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  Volume 39, Number 1, Spring 1996

Table of Contents

Building a Theatrical Vernacular: Responsibility, Community, Ambivalence, and Queer Theatre

pp. 1-15 | DOI: 10.1353/mdr.1996.0004

The Lesbian Rule: Lillian Hellman and the Measures of Realism

pp. 16-30 | DOI: 10.1353/mdr.1996.0020

From Summer and Smoke to Eccentricities of a Nightingale: The Evolution of the Queer Alma

pp. 31-50 | DOI: 10.1353/mdr.1996.0035

The Queer Pleasures of Mary Martin and Broadway: The Sound of Music as a Lesbian Musical

pp. 51-63 | DOI: 10.1353/mdr.1996.0050

The Ridiculous Sound of One Hand Clapping: Placing Ludlam's "Gay" Theatre in Space and Time

pp. 64-83 | DOI: 10.1353/mdr.1996.0064

Angels in America: Tony Kushner's Theses on the Philosophy of History

pp. 84-96 | DOI: 10.1353/mdr.1996.0078

Performance Anxiety: "Identity," "Community," and Tim Miller's My Queer Body

pp. 97-116 | DOI: 10.1353/mdr.1996.0093

Pleasure, Politics, and the Performance of Community: Pomo Afro Homos's Dark Fruit

pp. 117-131 | DOI: 10.1353/mdr.1996.0012

Lesbians on the French Stage: From Homosexuality to Monique Wittig's Lesbianization of the Theatre

pp. 132-155 | DOI: 10.1353/mdr.1996.0028

The Constant Journey: An Introduction and a Prefatory Note

pp. 156-159 | DOI: 10.1353/mdr.1996.0043

(Re)visioned, Invisible, and Mute: Male Bodies in Rumble Productions' Strains

pp. 160-176 | DOI: 10.1353/mdr.1996.0058

Once Were Lesbians ...: Re/Negotiating Re/Presentations in The Catherine Wheel and Difference of Latitude

pp. 177-189 | DOI: 10.1353/mdr.1996.0072

Who's Looking at Who(m)?: Re-viewing Medusa

pp. 190-210 | DOI: 10.1353/mdr.1996.0087

"The Moment of Submission": Neil Bartlett in Conversation

pp. 211-221 | DOI: 10.1353/mdr.1996.0006

Book Reviews

After Brecht: British Epic Theater by Janelle Reinelt (review)

pp. 222-223 | DOI: 10.1353/mdr.1996.0022

Anglo-American Interplay in Recent Drama by Ruby Cohn (review)

pp. 223-224 | DOI: 10.1353/mdr.1996.0037

O'Neill's Shakespeare by Normand Berlin (review)

pp. 225-226 | DOI: 10.1353/mdr.1996.0052

David Hare: A Casebook ed. by Hersh Zeifman (review)

pp. 227-228 | DOI: 10.1353/mdr.1996.0066

Act Like a Man: Challenging Masculinities in American Drama by Robert Vorlicky (review)

pp. 228-229 | DOI: 10.1353/mdr.1996.0081

Public Issues, Private Tensions ed. by Matthew Roudané (review)

pp. 230-231 | DOI: 10.1353/mdr.1996.0000

The Other American Drama by Marc Robinson (review)

pp. 232-233 | DOI: 10.1353/mdr.1996.0016

British and Irish Drama since 1960 ed. by James Acheson (review)

pp. 233-235 | DOI: 10.1353/mdr.1996.0032

Tom Stoppard in Conversation ed. by Paul Delaney (review)

pp. 235-236 | DOI: 10.1353/mdr.1996.0047

Understanding Eugène Ionesco by Nancy Lane (review)

pp. 236-237 | DOI: 10.1353/mdr.1996.0062

Understanding Tennessee Williams by Alice Griffin (review)

pp. 237-239 | DOI: 10.1353/mdr.1996.0076

Derek Walcott and West Indian Drama by Bruce King (review)

pp. 240-241 | DOI: 10.1353/mdr.1996.0091

The Cambridge Companion to Beckett ed. by John Pilling (review)

pp. 241-242 | DOI: 10.1353/mdr.1996.0010

The Cambridge Companion to Ibsen ed. by James McFarlane (review)

pp. 242-243 | DOI: 10.1353/mdr.1996.0026


pp. 244-246 | DOI: 10.1353/mdr.1996.0041

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