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  Volume 45, Number 2, Summer 2002

Table of Contents

Introduction

pp. 185-187
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Duets, Duologues, and Black Diasporic Theatre: Djanet Sears, William Shakespeare, and Others

pp. 188-208
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A Feminist Absurd: Margaret Hollingsworth's The House That Jack Built

pp. 209-230
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Ideology as Behaviour: Identity and Realism in The Drawer Boy

pp. 231-245
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"No, the Centre Should Be Invisible": Radical Revisioning of Chekhov in Floyd Favel Starr's House of Sonya

pp. 246-258
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Remembering the Trickster in Tomson Highway's The Rez Sisters

pp. 259-269
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Hell is Other Girls: Joan MacLeod's The Shape of a Girl

pp. 270-281
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Panych and Gorling: "Sheer" Texts "Written" in (to) Perception

pp. 282-297
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Afterword

pp. 298-301
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Reviews

The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition by Craig Stewart Walker (review)

pp. 302-304
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Essays on George F. Walker: Playing with Anxiety by Chris Johnson (review)

pp. 305-308
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Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama ed. by Marc Maufort and Franca Bellarsi (review)

pp. 308-311
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Ireland's National Theatres: Political Performance and the Origins of the Irish Dramatic Movement by Mary Trotter, and: A Century of Irish Drama: Widening the Stage ed. by Stephen Watt, Eileen Morgan, and Shakir Mustafa (review)

pp. 311-315
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Druids, Dudes and Beauty Queens: The Changing Face of Irish Theatre ed. by Dermot Bolger (review)

pp. 315-318
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The Dramatic Art of Athol Fugard: From South Africa to the World by Albert Wertheim (review)

pp. 318-320
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Georg Büchner's Woyzeck: A History of Its Criticism by David G. Richards (review)

pp. 320-322
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Theatre under the Nazis ed. by John London (review)

pp. 322-326
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Theatre, History and National Identities ed. by Helka Mäkinen, S.E. Wilmer, and W.B. Worthen (review)

pp. 326-328
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Of Borders and Thresholds: Theatre Histoty, Practice, and Theory ed. by Michal Kobialka (review)

pp. 328-332
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Contributors

pp. 333-334
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Research Areas

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