Volume 65, Number 1, March 2013

Table of Contents

Editor’s Note

pp. vii-viii
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Essays

American Studies as Accompaniment

pp. 1-30
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“Negroes’ Number One Hero”: Doris Miller, Pearl Harbor, and Retroactive Multiculturalism in World War II Remembrance

pp. 31-61
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“Indiscriminate and Shameless Sex”: The Strategic Use of Sexuality by the United Farm Workers

pp. 63-90
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Tseng Kwong Chi and the Eugenic Landscape

pp. 91-118
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“Delighted and Instructed”: African American Challenges to Panoramic Aesthetics in J. P. Ball, Kara Walker, and Frederick Douglass

pp. 119-155
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Forum: Visual Culture and the War on Terror

Introduction: Visual Culture and the War on Terror

pp. 157-160
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Arabs and Muslims in the Media after 9/11: Representational Strategies for a “Postrace” Era

pp. 161-169
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Black (Counter)Terrorism

pp. 171-176
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Real War News, Real War Games: The Hekmati Case and the Problems of Soft Power

pp. 177-184
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Seeing Guantánamo, Blown Up: Banksy’s Installation in Disneyland

pp. 185-192
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Drone Encounters: Noor Behram, Omer Fast, and Visual Critiques of Drone Warfare

pp. 193-202
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De Oppresso Liber and Reflecting Absence: Ground Zero Memorials and the War on Terror

pp. 203-214
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Interview

Black Radicalism, Marxism, and Collective Memory: An Interview with Robin D. G. Kelley

pp. 215-230
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Book Reviews

New Wave Arab American Studies: Ethnic Studies and the Critical Turn

pp. 231-243
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Hollywood Follies of 1938

pp. 245-250
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The Religious Revival: Narratives of Religious Origin in US Culture

pp. 251-259
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Contributors

pp. 261-264
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