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  Volume 39, Number 2, Summer 1996

Table of Contents

Modern Drama Studies: An Annual Bibliography

pp. 247-330 | DOI: 10.1353/mdr.1996.0056

A Developmental Stemma for Drafts and Revisions of Tennessee Williams's "Camino Real"

pp. 331-341 | DOI: 10.1353/mdr.1996.0070

Book Reviews

The Theatrical Gamut: Notes for a Post-Beckettian Stage ed. by Enoch Brater (review)

pp. 342-343 | DOI: 10.1353/mdr.1996.0085

The World of Samuel Beckett, 1906-1946 by Lois Gordon (review)

pp. 344-346 | DOI: 10.1353/mdr.1996.0005

Directing Beckett ed. by Lois Oppenheim (review)

pp. 346-349 | DOI: 10.1353/mdr.1996.0021

The Cambridge Companion to Brecht ed. by Peter Thomson and Glendyr Sacks (review)

pp. 349-351 | DOI: 10.1353/mdr.1996.0036

Staging Place: The Geography of Modern Drama by Una Chaudhuri (review)

pp. 352-353 | DOI: 10.1353/mdr.1996.0051

Stage Right: Crisis and Recovery in British Contemporary Mainstream Theatre by John Bull (review)

pp. 353-354 | DOI: 10.1353/mdr.1996.0065

Antonin Artaud and the Modern Theater ed. by Gene A. Plunka (review)

pp. 355-356 | DOI: 10.1353/mdr.1996.0079

The Lost Summer: The Heyday of the West End Theatre by Charles Duff, and: The Plays of David Hare by Carol Homden (review)

pp. 356-358 | DOI: 10.1353/mdr.1996.0094

John Arden and Margaretta D'Arcy: A Casebook ed. by Jonathan Wike (review)

pp. 358-359 | DOI: 10.1353/mdr.1996.0013

Pinter in Play: Critical Strategies and the Plays of Harold Pinter by Susan Hollis Merritt (review)

pp. 359-361 | DOI: 10.1353/mdr.1996.0029

Harold Pinter: A Question of Timing by Martin S. Regal (review)

pp. 361-363 | DOI: 10.1353/mdr.1996.0044

Ibsen: A Doll's House by Egil Törnkvist (review)

pp. 363-364 | DOI: 10.1353/mdr.1996.0059

Chekhov's Plays: An Opening into Eternity by Richard Gilman (review)

pp. 365-366 | DOI: 10.1353/mdr.1996.0073

Meyerhold: A Revolution in Theatre by Edward Braun (review)

pp. 366-367 | DOI: 10.1353/mdr.1996.0088

Staging Depth: Eugene O'Neill and The Politics of Psychological Discourse by Joel Pfister (review)

pp. 367-369 | DOI: 10.1353/mdr.1996.0007

Susan Glaspell: Essays on Her Theater and Fiction ed. by Linda Ben-Zvi (review)

pp. 369-370 | DOI: 10.1353/mdr.1996.0023

You Can Go Home Again: The Focus on Family in the Works of Horton Foote by Rebecca Luttrell Briley (review)

pp. 370-372 | DOI: 10.1353/mdr.1996.0038

Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions by Neil Carson (review)

pp. 372-374 | DOI: 10.1353/mdr.1996.0053

Contemporary Irish Drama: From Beckett to McGuinness by Anthony Roche (review)

pp. 374-375 | DOI: 10.1353/mdr.1996.0067

The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia by Spencer Golub (review)

pp. 375-377 | DOI: 10.1353/mdr.1996.0082

Dark Prisms: Occultism in Hispanic Drama by Robert Lima (review)

pp. 377-378 | DOI: 10.1353/mdr.1996.0001

Contributors

p. 379 | DOI: 10.1353/mdr.1996.0017

Research Areas

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