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  Volume 41, Number 1, Spring 1998

Table of Contents

From: Modern Drama

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Special Issue Translations

ALAN THOMAS and DAVlD BLOSTEIN

Articles

Introduction

pp. 1-6
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Twice Translated Texts: Beckett into English and Chaikin into Theater

pp. 7-18
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Variations on a Theme: Respecting Dario Fo

pp. 19-29
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Valle-Inclán: The Mirroring of the Esperpento

pp. 30-48
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Moscow Stations: From Novel to Play

pp. 49-59
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Molière in North America: Problems of Translation and Adaptation

pp. 60-76
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Northern Ireland: Our Troy? Recent Versions of Greek Tragedies by Irish Writers

pp. 77-89
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Silesian into Scots: Gerhart Hauptmann's The Weavers

pp. 90-104
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"Greeks bearing gifts": Athol Fugard's Orestes Project and the Politics of Experience

pp. 105-118
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Ebb and Flow: Ibsen's The Lady from the Sea and the Possibility of Feminine Discourse

pp. 119-133
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Elfriede Jelinek's Nora Project: Or What Happens When Nora Meets the Capitalists

pp. 134-145
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Sometimes More is Less: Fellini's Otto e mezzo to Kopit's Nine

pp. 146-156
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Book Reviews

Out of Inferno: Strindberg's Reawakening as an Artist by Harry G. Carlson (review)

pp. 157-160
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Stages of Annihilation: Theatrical Representations of the Holocaust by Edward R. Isser (review)

pp. 160-162
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Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism by Anne Fleche (review)

pp. 162-166
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Scottish Theatre Since the Seventies ed. by Randall Stevenson & Gavin Wallace (review)

pp. 167-168
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American Drama: The Bastard Art by Susan Harris Smith (review)

pp. 169-170
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Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage ed. by Nicole Boireau (review)

pp. 170-172
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Howard Barker's Theatre of Seduction by Charles Lamb (review)

pp. 172-175
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Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910 by David Krasner (review)

pp. 175-177
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The Theatre of Robert Wilson by Arthur Holmberg (review)

pp. 177-178
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Contributors

pp. 179-180
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Research Areas

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