We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 40, Number 3, Fall 1997

Table of Contents

Strindberg's Unknown Comedy

pp. 305-324

Revisiting the Prozorovs

pp. 325-336

Misrepresentation and Miscegenation: Reading the Racialized Discourse of Tennessee Williams's A Streetcar Named Desire

pp. 337-346

Visions of the Sightless in Friel's Molly Sweeney and Synge's The Well of the Saints

pp. 347-358

The Failed Words of Brian Friel

pp. 359-373

A Prison of Object Relations: Adrienne Kennedy's Funnyhouse of a Negro

pp. 374-384

God and the Owls: The Sacred and the Profane in Adrienne Kennedy's The Owl Answers

pp. 385-402

Brechtian Sexual Politics in the Plays of Howard Barker

pp. 403-413

The Sense of an Ending: The Representation of Homosexuality in Brendan Behan's The Hostage

pp. 414-421

Book Reviews

Vietnam Protest Theatre: The Television War on Stage by Nora M. Alter (review)

pp. 422-423

The Life and Work of Harold Pinter by Michael Billington (review)

pp. 423-425

The Edwardian Theatre: Essays on Performance and the Stage ed. by Michael R. Booth and Joel H. Kaplan (review)

pp. 425-427

David Hare: Moral and Historical Perspectives by Finlay Donesky (review)

pp. 427-429

Franz Xaver Kroetz: The Construction of a Political Aesthetic by Michelle M. Mattson (review)

pp. 429-430


pp. 431-432

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access