Volume 45, Number 1, Spring 2002

Table of Contents

Reading, Writing, and Authority in Ibsen's "Women's Plays"

pp. 1-8
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The Wild Duck: A Play of Play

pp. 9-22
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Dancing for an Oath: Salomé's Revaluation of Word and Gesture

pp. 23-34
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Anus Mundi: Jews, the Holocaust, and Excremental Assault in Michel Vinaver's Overboard (Par-dessus bord)

pp. 35-60
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Imperialistic Representations and Spectatorial Reception in Shakespeare Wallah

pp. 61-75
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Caryl Churchill's The Hospital at the Time of the Revolution: Algerian Decolonization (Re)viewed in a Protean Contemporary Context

pp. 76-94
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"Niggers Got a Right to be Dissatisfied": Postmodernism, Race, and Class in Ma Rainey's Black Bottom

pp. 95-124
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The Bottom of Desire in Suzan-Lori Parks's Venus

pp. 125-137
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The Laramie Project: Western Pastoral

pp. 138-139
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Reviews

Performing the American Frontier, 1870-1906 by Roger A. Hall (review)

pp. 157-159
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The Political Plays of Langston Hughes by Susan Duffy (review)

pp. 159-162
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Tennessee Williams: A Casebook ed. by Robert F. Gross (review)

pp. 162-165
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Albee: Who's Afraid of Virginia Woolf? by Stephen J. Bottoms (review)

pp. 165-167
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David Mamet in Conversation ed. by Leslie Kane, and: Weasels and Wisemen: Ethics and Ethnicity in the Work of David Mamet by Leslie Kane (review)

pp. 167-171
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The Black Comedy of John Guare by Gene A. Plunka (review)

pp. 171-173
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The Theater of Tony Kushner: Living Past Hope by James Fisher (review)

pp. 173-176
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The Text in Play: Representations of Rehearsal in Modern Drama by Robert Baker-White (review)

pp. 176-178
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A Director Prepares: Seven Essays on Art and Theatre by Anne Bogart (review)

pp. 178-180
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Dangerous Border Crossers: The Artist Talks Back by Guillermo Gómez-Peña (review)

pp. 180-182
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Contributors

pp. 183-184
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