Volume 44, Number 1, Spring 2001

Table of Contents

Modern: Drama (defining the field), Part II

pp. 1-2
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Modern Drama/Modernity's Drama

pp. 3-15
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Samuel Beckett's Theatre: Life Journeys by Katharine Worth (review)

pp. 14-116
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Aesthetic Prejudice in Modern Drama

pp. 16-30
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Why Modern Plays Are Not Culture: Disciplinary Blind Spots

pp. 31-51
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Quo Vadis?: Theatre Studies at the Crossroads

pp. 52-71
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Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism

pp. 72-90
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Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop

pp. 91-102
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Reviews

(Post)Colonial Stages: Critical and Creative Views on Drama, Theatre and Performance ed. by Helen Gilbert (review)

pp. 103-105
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Establishing Our Boundaries: English-Canadian Theatre Criticism ed. by Anton Wagner (review)

pp. 105-109
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The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies by Ric Knowles (review)

pp. 109-112
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The Politics of Irish Drama: Plays in Context from Boucicault to Friel by Nicholas Grene (review)

pp. 112-114
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Eastern European Theater after the Iron Curtain ed. by Kalina Stefanova (review)

pp. 116-118
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A History of the Russian Theatre ed. by Robert Leach and Victor Borovsky (review)

pp. 118-120
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Understanding Chekhov: A Critical Study of Chekhov's Prose and Drama by Donald Rayfield (review)

pp. 120-122
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Performing Chekhov by David Allen (review)

pp. 122-124
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Spectacular Suffering: Theatre, Fascism and the Holocaust by Vivian M. Patraka (review)

pp. 124-126
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Embodied Memory: The Theatre of George Tabori by Anat Feinberg (review)

pp. 126-129
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Contributors

pp. 130-131
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