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Table of Contents

  1. Venal Sins Man
  2. Ricardo Pau-Llosa
  3. p. 8
  4. DOI: https://doi.org/10.1353/ccr.2012.0088
  5. restricted access
  1. Departure with Still Life
  2. Mary Lou Buschi
  3. p. 11
  4. DOI: https://doi.org/10.1353/ccr.2012.0072
  5. restricted access
  1. Older Testaments
  2. John Sibley Williams
  3. p. 12
  4. DOI: https://doi.org/10.1353/ccr.2012.0064
  5. restricted access
  1. Lake of the Clouds Writes to Marianne
  2. Sarah Wangler
  3. p. 13
  4. DOI: https://doi.org/10.1353/ccr.2012.0057
  5. restricted access
  1. Brothers
  2. Eric Tanyavutti
  3. pp. 14-22
  4. DOI: https://doi.org/10.1353/ccr.2012.0050
  5. restricted access
  1. Exceeding Capacity
  2. Josh Collins
  3. pp. 23-29
  4. DOI: https://doi.org/10.1353/ccr.2012.0043
  5. restricted access
  1. La Gata
  2. Sara Backer
  3. p. 30
  4. DOI: https://doi.org/10.1353/ccr.2012.0083
  5. restricted access
  1. Sonogram
  2. Sean Thomas Dougherty
  3. pp. 31-32
  4. DOI: https://doi.org/10.1353/ccr.2012.0075
  5. restricted access
  1. Russia’s Salyut 4 Space Station
  2. Gary Dop
  3. p. 33
  4. DOI: https://doi.org/10.1353/ccr.2012.0067
  5. restricted access
  1. The Body with an Elegy Inside of It, and: Left to Those I Love
  2. Lo Kwa Mei-en
  3. pp. 34-35
  4. DOI: https://doi.org/10.1353/ccr.2012.0060
  5. restricted access
  1. At the Mountain of Death
  2. Daniel Tobin
  3. pp. 36-37
  4. DOI: https://doi.org/10.1353/ccr.2012.0053
  5. restricted access
  1. Astronaut
  2. Fred Cardin
  3. p. 38
  4. DOI: https://doi.org/10.1353/ccr.2012.0046
  5. restricted access
  1. Montana 94
  2. Sam Panarella
  3. pp. 39-56
  4. DOI: https://doi.org/10.1353/ccr.2012.0086
  5. restricted access
  1. Out of Bodies
  2. Mark Lewandowski
  3. pp. 57-64
  4. DOI: https://doi.org/10.1353/ccr.2012.0078
  5. restricted access
  1. Relapse
  2. Montreux Rotholtz
  3. p. 65
  4. DOI: https://doi.org/10.1353/ccr.2012.0070
  5. restricted access
  1. The Gospel of Household Plants
  2. Brenna W. Lemieux
  3. p. 66
  4. DOI: https://doi.org/10.1353/ccr.2012.0062
  5. restricted access
  1. Reds
  2. Caley O’Dwyer
  3. p. 67
  4. DOI: https://doi.org/10.1353/ccr.2012.0055
  5. restricted access
  1. Burnt Umber
  2. Leonore Hildebrandt
  3. p. 68
  4. DOI: https://doi.org/10.1353/ccr.2012.0048
  5. restricted access
  1. The Chair & The Birdcage, and: Confessional
  2. Corey Van Landingham
  3. pp. 69-72
  4. DOI: https://doi.org/10.1353/ccr.2012.0089
  5. restricted access
  1. Song of the Young Prostitute, Rio de Janeiro, Brazil, 1986
  2. Elisa Fernández-Arias
  3. p. 73
  4. DOI: https://doi.org/10.1353/ccr.2012.0081
  5. restricted access
  1. The Mechanical Man
  2. Suzanne Rindell
  3. pp. 74-89
  4. DOI: https://doi.org/10.1353/ccr.2012.0073
  5. restricted access
  1. The Color of Memory
  2. Dionisia Morales
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/ccr.2012.0065
  5. restricted access
  1. More Bubbles Where She Came From
  2. Claudia Cortese
  3. p. 93
  4. DOI: https://doi.org/10.1353/ccr.2012.0058
  5. restricted access
  1. Elasticity of a Good
  2. Ben Purkert
  3. p. 94
  4. DOI: https://doi.org/10.1353/ccr.2012.0051
  5. restricted access
  1. Think of People as Buildings
  2. Joshua Ware
  3. p. 95
  4. DOI: https://doi.org/10.1353/ccr.2012.0044
  5. restricted access
  1. Warnings & Fables, and: Self-Portrait in a Chinese Fable
  2. Kyla Sterling
  3. pp. 96-99
  4. DOI: https://doi.org/10.1353/ccr.2012.0084
  5. restricted access
  1. City of Ringing Telephones
  2. Matt McBride
  3. p. 100
  4. DOI: https://doi.org/10.1353/ccr.2012.0076
  5. restricted access
  1. The Sin Eater
  2. Colleen Coyne
  3. p. 101
  4. DOI: https://doi.org/10.1353/ccr.2012.0068
  5. restricted access
  1. At One
  2. Jacob Oet
  3. p. 102
  4. DOI: https://doi.org/10.1353/ccr.2012.0061
  5. restricted access
  1. The Night the Washington Generals Beat the Harlem Globetrotters
  2. Adam Reger
  3. pp. 106-111
  4. DOI: https://doi.org/10.1353/ccr.2012.0047
  5. restricted access
  1. Review of Echolocation by Myfanwy Collins (review)
  2. Nick Ripatrazone
  3. pp. 112-115
  4. DOI: https://doi.org/10.1353/ccr.2012.0087
  5. restricted access
  1. Ghazal
  2. Kara Arguello
  3. p. 116
  4. DOI: https://doi.org/10.1353/ccr.2012.0079
  5. restricted access
  1. Art
  2. Kris French
  3. pp. 117-120
  4. DOI: https://doi.org/10.1353/ccr.2012.0071
  5. restricted access
  1. Art
  2. Jing Zhou
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/ccr.2012.0063
  5. restricted access
  1. Dawn Song
  2. Doug Ramspeck
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/ccr.2012.0056
  5. restricted access
  1. The Whore of Solna Street
  2. Helen Maryles Shankman
  3. pp. 126-151
  4. DOI: https://doi.org/10.1353/ccr.2012.0049
  5. restricted access
  1. Second Person
  2. Dave O’Gorman
  3. pp. 152-160
  4. DOI: https://doi.org/10.1353/ccr.2012.0042
  5. restricted access
  1. An Interview with Catherine Taylor
  2. Andy Fitch
  3. pp. 161-174
  4. DOI: https://doi.org/10.1353/ccr.2012.0082
  5. restricted access
  1. Annual Literary Prize Winners
  2. p. 175
  3. DOI: https://doi.org/10.1353/ccr.2012.0074
  4. restricted access
  1. Judge’s Note
  2. Vanessa Hua
  3. p. 176
  4. DOI: https://doi.org/10.1353/ccr.2012.0066
  5. restricted access
  1. The Half-Glass Bed
  2. Caroline Wilkinson
  3. pp. 177-191
  4. DOI: https://doi.org/10.1353/ccr.2012.0059
  5. restricted access
  1. Judge’s Note
  2. Margaret MacInnis
  3. p. 192
  4. DOI: https://doi.org/10.1353/ccr.2012.0052
  5. restricted access
  1. Ephemera
  2. Debra Marquart
  3. pp. 193-204
  4. DOI: https://doi.org/10.1353/ccr.2012.0045
  5. restricted access
  1. Judge’s Note
  2. Esther Lee
  3. p. 205
  4. DOI: https://doi.org/10.1353/ccr.2012.0085
  5. restricted access
  1. Appalachia, and: Florida Scrapbook, and: season of the witch (revisited), and: Waiting, and; Saying the Names
  2. Don Judson
  3. pp. 206-218
  4. DOI: https://doi.org/10.1353/ccr.2012.0077
  5. restricted access
  1. Contributor Bios
  2. pp. 220-228
  3. DOI: https://doi.org/10.1353/ccr.2012.0069
  4. restricted access