Volume 44, Number 2, Summer 2001

Table of Contents

Oh for Unruly Audiences! Or, Patterns of Participation in Twentieth-Century Theatre

pp. 133-154
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Gender and Melodrama in Ibsen's Lady Inger

pp. 155-173
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No Longer in Search of an Author, a Character Defines Herself: Pirandello's Six Characters in Search of an Author and Eugenio Barba's Experimental Performance Methodology

pp. 174-187
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Transvestism and Sexual Transgression in García Lorca's The Public

pp. 188-213
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The Anti-Romantic Comedies of Dorothy L. Sayers

pp. 214-231
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Nosferatu: A Play on the Vampire by Francisco Nieva

pp. 232-246
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Reviews

Brecht Sourcebook ed. by Carol Martin and Henry Bial (review)

pp. 247-249
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Dario Fo: Stage, Text, and Tradition ed. by Joseph Farrell and Antonio Scuderi (review)

pp. 249-252
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Collaborative Theatre: The Théâtre du Soleil Sourcebook ed. by David Williams (review)

pp. 252-255
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Exorcising History: Argentine Theater under Dictatorship by Jean Graham-Jones (review)

pp. 255-257
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"The Salesman Has a Birthday": Essays Celebrating the Fiftieth Anniversary of Arthur Miller's Death of a Salesman ed. by Stephen A. Marino, and: Student Companion to Arthur Miller by Susan C.W. Abbotson, and: Understanding Death of a Salesman: A Student Casebook to Issues, Sources, and Historical Documents by Brenda Murphy and Susan C.W. Abbotson (review)

pp. 257-262
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The Selected Letters of Tennessee Williams. Volume 1 — 1920-1945 ed. by Albert J. Devlin and Nancy M. Tischler (review)

pp. 262-265
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Williams: A Streetcar Named Desire by Philip C. Kolin (review)

pp. 265-267
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Contemporary American Playwrights by Christopher Bigsby (review)

pp. 267-269
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Vanishing Acts: Theater since the Sixties by Gordon Rogoff (review)

pp. 269-271
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Conversations on Art and Performance ed. by Bonnie Marranca and Gautam Dasgupta (review)

pp. 271-272
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Contributors

pp. 273-274
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