1. Soyinka and the Canon's Mouth
  2. Stephen Slemon
  3. pp. 338-348
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  1. Modernity and Its Mirages: Wole Soyinka and the African State
  2. Tejumola Olaniyan
  3. pp. 349-357
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  1. The Homestead at the Exit of the Paterfamilias: African Cultural Thought after Wole Soyinka
  2. Titi Adepitan
  3. pp. 358-377
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  1. Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance of the Forests
  2. Harry Garuba
  3. pp. 378-394
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  1. The Shifting Structures of Power in The Beatification of Area Boy
  2. Kolawole Olaiya
  3. pp. 395-408
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  1. Elesin, Cuchulain, and the Kingdom: The Culture Hero's Sacrifice
  2. A. Thomas Cavano
  3. pp. 409-429
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  1. Dramatizing Atrocities: Plays by Wole Soyinka, Francis Imbuga, and George Seremba Recalling the Idi Amin Era
  2. Modupe Olaogun
  3. pp. 430-448
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  1. Whose Theatre, Whose Africa?: Wole Soyinka's The Road on the Road
  2. Biodun Jeyifo
  3. pp. 449-450
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  1. Postcolonial Plays: An Anthology ed. by Helen Gilbert (review)
  2. Una Chaudhuri
  3. pp. 466-470
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  1. Women's Intercultural Performance by Julie Holledge and Joanne Tompkins (review)
  2. Priya Srinivasan
  3. pp. 470-472
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  1. Community Theatre: Global Perspectives by Eugene van Erven (review)
  2. Edward Little
  3. pp. 476-479
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  1. Hamlet and the Baker's Son: My Life in Theatre and Politics by Augusto Boal (review)
  2. Brian Smith
  3. pp. 479-481
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  1. Points of Contact: Disability, Art, and Culture ed. by Susan Crutchfield and Marcy Epstein (review)
  2. Ann M. Fox
  3. pp. 481-484
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  1. Sideshow U.S.A.: Freaks and the American Cultural Imagination by Rachel Adams (review)
  2. Michael M. Chemers
  3. pp. 484-486
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  1. Geographies of Learning: Theory and Practice, Activism and Performance by Jill Dolan (review)
  2. Rosalind Kerr
  3. pp. 487-489
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  1. The Dubious Spectacle: Extremities of Theater, 1976-2000 by Herbert Blau (review)
  2. Robert F. Gross
  3. pp. 489-491
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  1. Introduction
  2. Anthony Adah, Elizabeth Fitzpatrick
  3. pp. 335-337
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  1. Contributors
  2. pp. 492-493
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