1. Der unzuverlässige Erzähler im Bergwerk: Zu zwei Aspekten der Faschismusanalyse in Hermann Brochs Verzauberung
  2. Julian Reidy
  3. pp. 1-29
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  1. Atemschrift: Ernst Jandl’s Experimental Poetics of Affirmation
  2. Katja Stuckatz
  3. pp. 31-49
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  1. Performing Cannibalism: Werner Schwab’s ÜBERGEWICHT, unwichtig: UNFORM
  2. Heike Henderson
  3. pp. 51-68
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  1. Der Wiener Privatdetektiv Markus Cheng—Charlie Chan in Österreich?
  2. Elke Sturm-Trigonakis
  3. pp. 69-92
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  1. The Poetics of Ritual in Diaspora: Anna Mitgutsch’s Familienfest and Vladimir Vertlib’s Letzter Wunsch
  2. Christina Guenther
  3. pp. 93-118
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  1. Mysterious Mozart by Philippe Sollers (review)
  2. Lyle T. Barkhymer
  3. pp. 119-121
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  1. Ferdinand Raimund by Ian Roe (review)
  2. Arne Koch
  3. pp. 121-123
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  1. Jüdische-Christliche-Muslimische: Lebenswelten der Donaumonarchie, 1848–1918 by Rupert Klieber (review)
  2. Laura A. Detre
  3. pp. 124-125
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  1. Innere Form. Wiener Moderne im Dialog mit Frankreich by Stefanie Arend (review)
  2. André Schwarz
  3. pp. 126-128
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  1. Hermann Broch und die Moderne: Roman, Menschenrecht, Biographie by Paul Michael Lützeler (review)
  2. Vincent Kling
  3. pp. 128-130
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  1. Hofmannsthal: Der Dichter und die Dinge by Claudia Bamberg (review)
  2. Steven R. Cerf
  3. pp. 130-132
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  1. Hugo von Hofmannsthal and the Austrian Idea: Selected Essays and Addresses, 1906–1927 ed. by David S. Luft (review)
  2. Robert Dassanowsky
  3. pp. 132-135
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  1. Schnitzler’s Hidden Manuscripts ed. by Lorenzo Bellettini and Peter Hutchinson (review)
  2. Dagmar C. G. Lorenz
  3. pp. 135-138
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  1. Arthur Schnitzler: Leutnant Gustl ed. by Konstanze Fliedl (review)
  2. Max Haberich
  3. pp. 138-139
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  1. Männlichkeit und Melodram: Arthur Schnitzlers erzählende Schriften by Imke Meyer (review)
  2. Vincent Kling
  3. pp. 140-142
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  1. Kafkas [Un-]Glück: Zur negativen Dialektik des Schreibens by Volker Steffen (review)
  2. Ruth V. Gross
  3. pp. 142-144
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  1. Deutschsprachige Autoren aus der Bukowina by Natalia Shchyhlevska (review)
  2. Joseph W. Moser
  3. pp. 146-148
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  1. Zwischen Wahrheit und Dichtung: Antisemitismus und Nationalsozialismus bei Heimito von Doderer by Alexandra Kleinlercher (review)
  2. Vincent Kling
  3. pp. 148-150
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  1. H. C. Artmann’s Structuralist Imagination: A Semiotic Study of His Aesthetic and Postmodernity by Marc-Oliver Schuster (review)
  2. Pamela S. Saur
  3. pp. 155-157
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  1. Olga Neuwirths und Elfriede Jelineks gemeinsames Musiktheaterschaffen. Ästhetik, Libretto, Analyse, Rezeption by Karin Hochradl (review)
  2. Karl Ivan Solibakke
  3. pp. 161-163
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  1. Die Metamorphosen des “Teufels” bei Daniel Kehlmann by Joachim Rickes (review)
  2. Edward Muston
  3. pp. 166-168
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  1. New Austrian Film ed. by Robert von Dassanowsky and Oliver C. Speck (review)
  2. Stephen Brockmann
  3. pp. 168-170
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  1. Recht und Ordnung oder “Come and Shoot in Austria”: Österreichische KriminalFilmGeschichte(n) by Christoph Fuchs (review)
  2. Anita McChesney
  3. pp. 171-173
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  1. Digitale Literaturvermittlung. Praxis—Forschung—Archivierung by Renate Giacomuzzi, Stefan Neuhaus, und Christiane Zintzen (review)
  2. Susanne Blumesberger
  3. pp. 175-178
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  1. Pieces of Sound: German Experimental Radio by Daniel Gilfillan (review)
  2. Paul J. Buchholz
  3. pp. 178-180
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  1. The Representation of War in German Literature: From 1800 to the Present by Elisabeth Krimmer (review)
  2. Neil Christian Pages
  3. pp. 180-183
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  1. Briefe an Georges by Veza and Elias Canetti (review)
  2. William Collins Donahue
  3. pp. 183-185
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  1. Journeys by Stefan Zweig (review)
  2. Birger Vanwesenbeeck
  3. pp. 185-187
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  1. From the Editors
  2. Hillary Hope Herzog, Todd Herzog
  3. pp. xi-xiii
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  1. Contributors
  2. pp. xv-xvi
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