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  Volume 38, Number 4, Winter 1995

Table of Contents

"Homesick for Abroad": The Transition from National to Cultural Identity in Contemporary Irish Drama

pp. 435-449 | DOI: 10.1353/mdr.1995.0054

The Paradox of Memory: Ibsen's When We Dead Awaken and Fin-de-si├Ęcle Psychotherapy

pp. 450-461 | DOI: 10.1353/mdr.1995.0057

Playing with Time: James Reaney's The Donnellys as Spatial Form Drama

pp. 462-474 | DOI: 10.1353/mdr.1995.0060

Crossing Borders: Sharon Pollock's Revisitation of Canadian Frontiers

pp. 475-487 | DOI: 10.1353/mdr.1995.0047

Arthur Miller's "Weight of Truth" in The Crucible

pp. 488-495 | DOI: 10.1353/mdr.1995.0049

The Space of Madness and Desire: Tennessee Williams and Streetcar

pp. 496-509 | DOI: 10.1353/mdr.1995.0051

Re-Casting the Phaedra Syndrome: Myth and Morality in Timberlake Wertenbaker's The Love of the Nightingale

pp. 510-519 | DOI: 10.1353/mdr.1995.0053

Pastoral Elements in John Bull's Other Island

pp. 520-524 | DOI: 10.1353/mdr.1995.0056

Book Reviews

Acting Gay: Male Homosexuality in Modern Drama by John M. Clum (review)

pp. 525-528 | DOI: 10.1353/mdr.1995.0059

The Pinter Ethic: The Erotic Aesthetic by Penelope Prentice (review)

pp. 528-530 | DOI: 10.1353/mdr.1995.0062

Acting Out: Feminist Performances ed. by Lynda Hart and Peggy Phelan (review)

pp. 530-532 | DOI: 10.1353/mdr.1995.0048

Contemporary British Theatre ed. by Theodore Shank (review)

pp. 532-534 | DOI: 10.1353/mdr.1995.0050

Theatre and Fashion: Oscar Wilde to the Suffragettes by Joel H. Kaplan and Sheila Stowell (review)

pp. 534-536 | DOI: 10.1353/mdr.1995.0052

Pinero: A Theatrical Life by John Dawick (review)

pp. 536-537 | DOI: 10.1353/mdr.1995.0055

Get the Guests: Psychoanalysis, Modern American Drama, and the Audience by Walter A. Davis (review)

pp. 537-538 | DOI: 10.1353/mdr.1995.0058

Contributors

pp. 539-540 | DOI: 10.1353/mdr.1995.0061

Research Areas

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