Volume 69, Number 3, March 2013

Table of Contents

Music Publishing by Subscription in 1820s France: A Preliminary Study

pp. 453-471
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What Employers Want: Entry-Level Qualifications for Music Librarians

pp. 472-493
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Music Discovery Requirements: A Guide to Optimizing Interfaces

pp. 494-524
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Notes for Notes

Notes for Notes

pp. 525-526
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Book Reviews

Outsiders

Performing Pain: Music and Trauma in Eastern Europe by Maria Cizmic (review)

pp. 527-529
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In Search of Song: The Life and Times of Lucy Broadwood by Dorothy de Val (review)

pp. 529-531
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Selbstlose Musik. Texte, Briefe, Gespräche by Karel Goeyvaerts (review)

pp. 531-535
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Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner by David Conway (review)

pp. 535-537
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France

Music and the Language of Love: Seventeenth-Century French Airs by Catherine Gordon-Seifert (review)

pp. 537-539
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Staging the French Revolution: Cultural Politics and the Paris Opéra, 1789–1794 by Mark Darlow (review)

pp. 539-541
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Germans

Richard Strauss: A Musical Life by Raymond Holden (review)

pp. 541-544
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Brahms und Ungarn. Biographische, rezeptionsgeschichtliche, quellenkritische und analytische Studien by Adam Gellen (review)

pp. 544-546
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(North) Americana

John Philip Sousa’s America: The Patriot’s Life in Images and Words by John Philip Sousa IV and Loras John Schissel, and: “Bully for the Band!”: The Civil War Letters and Diary of Four Brothers in the 10thVermont Infantry Band: Charles George, Herbert George, Jere George and Osman George ed. by James G. Davis, and: Connecticut’s Fife & Drum Tradition by James Clark (review)

pp. 547-551
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Bruce Springsteen, Cultural Studies, and the Runaway American Dream. ed. by Kenneth Womack et al. (review)

pp. 551-552
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Unheard Of: Memoirs of a Canadian Composer by John Beckwith (review)

pp. 553-555
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John Adams’s Nixon in China: Musical Analysis, Historical and Political Perspectives by Timothy A. Johnson (review)

pp. 555-557
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Norman Granz: The Man Who Used Jazz for Justice by Tad Hershorn (review)

pp. 557-559
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Music and Markets

The Perilous Life of Symphony Orchestras: Artistic Triumphs and Economic Challenges by Robert J. Flanagan (review)

pp. 559-562
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Music, Movies, Meanings and Markets: Cinemajazzamatazz by Morris B. Holbrook (review)

pp. 563-564
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Ravel

Ravel by Roger Nichols (review)

pp. 564-566
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Ravel the Decadent: Memory, Sublimation, and Desire by Michael J. Puri (review)

pp. 566-569
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Sibelius

Jean Sibelius by Tomi Mäkelä, and: Jean Sibelius and His World ed. by Daniel M. Grimley (review)

pp. 569-571
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The Correspondence of Jean Sibelius and Rosa Newmarch, 1906–1939 ed. by Philip Ross (review)

pp. 572-574
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Musical Theater

The Oxford Handbook of the American Musicaled. by Raymond Knapp et al. (review)

pp. 574-577
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Weill’s Musical Theater: Stages of Reform by Stephen Hinton (review)

pp. 577-579
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Irving Berlin’s American Musical Theater by Jeffrey Magee (review)

pp. 579-581
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The Irving Berlin Reader ed. by Benjamin Sears (review)

pp. 581-582
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Books Recently Published

Books Recently Published

pp. 583-594
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New Periodicals

New Periodicals

pp. 595-598
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Digital Media Reviews

Academic Charts Online: International Popular Music (review)

pp. 599-602
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LibraryMusicSource.com (review)

pp. 602-603
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Video Reviews

Il Giasone by Francesco Cavalli (review)

p. 604
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Orlando furioso by Antonio Vivaldi (review)

p. 605
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Lohengrin by Richard Wagner, and: Parsifal by Richard Wagner (review)

pp. 605-607
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Cendrillon by Jules Massenet (review)

pp. 607-608
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Elektra by Richard Strauss (review)

pp. 608-609
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Die Dollarprinzessin by Leo Fall, and: Zigeunerliebe by Franz Lehár, and: Die Zirkusprinzessin by Emmerich Kálmán (review)

pp. 609-611
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Luci mie traditrici by Salvatore Sciarrino (review)

pp. 611-612
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Sacred Music, God's Composer by Tomás Luis de Victoria (review)

pp. 612-613
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Daniel Barenboim Plays Bach Goldberg Variations Directed by Christopher Nupen (review)

p. 613
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Traces to Nowhere, The Conductor Carlos Kleiber Directed by Eric Schulz, and: Music is the Language of the Heart and Soul: A Portrait of Mariss Jansons Directed by Robert Neumüller, and: Carmen by Georges Bizet (review)

pp. 614-616
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Easter Suite by Oscar Peterson (review)

pp. 616-617
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Chick Corea and Friedrich Gulda, The Meeting Directed by Janos Darvas (review)

pp. 617-618
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Salt of the Earth Directed by Sophie Meyer, and: Mystic Fighters Directed by Sophie Meyer (review)

pp. 618-620
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The Guitar and a Journey of Two, A Personal Glimpse at How Two People and Two Guitars Became One Directed by David Dusman (review)

p. 620
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Music Reviews

Ives Fourth Symphony

pp. 621-625
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Weill Popular Adaptations

pp. 625-628
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Handel’s Samson

pp. 628-632
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Music Received

Music Received

pp. 633-642
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