1. Othello’s Black Handkerchief
  2. Ian Smith
  3. pp. 1-25
  4. DOI: 10.1353/shq.2013.0017
  5. restricted access View | Download |
  1. Othello’s Black Handkerchief: Response to Ian Smith
  2. Michael Neill
  3. pp. 26-31
  4. DOI: 10.1353/shq.2013.0021
  5. restricted access View | Download |
  1. Grammatical Theatricality in Richard III: Schoolroom Queens and Godly Optatives
  2. Lynne Magnusson
  3. pp. 32-43
  4. DOI: 10.1353/shq.2013.0003
  5. restricted access View | Download |
  1. Grammatical Theatricality in Richard III: Response to Lynne Magnusson
  2. Ruth Morse
  3. p. 44
  4. DOI: 10.1353/shq.2013.0006
  5. restricted access View | Download |
  1. Hamlet’s Alchemy: Transubstantiation, Modernity, Belief
  2. Katherine Eggert
  3. pp. 45-57
  4. DOI: 10.1353/shq.2013.0009
  5. restricted access View | Download |
  1. Hamlet’s Alchemy: Response to Katherine Eggert
  2. Theodore Leinwand
  3. pp. 58-59
  4. DOI: 10.1353/shq.2013.0012
  5. restricted access View | Download |
  1. Shakespeare’s Hermeneutic Legacy: Herder on Modern Drama and the Challenge of Cultural Prejudice
  2. Kristin Gjesdal
  3. pp. 60-69
  4. DOI: 10.1353/shq.2013.0015
  5. restricted access View | Download |
  1. Shakespeare’s Hermeneutic Legacy: Response to Kristin Gjesdal
  2. Paul A. Kottman
  3. p. 70
  4. DOI: 10.1353/shq.2013.0019
  5. restricted access View | Download |
  1. Turning Sonnets into Poems: Textual Affect and John Benson’s Metaphysical Shakespeare
  2. Megan Heffernan
  3. pp. 71-98
  4. DOI: 10.1353/shq.2013.0001
  5. restricted access View | Download |
  1. Shakespeare and Literary Theory by Jonathan Gil Harris (review)
  2. Michael D. Bristol
  3. pp. 99-101
  4. DOI: 10.1353/shq.2013.0005
  5. restricted access View | Download |
  1. The Improbability of “Othello”: Rhetorical Anthropology and Shakespearean Selfhood by Joel B. Altman (review)
  2. Nick Moschovakis
  3. pp. 102-106
  4. DOI: 10.1353/shq.2013.0011
  5. restricted access View | Download |
  1. Shakespeare’s Individualism by Peter Holbrook (review)
  2. Paul A. Kottman
  3. pp. 107-110
  4. DOI: 10.1353/shq.2013.0014
  5. restricted access View | Download |
  1. Shakespeare and War ed. by Ros King and Paul J. C. M. Franssen (review)
  2. Richard Hillman
  3. pp. 113-116
  4. DOI: 10.1353/shq.2013.0000
  5. restricted access View | Download |
  1. Aliens and Englishness in Elizabethan Drama by Lloyd Edward Kermode (review)
  2. John Gillies
  3. pp. 116-118
  4. DOI: 10.1353/shq.2013.0004
  5. restricted access View | Download |
  1. French Origins of English Tragedy by Richard Hillman (review)
  2. Anne Coldiron
  3. pp. 119-121
  4. DOI: 10.1353/shq.2013.0007
  5. restricted access View | Download |
  1. Actors and Acting in Shakespeare’s Time: The Art of Stage Playing by John H. Astington (review)
  2. David McInnis
  3. pp. 121-123
  4. DOI: 10.1353/shq.2013.0010
  5. restricted access View | Download |
  1. Reimagining Shakespeare’s Playhouse: Early Modern Staging Conventions in the Twentieth Century by Joe Falocco (review)
  2. David Worster
  3. pp. 124-126
  4. DOI: 10.1353/shq.2013.0013
  5. restricted access View | Download |
  1. Shakespeare on Screen: “Hamlet.” by Sarah Hatchuel and Nathalie Vienne-Guerrin (review)
  2. Laurie E. Osborne
  3. pp. 126-129
  4. DOI: 10.1353/shq.2013.0016
  5. restricted access View | Download |
  1. Extramural Shakespeare by Denise Albanese (review)
  2. Sharon O’Dair
  3. pp. 129-135
  4. DOI: 10.1353/shq.2013.0020
  5. restricted access View | Download |
  1. Contributors
  2. pp. 136-138
  3. DOI: 10.1353/shq.2013.0002
  4. restricted access View | Download |