Volume 44, Number 4, Winter 2001

Table of Contents

Performance and Madness: Modes of Correction and the Theatrical Ruse

pp. 383-397
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"They are well together. Women are not": Productive Ambivalence and Female Hom(m)osociality in Fefu and Her Friends

pp. 398-415
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The (Un)Settled Space of Richard Maxwell's House

pp. 398-415
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Exiled from Alienation: Brechtian Aesthetics, the Death of the Director, and Peter Brook's The Mahabharata

pp. 416-436
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Howard Barker: Polemic Theory and Dramatic Practice. Nietzsche, Metatheatre, and the Play The Europeans

pp. 458-475
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Irreconcilable Differences: Divorce and Women's Drama before 1945

pp. 476-490
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Reviews

The Cambridge History of American Theatre, Vol. III: Post-World War II to the 1990s ed. by Don B. Wilmeth and Christopher Bigsby (review)

pp. 491-493
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Eugene O'Neill: Beyond Mourning and Tragedy by Stephen A. Black (review)

pp. 493-496
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Contours of the Theatrical Avant-Garde: Performance and Textuality ed. by James M. Harding (review)

pp. 496-498
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Testifyin': Contemporary African Canadian Drama: Volume 1 ed. by Djanet Sears (review)

pp. 498-500
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The Leper in Blue: Coercive Performance and the Contemporary Latin American Theater by Amalia Gladhart (review)

pp. 501-503
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The Cambridge Companion to Modern British Women Playwrights ed. by Elaine Aston and Janelle Reinelt (review)

pp. 503-507
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The Importance of Being Paradoxical: Maternal Presence in the Works of Oscar Wilde by Patrick M. Horan (review)

pp. 507-508
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Look Back in Pleasure: Noël Coward Revisited ed. by Joel Kaplan and Sheila Stowell (review)

pp. 508-511
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Understanding Alan Bennett by Peter Wolfe (review)

pp. 511-512
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East of West: Cross-Cultural Performance and the Staging of Difference ed. by Claire Sponsler and Xiaomei Chen (review)

pp. 512-516
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Contributors

pp. 517-518
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Index to Volume 44, 2001

pp. 519-522
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