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  Volume 44, Number 1, Spring 2001

Table of Contents

Modern: Drama (defining the field), Part II

pp. 1-2

Modern Drama/Modernity's Drama

pp. 3-15

Samuel Beckett's Theatre: Life Journeys by Katharine Worth (review)

pp. 14-116

Aesthetic Prejudice in Modern Drama

pp. 16-30

Why Modern Plays Are Not Culture: Disciplinary Blind Spots

pp. 31-51

Quo Vadis?: Theatre Studies at the Crossroads

pp. 52-71

Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism

pp. 72-90

Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop

pp. 91-102


(Post)Colonial Stages: Critical and Creative Views on Drama, Theatre and Performance ed. by Helen Gilbert (review)

pp. 103-105

Establishing Our Boundaries: English-Canadian Theatre Criticism ed. by Anton Wagner (review)

pp. 105-109

The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies by Ric Knowles (review)

pp. 109-112

The Politics of Irish Drama: Plays in Context from Boucicault to Friel by Nicholas Grene (review)

pp. 112-114

Eastern European Theater after the Iron Curtain ed. by Kalina Stefanova (review)

pp. 116-118

A History of the Russian Theatre ed. by Robert Leach and Victor Borovsky (review)

pp. 118-120

Understanding Chekhov: A Critical Study of Chekhov's Prose and Drama by Donald Rayfield (review)

pp. 120-122

Performing Chekhov by David Allen (review)

pp. 122-124

Spectacular Suffering: Theatre, Fascism and the Holocaust by Vivian M. Patraka (review)

pp. 124-126

Embodied Memory: The Theatre of George Tabori by Anat Feinberg (review)

pp. 126-129


pp. 130-131

Research Areas


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