1. Radios
  2. Major Jackson
  3. pp. 7-8
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  1. Pueblo I, New Mexico
  2. Peter Balakian
  3. pp. 9-11
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  1. Ukulele
  2. Sandra Beasley
  3. p. 12
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  1. The Body Is a Big Sagacity
  2. Erin Belieu
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  1. What Happens Next
  2. Emily Bernard
  3. pp. 15-31
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  1. What We Lost in the Flood—
  2. Traci Brimhall
  3. p. 32
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  1. Another Elegy
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  3. p. 33
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  1. Knowledge
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  3. p. 34
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  1. Demolition Derby
  2. Maggie Dietz
  3. pp. 35-36
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  1. Deep Lane
  2. Mark Doty
  3. pp. 37-38
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  1. Praise Poem for American Girls
  2. Jaclyn Dwyer
  3. pp. 39-40
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  1. Of the Threads That Connect the Stars
  2. Martín Espada
  3. p. 41
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  1. The Florida Sandhill Crane
  2. Didi Gibbs
  3. pp. 42-43
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  1. Salt on the Tongue
  2. Nathalie Handal
  3. pp. 44-45
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  1. Brief Encounter with the Household Gods
  2. David Huddle
  3. pp. 46-49
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  1. Crossing Water
  2. Tony Hoagland
  3. pp. 50-51
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  1. The Complex Sentence
  2. Tony Hoagland
  3. p. 52
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  1. Transfer Station
  2. Elise Juska
  3. pp. 53-67
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  1. The Martyr's Motel
  2. Laura Kasischke
  3. pp. 68-69
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  1. You tell me
  2. Laura Kasischke
  3. p. 70
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  1. The Graves
  2. Joanna Klink
  3. p. 71
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  1. Swan Road
  2. Rebecca Lehmann
  3. pp. 72-73
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  1. Dance Dance Dance
  2. Alex Lemon
  3. pp. 74-75
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  1. Masticated Light
  2. Jamaal May
  3. pp. 76-77
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  1. The Birds and the Bees
  2. Jeffrey McDaniel
  3. p. 78
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  1. Beware of the Dark Sedan Idling Inside You
  2. Jeffrey McDaniel
  3. p. 79
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  1. Porto, Portare, Portavi, Portatus
  2. Erika Meitner
  3. pp. 80-82
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  1. Andorra
  2. Szidónia Molnár
  3. pp. 83-94
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  1. test
  2. Fred Moten
  3. pp. 95-97
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  1. Tanka Diary
  2. Harryette Mullen
  3. p. 100
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  1. The Room in Five Moods of Cannots
  2. Vi Khi Nao
  3. p. 101
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  1. Men
  2. Jay Nebel
  3. pp. 102-103
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  1. Douche-Bag Ode
  2. Sharon Olds
  3. p. 104
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  1. Meeting a Stranger
  2. Sharon Olds
  3. pp. 105-106
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  1. Ode to Piranha
  2. Yaddyra Peralta
  3. pp. 107-108
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  1. The Rubber Game
  2. Sherri Phillips
  3. pp. 109-125
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  1. The Length of the Field
  2. Carl Phillips
  3. p. 126
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  1. Chromatic Black
  2. Carl Phillips
  3. p. 127
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  1. In Which I Am Famous
  2. Catherine Pierce
  3. pp. 128-129
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  1. Monkey See
  2. David James Poissant
  3. pp. 130-141
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  1. The Boss Who Fired Me During the Recession
  2. Bethany Pray
  3. p. 142
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  1. Even the Gods
  2. Nicole Sealey
  3. p. 143
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  1. The Visions of Sane Persons
  2. Maureen Seaton
  3. pp. 144-145
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  1. Grusamericana (Whooper)
  2. Lisa Sewell
  3. pp. 146-147
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  1. Zydeco on Dog Hill
  2. John Warner Smith
  3. p. 148
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  1. Logos
  2. Tracy K. Smith
  3. p. 149
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  1. Alan at the Kirschbergs'
  2. Anna Solomon
  3. pp. 150-165
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  1. Because There Is No Ending
  2. Pimone Triplett
  3. p. 166
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  1. My Dear Ego, Be
  2. Pimone Triplett
  3. p. 167
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  1. Church
  2. Kimberly Swayze
  3. pp. 168-180
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  1. Middle Distance
  2. Anne Pierson Wiese
  3. p. 181
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  1. The Calling
  2. Bruce Willard
  3. p. 182
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  1. Letter Written in Black Water and Pearl
  2. Jake Adam York
  3. pp. 183-185
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  1. Dancing in Buses
  2. Javier Zamora
  3. p. 186
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  1. About Major Jackson: A Profile by Gregory Pardlo
  2. Gregory Pardlo
  3. pp. 187-139
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  1. The Great Dream: A Plan B Essay by Floyd Skloot
  2. Floyd Skloot
  3. pp. 194-197
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  1. Patron Saint of Quiet Lives: A Look2 Essay on Barbara Pym by Raina Lipsitz
  2. Raina Lipsitz
  3. pp. 198-211
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  1. A Conversation with Gail Mazur
  2. Sarah Ehrich
  3. pp. 212-219
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  1. Alice Hoffman Prize for Fiction · Spring 2013
  2. p. 220
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  1. Editors' Shelf: Book Recommendations from Our Advisory Editors
  2. p. 221
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  1. Editors' Corner: New Works by Our Advisory Editors
  2. pp. 221-222
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  1. Contributors' Notes
  2. pp. 222-228
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