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  Volume 46, Number 3, Fall 2003

Table of Contents

Mother Courage and Its Abject: Reading the Violence of Identification

pp. 339-357

The Configurations of Gender in Tomson Highway's Dry Lips Oughta Move to Kapuskasing

pp. 358-380

Antigone's Bodies: Performing Torture

pp. 381-403

Been There, Done That: Paving the Way for The Vagina Monologues

pp. 404-423

Clay and Clara: Baraka's Dutchman, Kennedy's The Owl Answers, and the Black Arts Movement

pp. 424-449

"The Future of Old Trinidad": The Performance of National Cultural Identity in Two Plays by Derek Walcott

pp. 450-469

Brian Friel and the Scene of Writing: Reading Give Me Your Answer, Do!

pp. 470-481

"What Is Carnal Embrace?": Learning to Converse in Stoppard's Arcadia

pp. 482-502


Performing Canada: The Nation Enacted in the Imagined Theatre by Alan Filewod (review)

pp. 503-505

Twelve Opening Acts by Michel Tremblay (review)

pp. 505-507

Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium ed. by Marc Maufort and Franca Bellarsi (review)

pp. 508-513

Body Show/s: Australian Viewings of Live Performance ed. by Peta Tait (review)

pp. 513-516

Mapping Cultural Identity in Contemporary Australian Performance by Helen Grehan (review)

pp. 516-518

Theatre and the State in Twentieth-Century Ireland: Cultivating the People by Lionel Pilkington (review)

pp. 518-520

Theatre, Society and the Nation: Staging American Identities by S. E. Wilmer (review)

pp. 520-522

McKee Rankin and the Heyday of the American Theater by David Beasley (review)

pp. 522-525

Susan Glaspell in Context: American Theater, Culture, and Politics, 1915-48 by J. Ellen Gainor (review)

pp. 525-527

O'Neill: Long Day's Journey into Night by Brenda Murphy (review)

pp. 527-530

The Undiscovered Country: The Later Plays of Tennessee Williams ed. by Philip C. Kolin (review)

pp. 530-532

Playwrights in Rehearsal: The Seduction of Company by Susan Letzler Cole (review)

pp. 533-534


pp. 535-536

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