We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 3, Number 1, Spring 2003

Table of Contents

From: The Moving Image

Next Issue

Editor's Foreword

pp. vi-ix
|

Articles

Documenting the Process of Film Preservation

pp. 1-41
|

Preserving African-American Cinema: The Case of The Emperor Jones (1933)

pp. 42-58
|

Preserving Pickford: The Mary Pickford Collection and the Library of Congress

pp. 59-81
|

More Than Morality: The Indian Cinematograph Committee Interviews (1927)

pp. 82-109
|

Fragmentation and Segmentation in the Lumière "Animated Views"

pp. 110-131
|

Forum

Film Archiving as a Profession: An Interview with Eileen Bowser

pp. 132-146
|

Developing Preservation Appraisal Criteria for a Public Broadcasting Station

pp. 146-157
|

Reviews

Conference

Cinema 2, Il Cinema Ritrovato, Bologna, Italy, July 2002 (review)

pp. 158-161
|

Magical History Film and Video Bus Tour, Florida Moving Image Archive, January 2002 (review)

pp. 161-163
|

Film

The Cedar Bar (2001) (review)

pp. 164-167
|

Chris Marker's A Grin without a Cat (1993, France) (review)

pp. 167-170
|

Pepe le moko (review)

pp. 171-173
|

The Endurance: Shackleton's Legendary Antarctic Expedition (2001), and: Shackleton's Voyage of Endurance (2002), and: 90 o South: With Scott to the Antarctic (1933), and: South: Ernest Shackleton and the Endurance Expedition (1919), and: Shackleton's Antarctic Adventure (2001) (review)

pp. 174-178
|

Book

Exhibition, The Film Reader (review)

pp. 178-181
|

Moviegoing in America (review)

pp. 181-185
|

Cinema 16: Documents toward a History of the Film Society (review)

pp. 185-188
|

The Death of Cinema: History, Cultural Memory, and the Digital Dark Age (review)

pp. 188-190
|

Ken Burns's America (review)

pp. 190-192
|

Contributors

pp. 193-195
|

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access