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  Volume 46, Number 3, Fall 2003

Table of Contents

Mother Courage and Its Abject: Reading the Violence of Identification

pp. 339-357
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The Configurations of Gender in Tomson Highway's Dry Lips Oughta Move to Kapuskasing

pp. 358-380
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Antigone's Bodies: Performing Torture

pp. 381-403
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Been There, Done That: Paving the Way for The Vagina Monologues

pp. 404-423
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Clay and Clara: Baraka's Dutchman, Kennedy's The Owl Answers, and the Black Arts Movement

pp. 424-449
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"The Future of Old Trinidad": The Performance of National Cultural Identity in Two Plays by Derek Walcott

pp. 450-469
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Brian Friel and the Scene of Writing: Reading Give Me Your Answer, Do!

pp. 470-481
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"What Is Carnal Embrace?": Learning to Converse in Stoppard's Arcadia

pp. 482-502
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Reviews

Performing Canada: The Nation Enacted in the Imagined Theatre by Alan Filewod (review)

pp. 503-505
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Twelve Opening Acts by Michel Tremblay (review)

pp. 505-507
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Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium ed. by Marc Maufort and Franca Bellarsi (review)

pp. 508-513
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Body Show/s: Australian Viewings of Live Performance ed. by Peta Tait (review)

pp. 513-516
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Mapping Cultural Identity in Contemporary Australian Performance by Helen Grehan (review)

pp. 516-518
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Theatre and the State in Twentieth-Century Ireland: Cultivating the People by Lionel Pilkington (review)

pp. 518-520
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Theatre, Society and the Nation: Staging American Identities by S. E. Wilmer (review)

pp. 520-522
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McKee Rankin and the Heyday of the American Theater by David Beasley (review)

pp. 522-525
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Susan Glaspell in Context: American Theater, Culture, and Politics, 1915-48 by J. Ellen Gainor (review)

pp. 525-527
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O'Neill: Long Day's Journey into Night by Brenda Murphy (review)

pp. 527-530
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The Undiscovered Country: The Later Plays of Tennessee Williams ed. by Philip C. Kolin (review)

pp. 530-532
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Playwrights in Rehearsal: The Seduction of Company by Susan Letzler Cole (review)

pp. 533-534
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Contributors

pp. 535-536
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Research Areas

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