restricted access   Volume 4, Number 2, Spring 2013 (New Series)

Table of Contents

Editor's Notes

pp. 1-2


The "Black Man's Vision of the World": Rediscovering Black Arts Filmmaking and the Struggle for a Black Cinematic Aesthetic

pp. 3-21

Black Glamour and the Hip-Hop Renaissance: Idlewild's Debt to Cabin in the Sky

pp. 22-36

Close-Up: TEZA

Close-Up: Toward a Close-Up on Teza

pp. 38-46

Close-Up: Director's Note

pp. 47-48

Close-Up: Teza Press Kit

pp. 49-54

Close-Up: Dragons!: George Jackson in the Cinema with Haile Gerima—from the Watts Films to Teza

pp. 55-83

Close-Up: On Teza, Cinema, and American Empire: An Interview with Haile Gerima

pp. 84-104

Close-Up Gallery: Teza

pp. 106-133

II. Gallery Images

pp. 114-118

Close-Up: Teza: A Review

pp. 134-136

Close-Up: Viewing Teza, Reading Fanon: Ten Critical Questions for Haile Gerima's Cinema (A Study Guide)

pp. 137-143

Close-Up: The Genius of an African Storyteller: A Selectively Annotated Bibliography of Work on and by Haile Gerima

pp. 144-162

Africultures Dossier

Teza by Haile Gerima (review)

pp. 163-164

A Screaming Man / Un homme qui crie by Mahamat-Saleh Haroun (review)

pp. 165-168

Archival News: News from the Black Film Center/Archive

pp. 169-172

Professional Notes and Research Resources

pp. 173-178

Notes on Contributors

pp. 179-182