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  Volume 42, Number 3, Fall 1999

Table of Contents

Enter the Theatre (in between)

pp. 301-314

Clever Blokes and Thick Lads: The Collapsing Tribe in Tom Murphy's A Whistle in the Dark

pp. 315-325

Magic Meanings in Mamet's Cryptogram

pp. 326-337

Shaw's Devil's Disciple: The Subversion of Melodrama/The Melodrama of Subversion

pp. 338-345

Not about Nightingales: Tennessee Williams as Social Activist

pp. 346-362

The Common Good: The Hare Trilogy

pp. 363-374

Foreman FOR Every MAN: Pearls for Pigs

pp. 375-390

Anger, Nostalgia, and the End of Empire: John Osborne's Look Back in Anger

pp. 391-400

"Missing Mothers and Absent Fathers": Howard Barker's Seven Lears and Elaine Feinstein's Lear's Daughters

pp. 401-410

Hidden Order in the "Stoppard Set": Chaos Theory in the Content and Structure of Tom Stoppard's Arcadia

pp. 411-426

"Echo Spring": Reflecting the Gaze of Narcissus in Tennessee Williams's Cat on a Hot Tin Roof

pp. 427-441

Beckett's Play, in extenso

pp. 442-455


Luigi Pirandello: Contemporary Perspectives ed. by Gian-Paolo Biasin and Manuela Gieri (review)

pp. 456-458

1956 and All That: The Making of Modern British Drama by Dan Rebellato (review)

pp. 458-460

Acts of Intervention: Performance, Gay Culture and AIDS by David Roman (review)

pp. 460-462

The Stages of Age: Performing Age in Contemporary American Culture by Anne Davis Basting (review)

pp. 462-464

The Cambridge Companion to American Women Playwrights ed. by Brenda Murphy (review)

pp. 464-466


pp. 467-469

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