1. Memento mori: The slow death of The X-Files
  2. Simon Brown
  3. pp. 7-22
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  1. 'Mulder, have you noticed that we're on television?': 'X-Cops', style and innovation
  2. Lorna Jowett
  3. pp. 23-38
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  1. William Gibson's 'cyberpunk' X-Files
  2. Bronwen Calvert
  3. pp. 39-53
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  1. Catholicism in The X-Files: Dana Scully and the harmony of faith and reason
  2. Regina Hansen
  3. pp. 55-69
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  1. Be fearful: The X-Files' post-9/11 legacy
  2. Enrica Picarelli, M. Carmen Gomez-Galisteo
  3. pp. 71-85
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  1. 'What am I looking at, Mulder?': Licensed comics and the freedoms of transmedia storytelling
  2. Nicolas Pillai
  3. pp. 101-117
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  1. Contagion by Steven Soderbergh (review)
  2. Brent Bellamy
  3. pp. 119-123
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  1. Hive Mind by Ladd Ehlinger, Jr (review)
  2. Rob Latham
  3. pp. 123-126
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  1. Angel by Stacey Abbott (review)
  2. Rhonda V. Wilcox
  3. pp. 127-130
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  1. From the Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century ed. by John Cline and Robert G. Weiner (review)
  2. Jeff Hicks
  3. pp. 131-135
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  1. Colonialism and the Emergence of Science Fiction by John Rieder (review)
  2. Andrew Milner
  3. pp. 138-142
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  1. TARDISbound: Navigating the Universes of Doctor Who by Piers Britton (review)
  2. Matt Hills
  3. pp. 142-145
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  1. Foreword
  2. Frank Spotnitz
  3. pp. iii-iv
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  1. Introduction: The truth is (still) out there: The X-Files twenty years on
  2. Stacey Abbott, Simon Brown
  3. pp. 1-6
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  1. The fan-media producer collaboration: How fan relationships are managed in a post-series X-Files fandom
  2. Bertha Chin
  3. pp. 87-99
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  1. About the contributors
  2. pp. 147-149
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