1. Innovation for Survival?: Dama Orchestra’s Butterfly Lovers—The Musical on a Contemporary Multiracial Malaysian Stage
  2. Loo Fung Ying, Loo Fung Chiat
  3. pp. 339-356
  4. DOI: 10.1353/atj.2012.0052
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  1. Kee Thuan Chye’s Political Plays: An Analysis
  2. Susan Philip
  3. pp. 357-378
  4. DOI: 10.1353/atj.2012.0034
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  1. Revisiting Pencak Silat: The Malay Martial Arts in Theatre Practice and Actor Training
  2. Zainal Abdul Latiff
  3. pp. 379-401
  4. DOI: 10.1353/atj.2012.0037
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  1. Malaysian Theatre Resources
  2. Nancy Nanney
  3. pp. 402-418
  4. DOI: 10.1353/atj.2012.0040
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  1. Staging Raja Tangkai Hati at Istana Budaya: Modernizing Malaysian Mak Yong
  2. Kathy Foley, Sabzali Musa Kahn
  3. pp. 419-436
  4. DOI: 10.1353/atj.2012.0043
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  1. Reviewing Makyung Dewa Indera, Indera Dewa
  2. Elezaa Zainuddin
  3. pp. 437-444
  4. DOI: 10.1353/atj.2012.0046
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  1. Report: The Mak Yong Spiritual Dance Heritage Conference, Performances, and Workshops
  2. Zulkifli Mohamad
  3. pp. 445-460
  4. DOI: 10.1353/atj.2012.0050
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  1. The Secret Life of Nora (review)
  2. Zulkifli Mohamad
  3. pp. 461-465
  4. DOI: 10.1353/atj.2012.0033
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  1. Revitalizing Arja in Globalized Bali
  2. I Wayan Dibia
  3. pp. 466-494
  4. DOI: 10.1353/atj.2012.0036
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  1. Ali Nassirian and a Modern Iranian “National” Theatre
  2. Behzad Ghaderi Sohi, Masoud Ghorbaninejad
  3. pp. 495-527
  4. DOI: 10.1353/atj.2012.0039
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  1. Memorializing Colonialism: Images of the Japanese Occupation of Indonesia in Japanese Popular Theatre
  2. Peter Steele
  3. pp. 528-549
  4. DOI: 10.1353/atj.2012.0042
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  1. Eyescape: Aesthetics of “Seeing” in Kudiyattam
  2. Arya Madhavan
  3. pp. 550-570
  4. DOI: 10.1353/atj.2012.0045
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  1. Kabuki for the West (review)
  2. Holly A. Blumner
  3. pp. 571-573
  4. DOI: 10.1353/atj.2012.0049
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  1. In Search of Korean Traditional Opera: Discourses of Ch’anggŭk (review)
  2. Areum Jeong
  3. pp. 574-576
  4. DOI: 10.1353/atj.2012.0032
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  1. La Fête-spectacle: Théâtre et rite au Nepal (review)
  2. Kathy Foley
  3. pp. 576-577
  4. DOI: 10.1353/atj.2012.0035
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  1. The Dancing Word: An Embodied Approach to the Preparation of Performers and the Composition of Performances (review)
  2. Zainal Abdul Latiff
  3. pp. 577-580
  4. DOI: 10.1353/atj.2012.0038
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  1. British South Asian Theatres: A Documented History (review)
  2. Kathy Foley
  3. pp. 580-582
  4. DOI: 10.1353/atj.2012.0041
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  1. The Orientations Trilogy: Theatre and Gender: Asia and Europe (review)
  2. Kathy Foley
  3. pp. 582-584
  4. DOI: 10.1353/atj.2012.0044
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  1. From the Editor
  2. Kathy Foley
  3. p. iii
  4. DOI: 10.1353/atj.2012.0051
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  1. Books Received
  3. p. 585
  4. DOI: 10.1353/atj.2012.0047
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  1. Color Insert
  3. pp. Color Insert 1-Color Insert 6
  4. DOI: 10.1353/atj.2012.0048
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