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  Volume 43, Number 3, Fall 2000

Table of Contents

Between Performative and Performance: Translation and Theatre in the Canadian/Quebec Context

pp. 327-358 | DOI: 10.1353/mdr.2000.0039

Constructing a Cultural Icon: Nomos and Shaw's Saint Joan in Paris

pp. 359-375 | DOI: 10.1353/mdr.2000.0051

Beckett's Dying Remains: The Process of Playwriting in the Ohio Impromptu Manuscripts

pp. 376-392 | DOI: 10.1353/mdr.2000.0032

Space, Time, and the Self in Beckett's Late Theatre

pp. 393-403 | DOI: 10.1353/mdr.2000.0070

Stewart Parker's Heavenly Bodies: Dion Boucicault, Show Business, and Ireland

pp. 404-420 | DOI: 10.1353/mdr.2000.0011

Oleanna and The Children's Hour: Misreading Sexuality on the Post/Modern Realistic Stage

pp. 421-441 | DOI: 10.1353/mdr.2000.0021

Restaging the Nation: The Work of Suzan-Lori Parks

pp. 442-452 | DOI: 10.1353/mdr.2000.0042

Twister: Ken Kesey's Multimedia Theatre

pp. 453-460 | DOI: 10.1353/mdr.2000.0015

Theatrical Deconstructionists: The Social "Gests" of Peter Sellars's Ajax and Robert Wilson's Einstein on the Beach

pp. 461-468 | DOI: 10.1353/mdr.2000.0059

Alfred Dampier as Performer of Late Colonial Australian Masculinities

pp. 469-495 | DOI: 10.1353/mdr.2000.0036


The Cambridge History of American Theatre, Vol. II: 1870-1945 ed. by Don B. Wilmeth and Christopher Bigsby (review)

pp. 496-498 | DOI: 10.1353/mdr.2000.0054

A Sourcebook of African-American Performance: Plays, People, Movements ed. by Annemarie Bean (review)

pp. 498-501 | DOI: 10.1353/mdr.2000.0047

Understanding Lillian Hellman by Alice Griffin and Geraldine Thorsten (review)

pp. 501-503 | DOI: 10.1353/mdr.2000.0055

Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television by Brenda Murphy (review)

pp. 503-505 | DOI: 10.1353/mdr.2000.0007

Liveness: Performance in a Mediatized Culture by Philip Auslander (review)

pp. 505-508 | DOI: 10.1353/mdr.2000.0017

Women and Playwriting in Nineteenth-Century Britain ed. by Tracy C. Davis and Ellen Donkin (review)

pp. 508-510 | DOI: 10.1353/mdr.2000.0025

British Theatre in the 1950s ed. by Dominic Shellard, and: British Theatre Since the War by Dominic Shellard, and: The Royal Court Theatre and the Modern Stage by Philip Roberts (review)

pp. 510-514 | DOI: 10.1353/mdr.2000.0066

On Directing: Interviews with Directors ed. by Gabriella Giannachi and Mary Luckhurst (review)

pp. 514-517 | DOI: 10.1353/mdr.2000.0063

Certain Fragments: Contemporary Performance and Forced Entertainment by Tim Etchells (review)

pp. 517-520 | DOI: 10.1353/mdr.2000.0003

Feminist Theater Practice: A Handbook by Elaine Aston (review)

pp. 520-522 | DOI: 10.1353/mdr.2000.0028


pp. 523-524 | DOI: 10.1353/mdr.2000.0043

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