+ MUSE Alert

In this Issue

Table of Contents

  1. Building a Theatrical Vernacular: Responsibility, Community, Ambivalence, and Queer Theatre
  2. Jill Dolan
  3. pp. 1-15
  4. DOI: https://doi.org/10.1353/mdr.1996.0004
  5. restricted access
  1. The Lesbian Rule: Lillian Hellman and the Measures of Realism
  2. Anne Fleche
  3. pp. 16-30
  4. DOI: https://doi.org/10.1353/mdr.1996.0020
  5. restricted access
  1. From Summer and Smoke to Eccentricities of a Nightingale: The Evolution of the Queer Alma
  2. John M. Clum
  3. pp. 31-50
  4. DOI: https://doi.org/10.1353/mdr.1996.0035
  5. restricted access
  1. The Queer Pleasures of Mary Martin and Broadway: The Sound of Music as a Lesbian Musical
  2. Stacy Wolf
  3. pp. 51-63
  4. DOI: https://doi.org/10.1353/mdr.1996.0050
  5. restricted access
  1. The Ridiculous Sound of One Hand Clapping: Placing Ludlam's "Gay" Theatre in Space and Time
  2. Gregory W. Bredbeck
  3. pp. 64-83
  4. DOI: https://doi.org/10.1353/mdr.1996.0064
  5. restricted access
  1. Angels in America: Tony Kushner's Theses on the Philosophy of History
  2. Charles McNulty
  3. pp. 84-96
  4. DOI: https://doi.org/10.1353/mdr.1996.0078
  5. restricted access
  1. Performance Anxiety: "Identity," "Community," and Tim Miller's My Queer Body
  2. Robert Wallace
  3. pp. 97-116
  4. DOI: https://doi.org/10.1353/mdr.1996.0093
  5. restricted access
  1. Pleasure, Politics, and the Performance of Community: Pomo Afro Homos's Dark Fruit
  2. Jay Plum
  3. pp. 117-131
  4. DOI: https://doi.org/10.1353/mdr.1996.0012
  5. restricted access
  1. Lesbians on the French Stage: From Homosexuality to Monique Wittig's Lesbianization of the Theatre
  2. Jeannelle Laillou Savona
  3. pp. 132-155
  4. DOI: https://doi.org/10.1353/mdr.1996.0028
  5. restricted access
  1. (Re)visioned, Invisible, and Mute: Male Bodies in Rumble Productions' Strains
  2. Reid Gilbert
  3. pp. 160-176
  4. DOI: https://doi.org/10.1353/mdr.1996.0058
  5. restricted access
  1. Once Were Lesbians ...: Re/Negotiating Re/Presentations in The Catherine Wheel and Difference of Latitude
  2. Rosalind Kerr
  3. pp. 177-189
  4. DOI: https://doi.org/10.1353/mdr.1996.0072
  5. restricted access
  1. Who's Looking at Who(m)?: Re-viewing Medusa
  2. Lizbeth Goodman
  3. pp. 190-210
  4. DOI: https://doi.org/10.1353/mdr.1996.0087
  5. restricted access
  1. "The Moment of Submission": Neil Bartlett in Conversation
  2. Alan Sinfield
  3. pp. 211-221
  4. DOI: https://doi.org/10.1353/mdr.1996.0006
  5. restricted access
  1. After Brecht: British Epic Theater by Janelle Reinelt (review)
  2. Anthony Jenkins
  3. pp. 222-223
  4. DOI: https://doi.org/10.1353/mdr.1996.0022
  5. restricted access
  1. Anglo-American Interplay in Recent Drama by Ruby Cohn (review)
  2. John M. Clum
  3. pp. 223-224
  4. DOI: https://doi.org/10.1353/mdr.1996.0037
  5. restricted access
  1. O'Neill's Shakespeare by Normand Berlin (review)
  2. Frank R. Cunningham
  3. pp. 225-226
  4. DOI: https://doi.org/10.1353/mdr.1996.0052
  5. restricted access
  1. David Hare: A Casebook ed. by Hersh Zeifman (review)
  2. Malcolm Page
  3. pp. 227-228
  4. DOI: https://doi.org/10.1353/mdr.1996.0066
  5. restricted access
  1. Act Like a Man: Challenging Masculinities in American Drama by Robert Vorlicky (review)
  2. Robert F. Gross
  3. pp. 228-229
  4. DOI: https://doi.org/10.1353/mdr.1996.0081
  5. restricted access
  1. Public Issues, Private Tensions ed. by Matthew Roudané (review)
  2. Janet N. Balaklan
  3. pp. 230-231
  4. DOI: https://doi.org/10.1353/mdr.1996.0000
  5. restricted access
  1. The Other American Drama by Marc Robinson (review)
  2. William W. Demastes
  3. pp. 232-233
  4. DOI: https://doi.org/10.1353/mdr.1996.0016
  5. restricted access
  1. British and Irish Drama since 1960 ed. by James Acheson (review)
  2. Errol Durbach
  3. pp. 233-235
  4. DOI: https://doi.org/10.1353/mdr.1996.0032
  5. restricted access
  1. Tom Stoppard in Conversation ed. by Paul Delaney (review)
  2. Josephine Lee
  3. pp. 235-236
  4. DOI: https://doi.org/10.1353/mdr.1996.0047
  5. restricted access
  1. Understanding Eugène Ionesco by Nancy Lane (review)
  2. Elizabeth Klaver
  3. pp. 236-237
  4. DOI: https://doi.org/10.1353/mdr.1996.0062
  5. restricted access
  1. Understanding Tennessee Williams by Alice Griffin (review)
  2. John S. Bak
  3. pp. 237-239
  4. DOI: https://doi.org/10.1353/mdr.1996.0076
  5. restricted access
  1. Derek Walcott and West Indian Drama by Bruce King (review)
  2. Robert Hamner
  3. pp. 240-241
  4. DOI: https://doi.org/10.1353/mdr.1996.0091
  5. restricted access
  1. The Cambridge Companion to Beckett ed. by John Pilling (review)
  2. Toby Silverman Zinman
  3. pp. 241-242
  4. DOI: https://doi.org/10.1353/mdr.1996.0010
  5. restricted access
  1. The Cambridge Companion to Ibsen ed. by James McFarlane (review)
  2. Charles Leland
  3. pp. 242-243
  4. DOI: https://doi.org/10.1353/mdr.1996.0026
  5. restricted access
  1. The Constant Journey: An Introduction and a Prefatory Note
  2. Monique Wittig, Barbara Godard
  3. pp. 156-159
  4. DOI: https://doi.org/10.1353/mdr.1996.0043
  5. restricted access
  1. Contributors
  3. pp. 244-246
  4. DOI: https://doi.org/10.1353/mdr.1996.0041
  5. restricted access