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Table of Contents

  1. Between Performative and Performance: Translation and Theatre in the Canadian/Quebec Context
  2. Barbara Godard
  3. pp. 327-358
  4. DOI: https://doi.org/10.1353/mdr.2000.0039
  5. restricted access
  1. Constructing a Cultural Icon: Nomos and Shaw's Saint Joan in Paris
  2. Craig Hamilton
  3. pp. 359-375
  4. DOI: https://doi.org/10.1353/mdr.2000.0051
  5. restricted access
  1. Beckett's Dying Remains: The Process of Playwriting in the Ohio Impromptu Manuscripts
  2. Adam Seelig
  3. pp. 376-392
  4. DOI: https://doi.org/10.1353/mdr.2000.0032
  5. restricted access
  1. Space, Time, and the Self in Beckett's Late Theatre
  2. David Pattie
  3. pp. 393-403
  4. DOI: https://doi.org/10.1353/mdr.2000.0070
  5. restricted access
  1. Stewart Parker's Heavenly Bodies: Dion Boucicault, Show Business, and Ireland
  2. Marilynn Richtarik
  3. pp. 404-420
  4. DOI: https://doi.org/10.1353/mdr.2000.0011
  5. restricted access
  1. Oleanna and The Children's Hour: Misreading Sexuality on the Post/Modern Realistic Stage
  2. David Kennedy Sauer
  3. pp. 421-441
  4. DOI: https://doi.org/10.1353/mdr.2000.0021
  5. restricted access
  1. Restaging the Nation: The Work of Suzan-Lori Parks
  2. S.E. Wilmer
  3. pp. 442-452
  4. DOI: https://doi.org/10.1353/mdr.2000.0042
  5. restricted access
  1. Twister: Ken Kesey's Multimedia Theatre
  2. Bennett Tracy Huffman
  3. pp. 453-460
  4. DOI: https://doi.org/10.1353/mdr.2000.0015
  5. restricted access
  1. Alfred Dampier as Performer of Late Colonial Australian Masculinities
  2. Veronica Kelly
  3. pp. 469-495
  4. DOI: https://doi.org/10.1353/mdr.2000.0036
  5. restricted access
  1. A Sourcebook of African-American Performance: Plays, People, Movements ed. by Annemarie Bean (review)
  2. David Krasner
  3. pp. 498-501
  4. DOI: https://doi.org/10.1353/mdr.2000.0047
  5. restricted access
  1. Understanding Lillian Hellman by Alice Griffin and Geraldine Thorsten (review)
  2. Judith E. Barlow
  3. pp. 501-503
  4. DOI: https://doi.org/10.1353/mdr.2000.0055
  5. restricted access
  1. Liveness: Performance in a Mediatized Culture by Philip Auslander (review)
  2. Dorothy Chansky
  3. pp. 505-508
  4. DOI: https://doi.org/10.1353/mdr.2000.0017
  5. restricted access
  1. Women and Playwriting in Nineteenth-Century Britain ed. by Tracy C. Davis and Ellen Donkin (review)
  2. Jennifer Jones
  3. pp. 508-510
  4. DOI: https://doi.org/10.1353/mdr.2000.0025
  5. restricted access
  1. On Directing: Interviews with Directors ed. by Gabriella Giannachi and Mary Luckhurst (review)
  2. Jennifer Harvie
  3. pp. 514-517
  4. DOI: https://doi.org/10.1353/mdr.2000.0063
  5. restricted access
  1. Certain Fragments: Contemporary Performance and Forced Entertainment by Tim Etchells (review)
  2. Andrew Houston
  3. pp. 517-520
  4. DOI: https://doi.org/10.1353/mdr.2000.0003
  5. restricted access
  1. Feminist Theater Practice: A Handbook by Elaine Aston (review)
  2. Ann M. Fox
  3. pp. 520-522
  4. DOI: https://doi.org/10.1353/mdr.2000.0028
  5. restricted access
  1. Contributors
  2. pp. 523-524
  3. DOI: https://doi.org/10.1353/mdr.2000.0043
  4. restricted access