1. Albion W. Tourgée and Louis A. Martinet: The Cross-Racial Friendship behind Plessy v. Ferguson
  2. Carolyn L. Karcher
  3. pp. 9-29
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  1. Seeking Trust and Commitment in Women’s Interracial Collaboration in the Nineteenth Century and Today
  2. Joycelyn Moody, Sarah R. Robbins
  3. pp. 50-75
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  1. The Profits and the Perils of Partnership in the “Thrilling” Saga of William and Ellen Craft
  2. Barbara McCaskill
  3. pp. 76-97
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  1. Jane Johnston Schoolcraft’s Sentimental Lessons: Native Literary Collaboration and Resistance
  2. Christine R. Cavalier
  3. pp. 98-118
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  1. “[W]orthy the imitation of the whites”: Sarah Winnemucca and Mary Peabody Mann’s Collaboration
  2. Heidi M. Hanrahan
  3. pp. 119-136
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  1. A Revolutionary Romance: Particularity and Universality in Karen Tei Yamashita’s I Hotel
  2. Nathan Ragain
  3. pp. 137-154
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  1. Cross-Cultural Affinities between Native American and White Women in “The Alaska Widow” by Edith Eaton (Sui Sin Far)
  2. Mary Chapman
  3. pp. 155-163
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  1. The Alaska Widow
  2. Edith Eaton
  3. pp. 164-170
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  1. The Afro-Latin@ Reader: History and Culture in the United States ed. by Miriam Jiménez Román and Juan Flores (review)
  2. Erin Hurt, Cherise A. Pollard
  3. pp. 171-173
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  1. The Colors of Zion: Blacks, Jews, and Irish from 1845 to 1945 by George Bornstein (review)
  2. Diane M. Hotten-Somers
  3. pp. 174-175
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  1. Removable Type: Histories of the Book in Indian Country, 1663–1880 by Phillip H. Round (review)
  2. Nicole Gray
  3. pp. 176-178
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  1. Introduction: Cross-Racial and Cross-Ethnic Collaboration and Scholarship: Contexts, Criticism, Challenges
  2. Carolyn Sorisio
  3. pp. 1-8
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  1. Contributors
  2. pp. 182-184
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