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  Volume 42, Number 2, Summer 1999

Table of Contents


pp. 173-175

Welcoming in the New Millennium: The Possibilities of Brecht's The Days of the Commune for Northern Ireland

pp. 176-184

Through the Minefield of Ideologies: Brecht and the Staging of Mutter Courage und ihre Kinder

pp. 185-197

Mother Courage in France

pp. 198-206

Brecht: Gestus, Fable, Attitude-cum-Stance

pp. 207-213

Brechtian Gestus and the Politics of Tea in Christina Reid's Tea in a China Cup

pp. 214-222

Brecht in Italy: Aspects of Reception

pp. 223-233

Georgio Strehler and Bertolt Brecht: The Meeting of Two "Men of Poetry"

pp. 234-237

Elements of American Theatre and Film in Brecht's Caucasian Chalk Circle

pp. 238-246

Brecht's Influence in China: A Chinese Perspective

pp. 247-252

Is There a "Chinese" Brecht?: Problems of Brecht's Reception in China - from Mother Courage to Mack the Knife

pp. 253-268

In the Jungle of the "Antropófagos"

pp. 269-279

Brecht's Goldhagen?

pp. 280-285


Brecht and Method by Fredric Jameson (review)

pp. 286-289

Theater der Zeit / Brecht Yearbook 23: drive b:, and: Communications: From the International Brecht Society (review)

pp. 289-291

The Theater of Heiner Müller by Jonathan Kalb (review)

pp. 291-292

Proletarian Performance in Weimar Berlin: Agitprop, Chorus, and Brecht by Richard Bodėk (review)

pp. 292-294

Brecht: Mother Courage and Her Children by Peter Thomson (review)

pp. 294-296

German Expressionist Theatre: The Actor and the Stage by David F. Kuhns (review)

pp. 296-297


pp. 298-299

Research Areas


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