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  Volume 39, Number 2, Summer 1996

Table of Contents

Modern Drama Studies: An Annual Bibliography

pp. 247-330
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A Developmental Stemma for Drafts and Revisions of Tennessee Williams's "Camino Real"

pp. 331-341
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Book Reviews

The Theatrical Gamut: Notes for a Post-Beckettian Stage ed. by Enoch Brater (review)

pp. 342-343
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The World of Samuel Beckett, 1906-1946 by Lois Gordon (review)

pp. 344-346
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Directing Beckett ed. by Lois Oppenheim (review)

pp. 346-349
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The Cambridge Companion to Brecht ed. by Peter Thomson and Glendyr Sacks (review)

pp. 349-351
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Staging Place: The Geography of Modern Drama by Una Chaudhuri (review)

pp. 352-353
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Stage Right: Crisis and Recovery in British Contemporary Mainstream Theatre by John Bull (review)

pp. 353-354
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Antonin Artaud and the Modern Theater ed. by Gene A. Plunka (review)

pp. 355-356
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The Lost Summer: The Heyday of the West End Theatre by Charles Duff, and: The Plays of David Hare by Carol Homden (review)

pp. 356-358
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John Arden and Margaretta D'Arcy: A Casebook ed. by Jonathan Wike (review)

pp. 358-359
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Pinter in Play: Critical Strategies and the Plays of Harold Pinter by Susan Hollis Merritt (review)

pp. 359-361
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Harold Pinter: A Question of Timing by Martin S. Regal (review)

pp. 361-363
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Ibsen: A Doll's House by Egil Törnkvist (review)

pp. 363-364
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Chekhov's Plays: An Opening into Eternity by Richard Gilman (review)

pp. 365-366
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Meyerhold: A Revolution in Theatre by Edward Braun (review)

pp. 366-367
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Staging Depth: Eugene O'Neill and The Politics of Psychological Discourse by Joel Pfister (review)

pp. 367-369
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Susan Glaspell: Essays on Her Theater and Fiction ed. by Linda Ben-Zvi (review)

pp. 369-370
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You Can Go Home Again: The Focus on Family in the Works of Horton Foote by Rebecca Luttrell Briley (review)

pp. 370-372
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Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions by Neil Carson (review)

pp. 372-374
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Contemporary Irish Drama: From Beckett to McGuinness by Anthony Roche (review)

pp. 374-375
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The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia by Spencer Golub (review)

pp. 375-377
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Dark Prisms: Occultism in Hispanic Drama by Robert Lima (review)

pp. 377-378
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Contributors

p. 379
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Research Areas

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