+ MUSE Alert

In this Issue

Table of Contents

  1. Welcoming in the New Millennium: The Possibilities of Brecht's The Days of the Commune for Northern Ireland
  2. Anna Seymour
  3. pp. 176-184
  4. DOI: https://doi.org/10.1353/mdr.1999.0007
  5. restricted access
  1. Through the Minefield of Ideologies: Brecht and the Staging of Mutter Courage und ihre Kinder
  2. Christa Hasche, Jutta Von Zitzewitz
  3. pp. 185-197
  4. DOI: https://doi.org/10.1353/mdr.1999.0016
  5. restricted access
  1. Mother Courage in France
  2. Anne Ubersfeld, Frank Collins
  3. pp. 198-206
  4. DOI: https://doi.org/10.1353/mdr.1999.0025
  5. restricted access
  1. Brecht: Gestus, Fable, Attitude-cum-Stance
  2. Joachim Fiebach
  3. pp. 207-213
  4. DOI: https://doi.org/10.1353/mdr.1999.0034
  5. restricted access
  1. Brechtian Gestus and the Politics of Tea in Christina Reid's Tea in a China Cup
  2. Joanna Luft
  3. pp. 214-222
  4. DOI: https://doi.org/10.1353/mdr.1999.0043
  5. restricted access
  1. Brecht in Italy: Aspects of Reception
  2. Susanna Böhme-Kuby, Gerhard Hauck, Maria Ferrari
  3. pp. 223-233
  4. DOI: https://doi.org/10.1353/mdr.1999.0052
  5. restricted access
  1. Georgio Strehler and Bertolt Brecht: The Meeting of Two "Men of Poetry"
  2. Anna Piletti, John D. Tulk, Flavio Multineddu
  3. pp. 234-237
  4. DOI: https://doi.org/10.1353/mdr.1999.0004
  5. restricted access
  1. Elements of American Theatre and Film in Brecht's Caucasian Chalk Circle
  2. James K. Lyon
  3. pp. 238-246
  4. DOI: https://doi.org/10.1353/mdr.1999.0013
  5. restricted access
  1. Brecht's Influence in China: A Chinese Perspective
  2. Rong Guangrun
  3. pp. 247-252
  4. DOI: https://doi.org/10.1353/mdr.1999.0022
  5. restricted access
  1. Is There a "Chinese" Brecht?: Problems of Brecht's Reception in China - from Mother Courage to Mack the Knife
  2. Wolfram Schlenker, Gerhard Hauck
  3. pp. 253-268
  4. DOI: https://doi.org/10.1353/mdr.1999.0031
  5. restricted access
  1. In the Jungle of the "Antropófagos"
  2. Lorena Balensifer Ellis
  3. pp. 269-279
  4. DOI: https://doi.org/10.1353/mdr.1999.0040
  5. restricted access
  1. Brecht's Goldhagen?
  2. Siegfried Mews
  3. pp. 280-285
  4. DOI: https://doi.org/10.1353/mdr.1999.0049
  5. restricted access
  1. Brecht and Method by Fredric Jameson (review)
  2. Volker Gransow, Pia Kleber
  3. pp. 286-289
  4. DOI: https://doi.org/10.1353/mdr.1999.0000
  5. restricted access
  1. Theater der Zeit / Brecht Yearbook 23: drive b:, and: Communications: From the International Brecht Society (review)
  2. Tom Kuhn
  3. pp. 289-291
  4. DOI: https://doi.org/10.1353/mdr.1999.0009
  5. restricted access
  1. The Theater of Heiner Müller by Jonathan Kalb (review)
  2. Carl Weber
  3. pp. 291-292
  4. DOI: https://doi.org/10.1353/mdr.1999.0018
  5. restricted access
  1. Proletarian Performance in Weimar Berlin: Agitprop, Chorus, and Brecht by Richard Bodėk (review)
  2. Kerstin Gaddy
  3. pp. 292-294
  4. DOI: https://doi.org/10.1353/mdr.1999.0027
  5. restricted access
  1. Brecht: Mother Courage and Her Children by Peter Thomson (review)
  2. Volker Gransow, Pia Kleber
  3. pp. 294-296
  4. DOI: https://doi.org/10.1353/mdr.1999.0036
  5. restricted access
  1. German Expressionist Theatre: The Actor and the Stage by David F. Kuhns (review)
  2. Shauna Dobbie
  3. pp. 296-297
  4. DOI: https://doi.org/10.1353/mdr.1999.0045
  5. restricted access
  1. Introduction
  2. David A. Blostein
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/mdr.1999.0055
  5. restricted access
  1. Contributors
  3. pp. 298-299
  4. DOI: https://doi.org/10.1353/mdr.1999.0054
  5. restricted access