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  Volume 47, Number 1, Spring 2004

Table of Contents

The Failure of History: Kushner's Homebody/Kabul and the Apocalyptic Context

pp. 1-20 | DOI: 10.1353/mdr.2004.0050

Traps, Softcops, Blue Heart, and This Is a Chair: Tracking Epistemological Upheaval in Caryl Churchill's Shorter Plays

pp. 21-43 | DOI: 10.1353/mdr.2004.0022

Sex, Lies, and Revisions: Historicizing Hellman's The Children's Hour

pp. 44-65 | DOI: 10.1353/mdr.2004.0060

Amputation, Phantom Limbs, and Spectral Agency in Shakespeare's Titus Andronicus and Normand Chaurette's Les Reines

pp. 66-81 | DOI: 10.1353/mdr.2004.0012

Masks of Language, Culture, and Community: "Sweet Revenge" in Marie Laberge's Le Night Cap Bar

pp. 82-97 | DOI: 10.1353/mdr.2004.0002

"Swallowing the Lie" in Betty Lambert's Jennie's Story

pp. 98-113 | DOI: 10.1353/mdr.2004.0041

Staging Schizophrenia: The Workman Theatre Project and Terry Watada's Vincent

pp. 114-132 | DOI: 10.1353/mdr.2004.0032

Living on the Edge: Memory, Material Circumstances, and Perception in the Theatre of Kama Ginkas

pp. 133-148 | DOI: 10.1353/mdr.2004.0008

Reviews

New Readings in Theatre History by Jacky Bratton (review)

pp. 149-151 | DOI: 10.1353/mdr.2004.0006

Feminist Views on the English Stage: Women Playwrights, 1990-2000 by Elaine Aston (review)

pp. 151-153 | DOI: 10.1353/mdr.2004.0016

Analyzing Performance: Theater, Dance, and Film by Patrice Pavis (review)

pp. 153-155 | DOI: 10.1353/mdr.2004.0026

Beckett and Aesthetics by Daneil Albright (review)

pp. 155-157 | DOI: 10.1353/mdr.2004.0036

"Other" Spanish Theatres: Erasure and Inscription on the Twentieth-Century Spanish Stage by Maria Delgado (review)

pp. 157-159 | DOI: 10.1353/mdr.2004.0045

A Short History of Western Performance Space by David Wiles (review)

pp. 159-161 | DOI: 10.1353/mdr.2004.0054

Contributors

pp. 162-163 | DOI: 10.1353/mdr.2004.0058

Research Areas

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