1. William Bretton, Publisher of Fine Books, 1506–10
  2. Anne F. Sutton
  3. pp. 3-17
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  1. Who Printed Milton’s Tetrachordon (1645)?
  2. Sharon Achinstein, Benjamin Burton
  3. pp. 18-44
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  1. Making Books for Mr Murray: The Case of Edward Parry’s Third Arctic Narrative
  2. Janice Cavell
  3. pp. 45-69
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  1. Printers’ Flowers as Evidence in the Identification of Unknown Printers: Two Examples From 1715
  2. Hazel Wilkinson
  3. pp. 70-79
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  1. Loans from the Library of Sir Edward Sherburne and the 1685 English Translation of Xenophon
  2. William Poole
  3. pp. 80-87
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  1. Pages from the Past: Medieval Writing Skills and Manuscript Books by M. B. Parkes (review)
  2. James Willoughby
  3. pp. 88-89
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  1. La biblioteca del cardinal Pietro Bembo by Massimo Danzi (review)
  2. Cecil H. Clough
  3. pp. 89-90
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  1. L’Hébreu dans le livre à Genève au XVIe siècle by Lyse Schwarzfuchs (review)
  2. Adri K. Offenberg
  3. pp. 91-92
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  1. Catalogo del fondo librario antico della Fondazione Giorgio Cini by Dennis Rhodes (review)
  2. Neil Harris
  3. pp. 92-95
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  1. Reading Augustine in the Reformation: The Flexibility of Intellectual Authority in Europe 1500–1620 by Arnoud S. Q. Visser (review)
  2. Kristian Jensen
  3. pp. 95-97
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  1. What is a Book? The Study of Early Printed Books by Joseph A. Dane (review)
  2. David Pearson
  3. pp. 97-99
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  1. A Bibliography of Unauthorised American Editions of The Tale of Peter Rabbit by Beatrix Potter 1904–1980 by John R. Turner (review)
  2. Karen Attar
  3. pp. 99-100
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  1. Recent Books
  2. pp. 101-108
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  1. Recent Periodicals
  2. Robert Laurie, John L. Flood
  3. pp. 109-118
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  1. Books Received
  2. p. 119
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  1. Notes on Contributors
  2. pp. 120-121
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