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  Volume 45, Number 3, Fall 2002

Table of Contents

Introduction

pp. 335-337
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Soyinka and the Canon's Mouth

pp. 338-348
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Modernity and Its Mirages: Wole Soyinka and the African State

pp. 349-357
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The Homestead at the Exit of the Paterfamilias: African Cultural Thought after Wole Soyinka

pp. 358-377
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Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance of the Forests

pp. 378-394
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The Shifting Structures of Power in The Beatification of Area Boy

pp. 395-408
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Elesin, Cuchulain, and the Kingdom: The Culture Hero's Sacrifice

pp. 409-429
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Dramatizing Atrocities: Plays by Wole Soyinka, Francis Imbuga, and George Seremba Recalling the Idi Amin Era

pp. 430-448
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Whose Theatre, Whose Africa?: Wole Soyinka's The Road on the Road

pp. 449-450
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Reviews

Postcolonial Plays: An Anthology ed. by Helen Gilbert (review)

pp. 466-470
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Women's Intercultural Performance by Julie Holledge and Joanne Tompkins (review)

pp. 470-472
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Performing Democracy: International Perspectives on Urban Community-Based Performance ed. by Susan C. Haedicke and Tobin Nellhaus (review)

pp. 473-476
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Community Theatre: Global Perspectives by Eugene van Erven (review)

pp. 476-479
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Hamlet and the Baker's Son: My Life in Theatre and Politics by Augusto Boal (review)

pp. 479-481
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Points of Contact: Disability, Art, and Culture ed. by Susan Crutchfield and Marcy Epstein (review)

pp. 481-484
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Sideshow U.S.A.: Freaks and the American Cultural Imagination by Rachel Adams (review)

pp. 484-486
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Geographies of Learning: Theory and Practice, Activism and Performance by Jill Dolan (review)

pp. 487-489
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The Dubious Spectacle: Extremities of Theater, 1976-2000 by Herbert Blau (review)

pp. 489-491
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Contributors

pp. 492-493
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Research Areas

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