1. Between Performative and Performance: Translation and Theatre in the Canadian/Quebec Context
  2. Barbara Godard
  3. pp. 327-358
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  1. Constructing a Cultural Icon: Nomos and Shaw's Saint Joan in Paris
  2. Craig Hamilton
  3. pp. 359-375
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  1. Beckett's Dying Remains: The Process of Playwriting in the Ohio Impromptu Manuscripts
  2. Adam Seelig
  3. pp. 376-392
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  1. Space, Time, and the Self in Beckett's Late Theatre
  2. David Pattie
  3. pp. 393-403
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  1. Stewart Parker's Heavenly Bodies: Dion Boucicault, Show Business, and Ireland
  2. Marilynn Richtarik
  3. pp. 404-420
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  1. Oleanna and The Children's Hour: Misreading Sexuality on the Post/Modern Realistic Stage
  2. David Kennedy Sauer
  3. pp. 421-441
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  1. Restaging the Nation: The Work of Suzan-Lori Parks
  2. S.E. Wilmer
  3. pp. 442-452
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  1. Twister: Ken Kesey's Multimedia Theatre
  2. Bennett Tracy Huffman
  3. pp. 453-460
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  1. Theatrical Deconstructionists: The Social "Gests" of Peter Sellars's Ajax and Robert Wilson's Einstein on the Beach
  2. Kurt Lancaster
  3. pp. 461-468
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  1. Alfred Dampier as Performer of Late Colonial Australian Masculinities
  2. Veronica Kelly
  3. pp. 469-495
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  1. The Cambridge History of American Theatre, Vol. II: 1870-1945 ed. by Don B. Wilmeth and Christopher Bigsby (review)
  2. Barry B. Witham
  3. pp. 496-498
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  1. A Sourcebook of African-American Performance: Plays, People, Movements ed. by Annemarie Bean (review)
  2. David Krasner
  3. pp. 498-501
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  1. Understanding Lillian Hellman by Alice Griffin and Geraldine Thorsten (review)
  2. Judith E. Barlow
  3. pp. 501-503
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  1. Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television by Brenda Murphy (review)
  2. Jonathan Chambers
  3. pp. 503-505
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  1. Liveness: Performance in a Mediatized Culture by Philip Auslander (review)
  2. Dorothy Chansky
  3. pp. 505-508
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  1. Women and Playwriting in Nineteenth-Century Britain ed. by Tracy C. Davis and Ellen Donkin (review)
  2. Jennifer Jones
  3. pp. 508-510
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  1. On Directing: Interviews with Directors ed. by Gabriella Giannachi and Mary Luckhurst (review)
  2. Jennifer Harvie
  3. pp. 514-517
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  1. Certain Fragments: Contemporary Performance and Forced Entertainment by Tim Etchells (review)
  2. Andrew Houston
  3. pp. 517-520
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  1. Feminist Theater Practice: A Handbook by Elaine Aston (review)
  2. Ann M. Fox
  3. pp. 520-522
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  1. Contributors
  2. pp. 523-524
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