1. Modern Drama Studies: An Annual Bibliography
  2. Lisa M. Pottie, Rebecca Cameron, Charles Costello
  3. pp. 247-330
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  1. A Developmental Stemma for Drafts and Revisions of Tennessee Williams's "Camino Real"
  2. Brian Parker
  3. pp. 331-341
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  1. The Theatrical Gamut: Notes for a Post-Beckettian Stage ed. by Enoch Brater (review)
  2. Patricia Howard
  3. pp. 342-343
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  1. The World of Samuel Beckett, 1906-1946 by Lois Gordon (review)
  2. Kimball King
  3. pp. 344-346
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  1. Directing Beckett ed. by Lois Oppenheim (review)
  2. Carla Locatelli
  3. pp. 346-349
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  1. The Cambridge Companion to Brecht ed. by Peter Thomson and Glendyr Sacks (review)
  2. David Krasner
  3. pp. 349-351
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  1. Staging Place: The Geography of Modern Drama by Una Chaudhuri (review)
  2. William W. Demastes
  3. pp. 352-353
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  1. Stage Right: Crisis and Recovery in British Contemporary Mainstream Theatre by John Bull (review)
  2. Maria Dicenzo
  3. pp. 353-354
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  1. Antonin Artaud and the Modern Theater ed. by Gene A. Plunka (review)
  2. Erella Brown
  3. pp. 355-356
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  1. The Lost Summer: The Heyday of the West End Theatre by Charles Duff, and: The Plays of David Hare by Carol Homden (review)
  2. Anthony Jenkins
  3. pp. 356-358
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  1. John Arden and Margaretta D'Arcy: A Casebook ed. by Jonathan Wike (review)
  2. Paul Haxo
  3. pp. 358-359
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  1. Pinter in Play: Critical Strategies and the Plays of Harold Pinter by Susan Hollis Merritt (review)
  2. Robert Baker-White
  3. pp. 359-361
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  1. Harold Pinter: A Question of Timing by Martin S. Regal (review)
  2. Katherine H. Burkman
  3. pp. 361-363
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  1. Ibsen: A Doll's House by Egil Törnkvist (review)
  2. John Lingard
  3. pp. 363-364
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  1. Chekhov's Plays: An Opening into Eternity by Richard Gilman (review)
  2. Eileen Fischer
  3. pp. 365-366
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  1. Meyerhold: A Revolution in Theatre by Edward Braun (review)
  2. Sharon Marie Carnicke
  3. pp. 366-367
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  1. Staging Depth: Eugene O'Neill and The Politics of Psychological Discourse by Joel Pfister (review)
  2. Gerald M. Berkowitz
  3. pp. 367-369
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  1. Susan Glaspell: Essays on Her Theater and Fiction ed. by Linda Ben-Zvi (review)
  2. Elaine Aston
  3. pp. 369-370
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  1. You Can Go Home Again: The Focus on Family in the Works of Horton Foote by Rebecca Luttrell Briley (review)
  2. Charles S. Watson
  3. pp. 370-372
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  1. Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions by Neil Carson (review)
  2. Alan Filewod
  3. pp. 372-374
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  1. Contemporary Irish Drama: From Beckett to McGuinness by Anthony Roche (review)
  2. Lionel Pilkington
  3. pp. 374-375
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  1. The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia by Spencer Golub (review)
  2. Lurana Donnels O'Malley
  3. pp. 375-377
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  1. Dark Prisms: Occultism in Hispanic Drama by Robert Lima (review)
  2. Erminio G. Neglia
  3. pp. 377-378
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  1. Contributors
  2. p. 379
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