1. The Anxiety of Audience: Economies of Readership in James’s Hawthorne
  2. Gordon Fraser
  3. pp. 1-15
  4. DOI: 10.1353/hjr.2013.0005
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  1. Henry James’s Syntax of Surprise
  2. Kate Stanley
  3. pp. 16-32
  4. DOI: 10.1353/hjr.2013.0007
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  1. Conscience and Consciousness in The Ambassadors: Epistemology, Focalization, and Narrative Ethics
  2. Joshua Held
  3. pp. 33-46
  4. DOI: 10.1353/hjr.2013.0009
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  1. “Our Habit Saves You”: Peircean Subjectivity in “The Beast in the Jungle”
  2. Gregory Phipps
  3. pp. 47-63
  4. DOI: 10.1353/hjr.2013.0001
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  1. “As an artist and as a bachelor”: The Sexual Dynamics of “The Liar”
  2. Peter Collister
  3. pp. 64-82
  4. DOI: 10.1353/hjr.2013.0002
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  1. The Beast to Come: Henry James and the Writing of Queer Messianism
  2. Benjamin Bateman
  3. pp. 83-97
  4. DOI: 10.1353/hjr.2013.0003
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  1. Queer Footing: Pedestrian Politics and the Problem of Queer Difference in The Princess Casamassima
  2. Ben Nichols
  3. pp. 98-111
  4. DOI: 10.1353/hjr.2013.0004
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  1. Power Underestimated: American Women Art Collectors by Rosella Mamoli Zorzi (review)
  2. Dianne Sachko Macleod
  3. pp. E-1-E-4
  4. DOI: 10.1353/hjr.2013.0006
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  1. Henry James and the Queerness of Style by Kevin Ohi (review)
  2. Ruth Bernard Yeazell
  3. pp. E-4-E-8
  4. DOI: 10.1353/hjr.2013.0008
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  1. Henry James and the Supernatural ed. by Anna Despotopoulou and Kimberly C. Reed (review)
  2. Dennis Pahl
  3. pp. E-8-E-13
  4. DOI: 10.1353/hjr.2013.0000
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