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In this Issue

Table of Contents

  1. Introduction
  2. Ric Knowles
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/mdr.2002.0027
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  1. Duets, Duologues, and Black Diasporic Theatre: Djanet Sears, William Shakespeare, and Others
  2. Peter Dickinson
  3. pp. 188-208
  4. DOI: https://doi.org/10.1353/mdr.2002.0038
  5. restricted access
  1. A Feminist Absurd: Margaret Hollingsworth's The House That Jack Built
  2. Celeste Derksen
  3. pp. 209-230
  4. DOI: https://doi.org/10.1353/mdr.2002.0049
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  1. Ideology as Behaviour: Identity and Realism in The Drawer Boy
  2. Marlene Moser
  3. pp. 231-245
  4. DOI: https://doi.org/10.1353/mdr.2002.0060
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  1. "No, the Centre Should Be Invisible": Radical Revisioning of Chekhov in Floyd Favel Starr's House of Sonya
  2. Rob Appleford
  3. pp. 246-258
  4. DOI: https://doi.org/10.1353/mdr.2002.0002
  5. restricted access
  1. Remembering the Trickster in Tomson Highway's The Rez Sisters
  2. Lina Perkins
  3. pp. 259-269
  4. DOI: https://doi.org/10.1353/mdr.2002.0012
  5. restricted access
  1. Hell is Other Girls: Joan MacLeod's The Shape of a Girl
  2. Shelley Scott
  3. pp. 270-281
  4. DOI: https://doi.org/10.1353/mdr.2002.0023
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  1. Panych and Gorling: "Sheer" Texts "Written" in (to) Perception
  2. Reid Gilbert
  3. pp. 282-297
  4. DOI: https://doi.org/10.1353/mdr.2002.0034
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  1. Afterword
  2. Joanne Tompkins
  3. pp. 298-301
  4. DOI: https://doi.org/10.1353/mdr.2002.0045
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Reviews

  1. The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition by Craig Stewart Walker (review)
  2. Sherrill Grace
  3. pp. 302-304
  4. DOI: https://doi.org/10.1353/mdr.2002.0056
  5. restricted access
  1. Essays on George F. Walker: Playing with Anxiety by Chris Johnson (review)
  2. Harry Lane
  3. pp. 305-308
  4. DOI: https://doi.org/10.1353/mdr.2002.0067
  5. restricted access
  1. Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama ed. by Marc Maufort and Franca Bellarsi (review)
  2. James Dugan
  3. pp. 308-311
  4. DOI: https://doi.org/10.1353/mdr.2002.0008
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  1. Ireland's National Theatres: Political Performance and the Origins of the Irish Dramatic Movement by Mary Trotter, and: A Century of Irish Drama: Widening the Stage ed. by Stephen Watt, Eileen Morgan, and Shakir Mustafa (review)
  2. Brian Singleton
  3. pp. 311-315
  4. DOI: https://doi.org/10.1353/mdr.2002.0019
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  1. Druids, Dudes and Beauty Queens: The Changing Face of Irish Theatre ed. by Dermot Bolger (review)
  2. Mary Trotter
  3. pp. 315-318
  4. DOI: https://doi.org/10.1353/mdr.2002.0030
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  1. The Dramatic Art of Athol Fugard: From South Africa to the World by Albert Wertheim (review)
  2. Martin Orkin
  3. pp. 318-320
  4. DOI: https://doi.org/10.1353/mdr.2002.0041
  5. restricted access
  1. Georg Büchner's Woyzeck: A History of Its Criticism by David G. Richards (review)
  2. John Osburn
  3. pp. 320-322
  4. DOI: https://doi.org/10.1353/mdr.2002.0052
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  1. Theatre under the Nazis ed. by John London (review)
  2. Stacey Connelly
  3. pp. 322-326
  4. DOI: https://doi.org/10.1353/mdr.2002.0063
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  1. Theatre, History and National Identities ed. by Helka Mäkinen, S.E. Wilmer, and W.B. Worthen (review)
  2. Leigh Clemons
  3. pp. 326-328
  4. DOI: https://doi.org/10.1353/mdr.2002.0005
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  1. Of Borders and Thresholds: Theatre Histoty, Practice, and Theory ed. by Michal Kobialka (review)
  2. Michael McKinnie
  3. pp. 328-332
  4. DOI: https://doi.org/10.1353/mdr.2002.0015
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  1. Contributors
  3. pp. 333-334
  4. DOI: https://doi.org/10.1353/mdr.2002.0026
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