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Table of Contents

  1. The "Bogus Woman": Feminism and Asylum Theatre
  2. Elaine Aston
  3. pp. 5-21
  4. DOI: https://doi.org/10.1353/mdr.2003.0038
  5. restricted access
  1. Zones of Disturbance: Staging Exile and War for Young Audiences
  2. Dragan Klaic
  3. pp. 22-34
  4. DOI: https://doi.org/10.1353/mdr.2003.0067
  5. restricted access
  1. Re-Imagining the Emigrant / Exile in Contemporary Irish Drama
  2. Mary Trotter
  3. pp. 35-54
  4. DOI: https://doi.org/10.1353/mdr.2003.0052
  5. restricted access
  1. Ödön von Horváth's Back and Forth: Teetering between Exile and Return
  2. Paul M. Malone
  3. pp. 55-72
  4. DOI: https://doi.org/10.1353/mdr.2003.0041
  5. restricted access
  1. Performing the Future of Memory: Algerian Playwrights in France
  2. Janice B. Gross
  3. pp. 73-93
  4. DOI: https://doi.org/10.1353/mdr.2003.0055
  5. restricted access
  1. Sycorax Revisited: Exile and Absence in Performance
  2. Chin Woon Ping
  3. pp. 94-107
  4. DOI: https://doi.org/10.1353/mdr.2003.0046
  5. restricted access
  1. Exilic Blindness: The Unwritten Autobiography of a Dramatist in Paris Posthumously Dictated to A Friend
  2. Reza Baraheni
  3. pp. 113-118
  4. DOI: https://doi.org/10.1353/mdr.2003.0043
  5. restricted access
  1. Afterword: Theatre and Exile
  2. Veronika Ambros, Danielle Couture, Yana Meerzon
  3. pp. 119-121
  4. DOI: https://doi.org/10.1353/mdr.2003.0054
  5. restricted access
  1. Drama + Theory: Critical Approaches to Modern British Drama by Peter Buse (review)
  2. Susan Bennett
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/mdr.2003.0066
  5. restricted access
  1. Pinter at 70: A Casebook ed. by Lois Gordon, and: The Pinter Ethic: The Erotic Aesthetic by Penelope Prentice (review)
  2. Kellie Bean
  3. pp. 127-130
  4. DOI: https://doi.org/10.1353/mdr.2003.0071
  5. restricted access
  1. Stoppard's Theatre: Finding Order amid Chaos by John Fleming, and: The Cambridge Companion to Tom Stoppard ed. by Katherine E. Kelly (review)
  2. Kirsten Shepherd-Barr
  3. pp. 130-133
  4. DOI: https://doi.org/10.1353/mdr.2003.0040
  5. restricted access
  1. 'Love Me or Kill Me:' Sarah Kane and the Theatre of Extremes by Graham Saunders (review)
  2. Laurens De Vos
  3. pp. 134-135
  4. DOI: https://doi.org/10.1353/mdr.2003.0045
  5. restricted access
  1. Site-Specific Art: Performance, Place and Documentation by Nick Kaye (review)
  2. Andrew Houston
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/mdr.2003.0050
  5. restricted access
  1. Performing Television: Contemporary Drama and the Media Culture by Elizabeth Klaver, and: Mediated Drama / Dramatized Media ed. by Eckhart Voigts-Virchow (review)
  2. André Loiselle
  3. pp. 138-141
  4. DOI: https://doi.org/10.1353/mdr.2003.0057
  5. restricted access
  1. Ibsen, Strindberg and the Intimate Theatre: Studies in TV Presentation by Egil Törnqvist (review)
  2. John Osburn
  3. pp. 142-144
  4. DOI: https://doi.org/10.1353/mdr.2003.0063
  5. restricted access
  1. Strindberg's "The Ghost Sonata." by Egil Törnqvist (review)
  2. Robert F. Gross
  3. pp. 144-146
  4. DOI: https://doi.org/10.1353/mdr.2003.0069
  5. restricted access
  1. Exilic Perspectives: Introduction
  2. Silvija Jestrovic
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/mdr.2003.0061
  5. restricted access
  1. Introduction to Reza Baraheni's "Exilic Blindness: The Unwritten Autobiography of a Dramatist in Paris Posthumously Dictated to a Friend"
  2. Joanne MacKay-Bennett
  3. pp. 108-112
  4. DOI: https://doi.org/10.1353/mdr.2003.0036
  5. restricted access
  1. In Memorium (A Short List of Iranian Writers Who Have Died in Exile)
  3. p. 118
  4. restricted access
  1. Theory/Theatre: An introduction by Mark Fortier (review)
  2. Robin Nelson
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/mdr.2003.0060
  5. restricted access
  1. Contributors
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/mdr.2003.0048
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