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Table of Contents

  1. In the Native State/Indian Ink: Footnoting the Footnotes on Empire
  2. Laurie Kaplan
  3. pp. 337-346
  4. DOI: https://doi.org/10.1353/mdr.1998.0019
  5. restricted access
  1. The (Un)Represented Fragmentation of the Body in Tennessee Williams's "Desire and the Black Masseur" and Suddenly Last Summer
  2. Annette J. Saddik
  3. pp. 347-354
  4. DOI: https://doi.org/10.1353/mdr.1998.0026
  5. restricted access
  1. The Mise en Scène of the Non-Euclidean Character: Wellman, Jenkin and Strindberg
  2. Jon Erickson
  3. pp. 355-370
  4. DOI: https://doi.org/10.1353/mdr.1998.0066
  5. restricted access
  1. J.M. Synge's The Playboy of the Western World and the Culture of Western Ireland under Late Colonial Rule
  2. Joseph Devlin
  3. pp. 371-385
  4. DOI: https://doi.org/10.1353/mdr.1998.0055
  5. restricted access
  1. "Change the Joke[r] and Slip the Yoke": Boal's "Joker" System in Ntozake Shange's for colored girls ... and spell #7
  2. P. Jane Splawn
  3. pp. 386-398
  4. DOI: https://doi.org/10.1353/mdr.1998.0062
  5. restricted access
  1. Jean-Claude Grumberg's Holocaust Plays: Presenting the Jewish Experience
  2. Brian Pocknell
  3. pp. 399-410
  4. DOI: https://doi.org/10.1353/mdr.1998.0051
  5. restricted access
  1. From "Horse Opera" History to Hall of Mirrors: Luis Valdez's Bandido!
  2. Richard Wattenberg
  3. pp. 411-422
  4. DOI: https://doi.org/10.1353/mdr.1998.0004
  5. restricted access
  1. Epiphanic Transformations: Lou Andreas-Salomé's Reading of Nora, Rebecca and Ellida
  2. Lorraine Markotic
  3. pp. 423-441
  4. DOI: https://doi.org/10.1353/mdr.1998.0040
  5. restricted access
  1. Fin-de-siècle Reflections and Revisions: Wertenbaker Challenges British Chekhov Tradition in The Break of Day
  2. Stuart Young
  3. pp. 442-460
  4. DOI: https://doi.org/10.1353/mdr.1998.0015
  5. restricted access
  1. Will Godot Come by Bus or through a Trace?: Discussion of a Chinese Absurdist Play
  2. Harry H. Kuoshu
  3. pp. 461-473
  4. DOI: https://doi.org/10.1353/mdr.1998.0030
  5. restricted access
  1. Mattogrosso: The Postmodernist Stage in Brazil
  2. David S. George
  3. pp. 474-482
  4. DOI: https://doi.org/10.1353/mdr.1998.0008
  5. restricted access
  1. Contemporary African American Female Playwrights: An Annotated Bibliography by Dana A. Williams (review)
  2. Kathy A. Perkins
  3. pp. 483-484
  4. DOI: https://doi.org/10.1353/mdr.1998.0063
  5. restricted access
  1. Down the Nights and Down the Days: Eugene O'Neill's Catholic Sensibility by Edward L. Shaughnessy (review)
  2. Maurice Breslow
  3. pp. 484-486
  4. DOI: https://doi.org/10.1353/mdr.1998.0005
  5. restricted access
  1. Harold Pinter and the New British Theatre by Keith Peacock (review)
  2. Colette Stoeber
  3. pp. 486-488
  4. DOI: https://doi.org/10.1353/mdr.1998.0016
  5. restricted access
  1. The History of Southern Drama by Charles S. Watson (review)
  2. Laurin Porter
  3. pp. 488-490
  4. DOI: https://doi.org/10.1353/mdr.1998.0027
  5. restricted access
  1. Sam Shepard and the American Theatre by Leslie A. Wade, and: The Theatre of Sam Shepard: States of Crisis by Stephen J. Bottoms (review)
  2. Steven D. Putzel
  3. pp. 490-492
  4. DOI: https://doi.org/10.1353/mdr.1998.0037
  5. restricted access
  1. The Cambridge Companion to Tennessee Williams ed. by Matthew C. Roudané (review)
  2. Brian Parker
  3. pp. 493-496
  4. DOI: https://doi.org/10.1353/mdr.1998.0048
  5. restricted access
  1. Women and Victorian Theatre by Kerry Powell, and: Ibsen's Women by Joan Templeton (review)
  2. Shelley Scott
  3. pp. 496-499
  4. DOI: https://doi.org/10.1353/mdr.1998.0059
  5. restricted access
  1. Robert Lepage: Connecting Flights: Robert Lepage in Conversation with Rémy Charest by Rémy Charest (review)
  2. Natalie Rewa
  3. pp. 499-500
  4. DOI: https://doi.org/10.1353/mdr.1998.0001
  5. restricted access
  1. Oscar Wilde: Myths, Miracles, and Imitations by John Stokes (review)
  2. Ted Bain
  3. pp. 501-502
  4. DOI: https://doi.org/10.1353/mdr.1998.0012
  5. restricted access
  1. Gender and the Italian Stage: From the Renaissance to the Present Day by Maggie Günsberg (review)
  2. Rosalind Kerr
  3. pp. 502-504
  4. DOI: https://doi.org/10.1353/mdr.1998.0023
  5. restricted access
  1. The Cambridge Companion to Arthur Miller ed. by Christopher Bigsby (review)
  2. Peter L. Hays
  3. pp. 504-506
  4. DOI: https://doi.org/10.1353/mdr.1998.0034
  5. restricted access
  1. Contributors
  3. pp. 507-508
  4. DOI: https://doi.org/10.1353/mdr.1998.0044
  5. restricted access