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  Volume 65, Number 1, March 2013

Table of Contents

Editorial Comment

pp. 1-3


Popular Musical Theatre, Cultural Transfer, Modernities: London/Berlin, 1890–1930

pp. 1-18

Transatlantic Translations and Transactions: Lars Schmidt and the Implementation of Postwar American Theatre in Europe

pp. 19-37

East German Theatre Censorship: The Role of the Audience

pp. 39-56

The Life of the Constructivist Theatrical Object

pp. 57-76

The Body of Trauma: Empathy, Mourning, and Media in Troika Ranch’s loopdiver

pp. 77-93

Performance Reviews

Dancing All Over Johannesburg, South Africa—Twenty-Fourth Annual Dance Umbrella (review)

pp. 95-99

Einstein on the Beach by Robert Wilson and Philip Glass (review)

pp. 99-101

On the Beach by Jonah Bokaer and Davide Balliano (review)

pp. 101-102

And God Created Great Whales by Rinde Eckert (review)

pp. 103-105

The Agony and Ecstasy of Steve Jobs by Mike Daisey (review)

pp. 105-106

The Physicists by Friedrich Dürrenmatt (review)

pp. 107-109

La Trilogie de la Villégiature by Carlo Goldoni (review)

pp. 109-111

The Beloved by Amir Nizar Zuabi (review)

pp. 111-113

The Amen Corner by James Baldwin, and: Are You Now or Have You Ever Been . . . by Carlyle Brown (review)

pp. 113-117

Poetic Portraits of a Revolution by Will McInerney and Kane Smego (review)

pp. 117-119

Urban Death by Zombie Joe (review)

pp. 119-120

Devising the Performance, Comedy Festival by Neos Kosmos Theatre (review)

pp. 120-123

The Merchant of Venice by William Shakespeare (review)

pp. 123-125

Review Essay

Indonesian Theatre: New North American Scholarship on Modern and Traditional Performance Practices

pp. 127-135

Book Reviews

The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs by Beth Osnes (review)

pp. 137-138

Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation ed. by Anthony Jackson and Jenny Kidd, and: Performing Remains: Art and War in Times of Theatrical Reenactment by Rebecca Schneider (review)

pp. 138-141

Theater of the People: Spectators and Society in Ancient Athens by David Kawalko Roselli (review)

pp. 141-142

Sacred Folly: A New History of the Feast of Fools by Max Harris (review)

pp. 142-144

The Oxford Handbook of Thomas Middleton ed. by Gary Taylor and Trish Thomas Henley (review)

pp. 144-145

Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda by Patrick J. Cook (review)

pp. 145-146

Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century by Matthew Solomon (review)

pp. 146-148

Artaud and His Doubles by Kimberly Jannarone (review)

pp. 148-149

Russian Culture and Theatrical Performance in America, 1891–1933 by Valleri J. Hohman (review)

pp. 149-150

Jews on Broadway: An Historical Survey of Performers, Playwrights, Composers, Lyricists and Producers by Stewart F. Lane, and: Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht (review)

pp. 150-152

The Spaces of Irish Drama: Stage and Place in Contemporary Plays by Helen Heusner Lojek (review)

pp. 152-153

Books Received

pp. 154-162

Research Areas


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