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  Volume 42, Number 2, Summer 1999

Table of Contents

Introduction

pp. 173-175
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Welcoming in the New Millennium: The Possibilities of Brecht's The Days of the Commune for Northern Ireland

pp. 176-184
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Through the Minefield of Ideologies: Brecht and the Staging of Mutter Courage und ihre Kinder

pp. 185-197
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Mother Courage in France

pp. 198-206
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Brecht: Gestus, Fable, Attitude-cum-Stance

pp. 207-213
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Brechtian Gestus and the Politics of Tea in Christina Reid's Tea in a China Cup

pp. 214-222
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Brecht in Italy: Aspects of Reception

pp. 223-233
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Georgio Strehler and Bertolt Brecht: The Meeting of Two "Men of Poetry"

pp. 234-237
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Elements of American Theatre and Film in Brecht's Caucasian Chalk Circle

pp. 238-246
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Brecht's Influence in China: A Chinese Perspective

pp. 247-252
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Is There a "Chinese" Brecht?: Problems of Brecht's Reception in China - from Mother Courage to Mack the Knife

pp. 253-268
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In the Jungle of the "Antropófagos"

pp. 269-279
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Brecht's Goldhagen?

pp. 280-285
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Reviews

Brecht and Method by Fredric Jameson (review)

pp. 286-289
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Theater der Zeit / Brecht Yearbook 23: drive b:, and: Communications: From the International Brecht Society (review)

pp. 289-291
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The Theater of Heiner Müller by Jonathan Kalb (review)

pp. 291-292
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Proletarian Performance in Weimar Berlin: Agitprop, Chorus, and Brecht by Richard Bodėk (review)

pp. 292-294
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Brecht: Mother Courage and Her Children by Peter Thomson (review)

pp. 294-296
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German Expressionist Theatre: The Actor and the Stage by David F. Kuhns (review)

pp. 296-297
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Contributors

pp. 298-299
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Research Areas

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