxos Music Library Mobile Application (review)

pp. 797-799
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Music Reviews

Il primo libro de’ madrigali a quattro voci by Marc’Antonio Ingegneri, and: Il primo libro de madrigali a cinque voci (1605) by Antonio Cifra (review)

pp. 800-803
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Selva di varia ricreatione (1590) by Orazio Vecchi (review)

pp. 803-806
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Music for Viola da Gamba from Edition Guntersberg

pp. 806-814
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Mozart’s The Marriage of Figaro, Adapted for Covent Garden, 1819 by Henry Rowley Bishop (review)

pp. 814-816
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Music Received

Music Received

pp. 817-827
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Index to Advertisers

pp. 828-846
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Cumulative Index to Advertisers Volume 69

p. 847
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Index to Volume 69: September 2012 through June 2013

pp. 848-857
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Research Areas

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