1. Enter the Theatre (in between)
  2. Hélène Cixous, Brian J. Mallet
  3. pp. 301-314
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  1. Clever Blokes and Thick Lads: The Collapsing Tribe in Tom Murphy's A Whistle in the Dark
  2. Claire Gleitman
  3. pp. 315-325
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  1. Magic Meanings in Mamet's Cryptogram
  2. Martin Schaub
  3. pp. 326-337
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  1. Shaw's Devil's Disciple: The Subversion of Melodrama/The Melodrama of Subversion
  2. Mark H. Sterner
  3. pp. 338-345
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  1. Not about Nightingales: Tennessee Williams as Social Activist
  2. Allean Hale
  3. pp. 346-362
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  1. The Common Good: The Hare Trilogy
  2. David Pattie
  3. pp. 363-374
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  1. Foreman FOR Every MAN: Pearls for Pigs
  2. Ethan J. Leib
  3. pp. 375-390
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  1. Anger, Nostalgia, and the End of Empire: John Osborne's Look Back in Anger
  2. Nandi Bhatia
  3. pp. 391-400
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  1. "Missing Mothers and Absent Fathers": Howard Barker's Seven Lears and Elaine Feinstein's Lear's Daughters
  2. Graham Saunders
  3. pp. 401-410
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  1. Hidden Order in the "Stoppard Set": Chaos Theory in the Content and Structure of Tom Stoppard's Arcadia
  2. Susanne Vees-Gulani
  3. pp. 411-426
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  1. "Echo Spring": Reflecting the Gaze of Narcissus in Tennessee Williams's Cat on a Hot Tin Roof
  2. George W. Crandell
  3. pp. 427-441
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  1. Beckett's Play, in extenso
  2. S.E. Gontarski
  3. pp. 442-455
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  1. Luigi Pirandello: Contemporary Perspectives ed. by Gian-Paolo Biasin and Manuela Gieri (review)
  2. Jana O'Keefe Bazzoni
  3. pp. 456-458
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  1. 1956 and All That: The Making of Modern British Drama by Dan Rebellato (review)
  2. Peter Buse
  3. pp. 458-460
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  1. Acts of Intervention: Performance, Gay Culture and AIDS by David Roman (review)
  2. Douglas Arrell
  3. pp. 460-462
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  1. The Stages of Age: Performing Age in Contemporary American Culture by Anne Davis Basting (review)
  2. Shelley Scott
  3. pp. 462-464
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  1. The Cambridge Companion to American Women Playwrights ed. by Brenda Murphy (review)
  2. Glenda Frank
  3. pp. 464-466
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  1. Contributors
  2. pp. 467-469
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