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  Volume 44, Number 2, Summer 2001

Table of Contents

Oh for Unruly Audiences! Or, Patterns of Participation in Twentieth-Century Theatre

pp. 133-154

Gender and Melodrama in Ibsen's Lady Inger

pp. 155-173

No Longer in Search of an Author, a Character Defines Herself: Pirandello's Six Characters in Search of an Author and Eugenio Barba's Experimental Performance Methodology

pp. 174-187

Transvestism and Sexual Transgression in García Lorca's The Public

pp. 188-213

The Anti-Romantic Comedies of Dorothy L. Sayers

pp. 214-231

Nosferatu: A Play on the Vampire by Francisco Nieva

pp. 232-246


Brecht Sourcebook ed. by Carol Martin and Henry Bial (review)

pp. 247-249

Dario Fo: Stage, Text, and Tradition ed. by Joseph Farrell and Antonio Scuderi (review)

pp. 249-252

Collaborative Theatre: The Théâtre du Soleil Sourcebook ed. by David Williams (review)

pp. 252-255

Exorcising History: Argentine Theater under Dictatorship by Jean Graham-Jones (review)

pp. 255-257

"The Salesman Has a Birthday": Essays Celebrating the Fiftieth Anniversary of Arthur Miller's Death of a Salesman ed. by Stephen A. Marino, and: Student Companion to Arthur Miller by Susan C.W. Abbotson, and: Understanding Death of a Salesman: A Student Casebook to Issues, Sources, and Historical Documents by Brenda Murphy and Susan C.W. Abbotson (review)

pp. 257-262

The Selected Letters of Tennessee Williams. Volume 1 — 1920-1945 ed. by Albert J. Devlin and Nancy M. Tischler (review)

pp. 262-265

Williams: A Streetcar Named Desire by Philip C. Kolin (review)

pp. 265-267

Contemporary American Playwrights by Christopher Bigsby (review)

pp. 267-269

Vanishing Acts: Theater since the Sixties by Gordon Rogoff (review)

pp. 269-271

Conversations on Art and Performance ed. by Bonnie Marranca and Gautam Dasgupta (review)

pp. 271-272


pp. 273-274

Research Areas


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