1. "Homesick for Abroad": The Transition from National to Cultural Identity in Contemporary Irish Drama
  2. Jochen Achilles
  3. pp. 435-449
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  1. The Paradox of Memory: Ibsen's When We Dead Awaken and Fin-de-siècle Psychotherapy
  2. Oliver Gerland
  3. pp. 450-461
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  1. Playing with Time: James Reaney's The Donnellys as Spatial Form Drama
  2. Karen Grandy
  3. pp. 462-474
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  1. Crossing Borders: Sharon Pollock's Revisitation of Canadian Frontiers
  2. Anne Nothof
  3. pp. 475-487
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  1. Arthur Miller's "Weight of Truth" in The Crucible
  2. Stephen Marino
  3. pp. 488-495
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  1. The Space of Madness and Desire: Tennessee Williams and Streetcar
  2. Anne Fleche
  3. pp. 496-509
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  1. Re-Casting the Phaedra Syndrome: Myth and Morality in Timberlake Wertenbaker's The Love of the Nightingale
  2. Joe Winston
  3. pp. 510-519
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  1. Pastoral Elements in John Bull's Other Island
  2. Paul Nadler
  3. pp. 520-524
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  1. Acting Gay: Male Homosexuality in Modern Drama by John M. Clum (review)
  2. Bruce R. Smith
  3. pp. 525-528
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  1. The Pinter Ethic: The Erotic Aesthetic by Penelope Prentice (review)
  2. Susan Hollis Merritt
  3. pp. 528-530
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  1. Acting Out: Feminist Performances ed. by Lynda Hart and Peggy Phelan (review)
  2. Susan L. Cocalis
  3. pp. 530-532
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  1. Contemporary British Theatre ed. by Theodore Shank (review)
  2. Katharine Worth
  3. pp. 532-534
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  1. Theatre and Fashion: Oscar Wilde to the Suffragettes by Joel H. Kaplan and Sheila Stowell (review)
  2. Tracy C. Davis
  3. pp. 534-536
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  1. Pinero: A Theatrical Life by John Dawick (review)
  2. Anthony Jenkins
  3. pp. 536-537
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  1. Get the Guests: Psychoanalysis, Modern American Drama, and the Audience by Walter A. Davis (review)
  2. Gerald M. Berkowitz
  3. pp. 537-538
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  1. Contributors
  2. pp. 539-540
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