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Table of Contents

  1. The Half-Life
  2. Annie Penfield
  3. pp. 1-11
  4. DOI: https://doi.org/10.1353/fge.2013.0484
  5. restricted access
  1. The Expressionists: The Intimate Craft of Making Eyes
  2. Dan Roche
  3. pp. 13-29
  4. DOI: https://doi.org/10.1353/fge.2013.0488
  5. restricted access
  1. Collecting Flies
  2. Carla Conforto
  3. pp. 31-35
  4. DOI: https://doi.org/10.1353/fge.2013.0492
  5. restricted access
  1. Warp Thread
  2. Leslie Hsu Oh
  3. pp. 37-45
  4. DOI: https://doi.org/10.1353/fge.2013.0496
  5. restricted access
  1. A Little Note
  2. Cassie Keller Cole
  3. pp. 47-49
  4. DOI: https://doi.org/10.1353/fge.2013.0473
  5. restricted access
  1. The Lost Coast
  2. Rose Whitmore
  3. pp. 51-58
  4. DOI: https://doi.org/10.1353/fge.2013.0478
  5. restricted access
  1. Dark Matter
  2. Susanne Antonetta
  3. pp. 59-63
  4. DOI: https://doi.org/10.1353/fge.2013.0482
  5. restricted access
  1. The Turn
  2. Julia Shipley
  3. pp. 65-70
  4. DOI: https://doi.org/10.1353/fge.2013.0486
  5. restricted access
  1. Strip
  2. Marya Hornbacher
  3. pp. 71-84
  4. DOI: https://doi.org/10.1353/fge.2013.0490
  5. restricted access
  1. Ethan Lockwood
  2. Angela Stewart
  3. pp. 85-87
  4. DOI: https://doi.org/10.1353/fge.2013.0494
  5. restricted access
  1. Colonel Tandja’s Country
  2. Peter Chilson
  3. pp. 89-102
  4. DOI: https://doi.org/10.1353/fge.2013.0498
  5. restricted access
  1. Talk
  2. Naton Leslie
  3. pp. 103-113
  4. DOI: https://doi.org/10.1353/fge.2013.0476
  5. restricted access
  1. Autobiography: An A–Z
  2. Priscilla Long
  3. pp. 115-121
  4. DOI: https://doi.org/10.1353/fge.2013.0481
  5. restricted access
  1. The Question
  2. Madhu Narayan
  3. pp. 123-124
  4. DOI: https://doi.org/10.1353/fge.2013.0485
  5. restricted access
  1. On Failure and Forgiveness: Commentary on “The Question”
  2. Madhu Narayan
  3. pp. 125-131
  4. DOI: https://doi.org/10.1353/fge.2013.0489
  5. restricted access
  1. Three Ways of Looking at a Headstand
  2. Katie Karnehm
  3. pp. 133-139
  4. DOI: https://doi.org/10.1353/fge.2013.0493
  5. restricted access
  1. Approaching the Headstand: Commentary on “Three Ways of Looking at a Headstand”
  2. Katie Karnehm
  3. pp. 141-148
  4. DOI: https://doi.org/10.1353/fge.2013.0497
  5. restricted access
  1. Virginia Woolf’s “Street Haunting” and the Art of Digressive Passage
  2. Tracy Seeley
  3. pp. 149-159
  4. DOI: https://doi.org/10.1353/fge.2013.0474
  5. restricted access
  1. Graphic Memoirs Come of Age
  2. William Bradley
  3. pp. 161-165
  4. DOI: https://doi.org/10.1353/fge.2013.0479
  5. restricted access
  1. “Pop Wrote the Boy”: The Personal-Critical Essayist and Hybrid-Critical Memoir
  2. Alexandra Salerno
  3. pp. 167-174
  4. DOI: https://doi.org/10.1353/fge.2013.0483
  5. restricted access
  1. Writing From The Body: Memoirs By Women
  2. Suzanne Koven
  3. pp. 175-181
  4. DOI: https://doi.org/10.1353/fge.2013.0487
  5. restricted access
  1. The Rise and Fall of Travel Writing
  2. Frank Izaguirre
  3. pp. 183-188
  4. DOI: https://doi.org/10.1353/fge.2013.0491
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  1. American Lives, Essays, and Memoirs
  2. Sonya Huber
  3. pp. 189-195
  4. DOI: https://doi.org/10.1353/fge.2013.0495
  5. restricted access
  1. On Nature Writing in the Nuclear Age
  2. Cassandra Kircher
  3. pp. 197-203
  4. DOI: https://doi.org/10.1353/fge.2013.0499
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  1. Editor’s Note
  2. Laura Julier
  3. pp. v-viii
  4. DOI: https://doi.org/10.1353/fge.2013.0475
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  1. About the Contributors
  3. pp. 205-209
  4. DOI: https://doi.org/10.1353/fge.2013.0477
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