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  Volume 40, Number 3, Fall 1997

Table of Contents

Strindberg's Unknown Comedy

pp. 305-324 | DOI: 10.1353/mdr.1997.0022

Revisiting the Prozorovs

pp. 325-336 | DOI: 10.1353/mdr.1997.0005

Misrepresentation and Miscegenation: Reading the Racialized Discourse of Tennessee Williams's A Streetcar Named Desire

pp. 337-346 | DOI: 10.1353/mdr.1997.0014

Visions of the Sightless in Friel's Molly Sweeney and Synge's The Well of the Saints

pp. 347-358 | DOI: 10.1353/mdr.1997.0001

The Failed Words of Brian Friel

pp. 359-373 | DOI: 10.1353/mdr.1997.0039

A Prison of Object Relations: Adrienne Kennedy's Funnyhouse of a Negro

pp. 374-384 | DOI: 10.1353/mdr.1997.0054

God and the Owls: The Sacred and the Profane in Adrienne Kennedy's The Owl Answers

pp. 385-402 | DOI: 10.1353/mdr.1997.0050

Brechtian Sexual Politics in the Plays of Howard Barker

pp. 403-413 | DOI: 10.1353/mdr.1997.0030

The Sense of an Ending: The Representation of Homosexuality in Brendan Behan's The Hostage

pp. 414-421 | DOI: 10.1353/mdr.1997.0034

Book Reviews

Vietnam Protest Theatre: The Television War on Stage by Nora M. Alter (review)

pp. 422-423 | DOI: 10.1353/mdr.1997.0017

The Life and Work of Harold Pinter by Michael Billington (review)

pp. 423-425 | DOI: 10.1353/mdr.1997.0058

The Edwardian Theatre: Essays on Performance and the Stage ed. by Michael R. Booth and Joel H. Kaplan (review)

pp. 425-427 | DOI: 10.1353/mdr.1997.0008

David Hare: Moral and Historical Perspectives by Finlay Donesky (review)

pp. 427-429 | DOI: 10.1353/mdr.1997.0025

Franz Xaver Kroetz: The Construction of a Political Aesthetic by Michelle M. Mattson (review)

pp. 429-430 | DOI: 10.1353/mdr.1997.0047


pp. 431-432 | DOI: 10.1353/mdr.1997.0043

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