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  Volume 45, Number 3, Fall 2002

Table of Contents


pp. 335-337

Soyinka and the Canon's Mouth

pp. 338-348

Modernity and Its Mirages: Wole Soyinka and the African State

pp. 349-357

The Homestead at the Exit of the Paterfamilias: African Cultural Thought after Wole Soyinka

pp. 358-377

Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance of the Forests

pp. 378-394

The Shifting Structures of Power in The Beatification of Area Boy

pp. 395-408

Elesin, Cuchulain, and the Kingdom: The Culture Hero's Sacrifice

pp. 409-429

Dramatizing Atrocities: Plays by Wole Soyinka, Francis Imbuga, and George Seremba Recalling the Idi Amin Era

pp. 430-448

Whose Theatre, Whose Africa?: Wole Soyinka's The Road on the Road

pp. 449-450


Postcolonial Plays: An Anthology ed. by Helen Gilbert (review)

pp. 466-470

Women's Intercultural Performance by Julie Holledge and Joanne Tompkins (review)

pp. 470-472

Performing Democracy: International Perspectives on Urban Community-Based Performance ed. by Susan C. Haedicke and Tobin Nellhaus (review)

pp. 473-476

Community Theatre: Global Perspectives by Eugene van Erven (review)

pp. 476-479

Hamlet and the Baker's Son: My Life in Theatre and Politics by Augusto Boal (review)

pp. 479-481

Points of Contact: Disability, Art, and Culture ed. by Susan Crutchfield and Marcy Epstein (review)

pp. 481-484

Sideshow U.S.A.: Freaks and the American Cultural Imagination by Rachel Adams (review)

pp. 484-486

Geographies of Learning: Theory and Practice, Activism and Performance by Jill Dolan (review)

pp. 487-489

The Dubious Spectacle: Extremities of Theater, 1976-2000 by Herbert Blau (review)

pp. 489-491


pp. 492-493

Research Areas


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