We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 47, Number 2, Summer 2004

Table of Contents


pp. 165-176

Wonder in the Heart of Empire: Deborah Warner's Medea and The Angel Project

pp. 177-199

Blackout: Utopian Technologies in Adrienne Kennedy's Funnyhouse of a Negro

pp. 200-218

This Is Home, This Isn't Home: Reza Abdoh's Tight Right White

pp. 219-236

Death and Desire, Apocalypse and Utopia: Feminist Gestus and the Utopian Performative in the Plays of Naomi Wallace

pp. 237-249

Urban Bush Women: Finding Shelter in the Utopian Ensemble

pp. 250-268

Choreographies of Resistance: Latina/o Queer Dance and the Utopian Performative

pp. 269-289

Dancing Other-Wise: Ethics, Metaphysics, and Utopia in Hae Kyung Lee and Dancers

pp. 290-308

"Something Better than This": Sweet Charity and the Feminist Utopia of Broadway Musicals

pp. 309-332


Theatricality ed. by Tracy C. Davis and Thomas Postlewait (review)

pp. 333-334

Medea's Daughters: Forming and Performing the Woman Who Kills by Jennifer Jones (review)

pp. 334-337

Mama Dada: Gertrude Stein's Avant-Garde Theater by Sarah Bay-Cheng (review)

pp. 337-339

Voices Made Flesh: Performing Women's Autobiography ed. by Lynn C. Miller, Jacqueline Taylor, and Heather Carver (review)

pp. 339-342

Negotiating Cultures: Eugenio Barba and the Intercultural Debate ed. by Ian Watson (review)

pp. 342-344

A Problem Like Maria: Gender and Sexuality in the American Musical by Stacy Wolf (review)

pp. 344-346


pp. 347-348

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access