1. Oh for Unruly Audiences! Or, Patterns of Participation in Twentieth-Century Theatre
  2. Baz Kershaw
  3. pp. 133-154
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  1. Gender and Melodrama in Ibsen's Lady Inger
  2. Lynn R. Wilkinson
  3. pp. 155-173
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  1. Transvestism and Sexual Transgression in García Lorca's The Public
  2. Carlos Jerez-Farrán
  3. pp. 188-213
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  1. The Anti-Romantic Comedies of Dorothy L. Sayers
  2. Martha Greene Eads
  3. pp. 214-231
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  1. Nosferatu: A Play on the Vampire by Francisco Nieva
  2. Robert Lima
  3. pp. 232-246
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  1. Brecht Sourcebook ed. by Carol Martin and Henry Bial (review)
  2. John Fuegi
  3. pp. 247-249
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  1. Dario Fo: Stage, Text, and Tradition ed. by Joseph Farrell and Antonio Scuderi (review)
  2. Rosalind Kerr
  3. pp. 249-252
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  1. Collaborative Theatre: The Théâtre du Soleil Sourcebook ed. by David Williams (review)
  2. Timothy Scheie
  3. pp. 252-255
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  1. Exorcising History: Argentine Theater under Dictatorship by Jean Graham-Jones (review)
  2. Diana Taylor
  3. pp. 255-257
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  1. The Selected Letters of Tennessee Williams. Volume 1 — 1920-1945 ed. by Albert J. Devlin and Nancy M. Tischler (review)
  2. Philip C. Kolin
  3. pp. 262-265
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  1. Williams: A Streetcar Named Desire by Philip C. Kolin (review)
  2. George W. Crandell
  3. pp. 265-267
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  1. Contemporary American Playwrights by Christopher Bigsby (review)
  2. Melanie Blood
  3. pp. 267-269
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  1. Vanishing Acts: Theater since the Sixties by Gordon Rogoff (review)
  2. Stephen J. Bottoms
  3. pp. 269-271
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  1. Conversations on Art and Performance ed. by Bonnie Marranca and Gautam Dasgupta (review)
  2. Mark Fortier
  3. pp. 271-272
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  1. Contributors
  2. pp. 273-274
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