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  Volume 65, Number 1, March 2013

Table of Contents

Editorial Comment

pp. 1-3 | DOI: 10.1353/tj.2013.0010


Popular Musical Theatre, Cultural Transfer, Modernities: London/Berlin, 1890–1930

pp. 1-18 | DOI: 10.1353/tj.2013.0026

Transatlantic Translations and Transactions: Lars Schmidt and the Implementation of Postwar American Theatre in Europe

pp. 19-37 | DOI: 10.1353/tj.2013.0015

East German Theatre Censorship: The Role of the Audience

pp. 39-56 | DOI: 10.1353/tj.2013.0032

The Life of the Constructivist Theatrical Object

pp. 57-76 | DOI: 10.1353/tj.2013.0000

The Body of Trauma: Empathy, Mourning, and Media in Troika Ranch’s loopdiver

pp. 77-93 | DOI: 10.1353/tj.2013.0020

Performance Reviews

Dancing All Over Johannesburg, South Africa—Twenty-Fourth Annual Dance Umbrella (review)

pp. 95-99 | DOI: 10.1353/tj.2013.0027

Einstein on the Beach by Robert Wilson and Philip Glass (review)

pp. 99-101 | DOI: 10.1353/tj.2013.0022

On the Beach by Jonah Bokaer and Davide Balliano (review)

pp. 101-102 | DOI: 10.1353/tj.2013.0017

And God Created Great Whales by Rinde Eckert (review)

pp. 103-105 | DOI: 10.1353/tj.2013.0012

The Agony and Ecstasy of Steve Jobs by Mike Daisey (review)

pp. 105-106 | DOI: 10.1353/tj.2013.0007

The Physicists by Friedrich Dürrenmatt (review)

pp. 107-109 | DOI: 10.1353/tj.2013.0002

La Trilogie de la Villégiature by Carlo Goldoni (review)

pp. 109-111 | DOI: 10.1353/tj.2013.0029

The Beloved by Amir Nizar Zuabi (review)

pp. 111-113 | DOI: 10.1353/tj.2013.0024

The Amen Corner by James Baldwin, and: Are You Now or Have You Ever Been . . . by Carlyle Brown (review)

pp. 113-117 | DOI: 10.1353/tj.2013.0019

Poetic Portraits of a Revolution by Will McInerney and Kane Smego (review)

pp. 117-119 | DOI: 10.1353/tj.2013.0014

Urban Death by Zombie Joe (review)

pp. 119-120 | DOI: 10.1353/tj.2013.0009

Devising the Performance, Comedy Festival by Neos Kosmos Theatre (review)

pp. 120-123 | DOI: 10.1353/tj.2013.0004

The Merchant of Venice by William Shakespeare (review)

pp. 123-125 | DOI: 10.1353/tj.2013.0031

Review Essay

Indonesian Theatre: New North American Scholarship on Modern and Traditional Performance Practices

pp. 127-135 | DOI: 10.1353/tj.2013.0005

Book Reviews

The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs by Beth Osnes (review)

pp. 137-138 | DOI: 10.1353/tj.2013.0021

Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation ed. by Anthony Jackson and Jenny Kidd, and: Performing Remains: Art and War in Times of Theatrical Reenactment by Rebecca Schneider (review)

pp. 138-141 | DOI: 10.1353/tj.2013.0016

Theater of the People: Spectators and Society in Ancient Athens by David Kawalko Roselli (review)

pp. 141-142 | DOI: 10.1353/tj.2013.0011

Sacred Folly: A New History of the Feast of Fools by Max Harris (review)

pp. 142-144 | DOI: 10.1353/tj.2013.0006

The Oxford Handbook of Thomas Middleton ed. by Gary Taylor and Trish Thomas Henley (review)

pp. 144-145 | DOI: 10.1353/tj.2013.0001

Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda by Patrick J. Cook (review)

pp. 145-146 | DOI: 10.1353/tj.2013.0028

Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century by Matthew Solomon (review)

pp. 146-148 | DOI: 10.1353/tj.2013.0023

Artaud and His Doubles by Kimberly Jannarone (review)

pp. 148-149 | DOI: 10.1353/tj.2013.0018

Russian Culture and Theatrical Performance in America, 1891–1933 by Valleri J. Hohman (review)

pp. 149-150 | DOI: 10.1353/tj.2013.0013

Jews on Broadway: An Historical Survey of Performers, Playwrights, Composers, Lyricists and Producers by Stewart F. Lane, and: Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht (review)

pp. 150-152 | DOI: 10.1353/tj.2013.0008

The Spaces of Irish Drama: Stage and Place in Contemporary Plays by Helen Heusner Lojek (review)

pp. 152-153 | DOI: 10.1353/tj.2013.0003

Books Received

pp. 154-162 | DOI: 10.1353/tj.2013.0030

Research Areas


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