1. “In My Selfe the Smart I Try”: Female Promiscuity in Astrophil and Stella
  2. Melissa E. Sanchez
  3. pp. 1-27
  4. DOI: 10.1353/elh.2013.0010
  5. restricted access View | Download |
  1. Faustus, Confession, and the Sins of Omission
  2. John Parker
  3. pp. 29-59
  4. DOI: 10.1353/elh.2013.0005
  5. restricted access View | Download |
  1. Community, Credit, and the Prodigal Husband on the Early Modern Stage
  2. Jennifer Panek
  3. pp. 61-92
  4. DOI: 10.1353/elh.2013.0007
  5. restricted access View | Download |
  1. Studies in Uniquity: Horace Walpole’s Singular Collection
  2. James D. Lilley
  3. pp. 93-124
  4. DOI: 10.1353/elh.2013.0009
  5. restricted access View | Download |
  1. Psyche: Mirror and Mind in Vanity Fair
  2. Heather Brink-Roby
  3. pp. 125-147
  4. DOI: 10.1353/elh.2013.0001
  5. restricted access View | Download |
  1. Emotional Insanity, Cynical Reason, and The Gilded Age
  2. Nathan Wolff
  3. pp. 173-197
  4. DOI: 10.1353/elh.2013.0003
  5. restricted access View | Download |
  1. Virgilian Chesnutt: Eclogues of Slavery and Georgics of Reconstruction in the Conjure Tales
  2. Sarah Wagner-McCoy
  3. pp. 199-220
  4. DOI: 10.1353/elh.2013.0004
  5. restricted access View | Download |
  1. An Honest Decade: William Empson and the Ambiguities of Writing in the 1930s
  2. Benjamin Kohlmann
  3. pp. 221-249
  4. DOI: 10.1353/elh.2013.0006
  5. restricted access View | Download |
  1. “Swastika arms of passage leading to nothing”: Late Modernism and the “New” Britain
  2. Ashley Maher
  3. pp. 251-285
  4. DOI: 10.1353/elh.2013.0008
  5. restricted access View | Download |