We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 31, Number 1, March 2013

Table of Contents

An Editorial Farewell

p. 1


Thomas Middleton’s A Mad World, My Masters: From Script To Performance

pp. 3-28

Two “Jacobean” Malfis: Controversy and Reception in 1892 and 2010

pp. 29-40

“Look with Thine Ears:” Puns, Wordplay, and Original Pronunciation in Performance

pp. 41-61

Looking for Shakespeare: Taking Pacino’s Quest Seriously

pp. 63-78

“What’s this? Mutton?”: Food, Bodies, and Inn-Yard Performance Spaces in Early Shakespearean Drama

pp. 79-94

King John (review)

pp. 95-99

Troilus and Cressida (review)

pp. 99-104

Romeo Juliet (review)

pp. 104-106

Richard III, and: As You Like It (review)

pp. 107-115

Theatre Reviews

Cymbeline, and: Much Ado About Nothing (review)

pp. 115-120

Much Ado About Nothing, and: Macbeth (review)

pp. 120-126

The Taming of the Shrew (review)

pp. 126-130

The Merchant of Venice (review)

pp. 130-132

Doctor Faustus (review)

pp. 132-136

The Winter’s Tale (in Yoruba), and: The Taming of the Shrew (in Urdu), and: Antony and Cleopatra (in Turkish) (review)

pp. 137-141

Henry V, and: Timon of Athens (review)

pp. 141-152

Book Reviews

Shakespeare in Kabul by Stephen Landrigan, Qais Akbar Omar (review)

pp. 153-157

Shakespeare Closely Read; A Collection of Essays: Written and Performance Texts ed. by Frank Occhiogrosso (review)

pp. 157-162

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access