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In this Issue

Table of Contents

  1. Instrumental Music and ‘Conversazione’ in Early Seicento Venice: Biagio Marini’s ‘Affetti Musicali’ (1617)
  2. Rebecca Cypess
  3. pp. 453-478
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  1. The Picturesque Oratorio: Haydn’s Art in Nature’s Clothing
  2. Stephen Groves
  3. pp. 479-512
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  1. ‘About as Wild and Barbaric as Well could be Imagined ...’: The Critical Reception of Rimsky-Korsakov in Nineteenth-Century England
  2. Stephen Muir
  3. pp. 513-542
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  1. Detective Agency?: Scoring the Amateur Female Investigator in 1940s Hollywood
  2. Catherine Haworth
  3. pp. 543-573
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  1. New Approaches to Tonal Theory
  2. Robert Hasegawa
  3. pp. 574-593
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  1. Il barbiere di Siviglia by Gioachino Rossini (review)
  2. Martin Deasy
  3. pp. 594-596
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  1. Reflections on Musical Meaning and its Representations by Leo Treitler (review)
  2. Arnold Whittall
  3. pp. 596-598
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  1. Historical Dictionary of English Music ca. 1400–1958 ed. by Charles Edward McGuire, Steven E. Plank (review)
  2. John Caldwell
  3. pp. 598-600
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  1. Life after Death: The Viola da Gamba in Britain from Purcell to Dolmetsch by Peter Holman (review)
  2. Ian Woodfield
  3. pp. 600-602
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  1. Handel’s Israelite Oratorio Libretti: Sacred Drama and Biblical Exegesis by Deborah W. Rooke (review)
  2. Ruth Smith
  3. pp. 602-605
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  1. The Music Trade in Georgian England ed. by Michael Kassler (review)
  2. Susan Wollenberg
  3. pp. 605-607
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  1. Interpreting Music by Lawrence Kramer (review)
  2. Michael Spitzer
  3. pp. 607-610
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  1. Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form by Benedict Taylor (review)
  2. Laura Tunbridge
  3. pp. 610-611
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  1. The Collected Writings of Franz Liszt ed. by Janita R. Hall-Swadley (review)
  2. Anna Harwell Celenza
  3. pp. 611-614
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  1. The Performing Style of Alexander Scriabin by Anatole Leikin (review)
  2. David Fanning
  3. pp. 614-615
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  1. Charles Koechlin: Compositeur et humaniste ed. by Philippe Cathé, Sylvie Douche, and Michel Duchesneau (review)
  2. Deborah Mawer
  3. pp. 615-617
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  1. Ravel by Roger Nichols (review)
  2. Michael J. Puri
  3. pp. 617-622
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  1. Karel Husa: Skladatel mezi Evropou a Amerikou by Jiří Vysloužil (review)
  2. John Tyrrell
  3. pp. 622-623
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  1. Building Blocks: Repetition and Continuity in the Music of Stravinsky by Gretchen Horlacher (review)
  2. Katerina Levidou
  3. pp. 624-626
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  1. Klangperspektiven by Lucas Haselböck (review)
  2. Björn Heile
  3. pp. 626-629
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  1. Elliott Carter by James Wierzbicki (review)
  2. John Link
  3. pp. 629-632
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  1. John Adams’s Nixon in China: Musical Analysis, Historical and Political Perspectives by Timothy A. Johnson (review)
  2. Arnold Whittall
  3. pp. 632-634
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  1. The Hollywood Film Music Reader ed. by Mervyn Cooke (review)
  2. Julie Brown
  3. pp. 634-635
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  1. Extraordinary Measures: Disability in Music by Joseph Straus (review)
  2. Alex Lubet
  3. pp. 635-639
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  1. Play It Again: Cover Songs in Popular Music ed. by George Plasketes (review)
  2. Melissa Hok Cee Wong
  3. pp. 639-641
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  1. Correction
  3. p. 642
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  1. The Westrup Prize
  3. p. 643
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  1. Recipients of ‘Music & Letters’ Awards
  3. p. 643
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  1. ‘Music & Letters’ Awards
  3. p. 646
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  1. Authors of Articles in this Issue
  3. p. 646
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  1. Reviews of Books: Index: (Reviewers’ names in parentheses)
  3. pp. iii-v
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  1. Books Received
  3. pp. 647-648
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