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  Volume 41, Number 3, Fall 1998

Table of Contents

From: Modern Drama

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In the Native State/Indian Ink: Footnoting the Footnotes on Empire

pp. 337-346 | DOI: 10.1353/mdr.1998.0019

The (Un)Represented Fragmentation of the Body in Tennessee Williams's "Desire and the Black Masseur" and Suddenly Last Summer

pp. 347-354 | DOI: 10.1353/mdr.1998.0026

The Mise en Scène of the Non-Euclidean Character: Wellman, Jenkin and Strindberg

pp. 355-370 | DOI: 10.1353/mdr.1998.0066

J.M. Synge's The Playboy of the Western World and the Culture of Western Ireland under Late Colonial Rule

pp. 371-385 | DOI: 10.1353/mdr.1998.0055

"Change the Joke[r] and Slip the Yoke": Boal's "Joker" System in Ntozake Shange's for colored girls ... and spell #7

pp. 386-398 | DOI: 10.1353/mdr.1998.0062

Jean-Claude Grumberg's Holocaust Plays: Presenting the Jewish Experience

pp. 399-410 | DOI: 10.1353/mdr.1998.0051

From "Horse Opera" History to Hall of Mirrors: Luis Valdez's Bandido!

pp. 411-422 | DOI: 10.1353/mdr.1998.0004

Epiphanic Transformations: Lou Andreas-Salomé's Reading of Nora, Rebecca and Ellida

pp. 423-441 | DOI: 10.1353/mdr.1998.0040

Fin-de-siècle Reflections and Revisions: Wertenbaker Challenges British Chekhov Tradition in The Break of Day

pp. 442-460 | DOI: 10.1353/mdr.1998.0015

Will Godot Come by Bus or through a Trace?: Discussion of a Chinese Absurdist Play

pp. 461-473 | DOI: 10.1353/mdr.1998.0030

Mattogrosso: The Postmodernist Stage in Brazil

pp. 474-482 | DOI: 10.1353/mdr.1998.0008

Book Reviews

Contemporary African American Female Playwrights: An Annotated Bibliography by Dana A. Williams (review)

pp. 483-484 | DOI: 10.1353/mdr.1998.0063

Down the Nights and Down the Days: Eugene O'Neill's Catholic Sensibility by Edward L. Shaughnessy (review)

pp. 484-486 | DOI: 10.1353/mdr.1998.0005

Harold Pinter and the New British Theatre by Keith Peacock (review)

pp. 486-488 | DOI: 10.1353/mdr.1998.0016

The History of Southern Drama by Charles S. Watson (review)

pp. 488-490 | DOI: 10.1353/mdr.1998.0027

Sam Shepard and the American Theatre by Leslie A. Wade, and: The Theatre of Sam Shepard: States of Crisis by Stephen J. Bottoms (review)

pp. 490-492 | DOI: 10.1353/mdr.1998.0037

The Cambridge Companion to Tennessee Williams ed. by Matthew C. Roudané (review)

pp. 493-496 | DOI: 10.1353/mdr.1998.0048

Women and Victorian Theatre by Kerry Powell, and: Ibsen's Women by Joan Templeton (review)

pp. 496-499 | DOI: 10.1353/mdr.1998.0059

Robert Lepage: Connecting Flights: Robert Lepage in Conversation with Rémy Charest by Rémy Charest (review)

pp. 499-500 | DOI: 10.1353/mdr.1998.0001

Oscar Wilde: Myths, Miracles, and Imitations by John Stokes (review)

pp. 501-502 | DOI: 10.1353/mdr.1998.0012

Gender and the Italian Stage: From the Renaissance to the Present Day by Maggie Günsberg (review)

pp. 502-504 | DOI: 10.1353/mdr.1998.0023

The Cambridge Companion to Arthur Miller ed. by Christopher Bigsby (review)

pp. 504-506 | DOI: 10.1353/mdr.1998.0034


pp. 507-508 | DOI: 10.1353/mdr.1998.0044

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