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  Volume 38, Number 3, Fall 1995

Table of Contents

Ibsen's Tragicomedy: The Wild Duck

pp. 287-297

Why Doesn't the Chinese Nora Leave Her Husband?: Women's Emancipation in Post-1949 Chinese Drama

pp. 298-307

Lucky's Dance in Waiting for Godot

pp. 308-323

Cat on a Hot Tin Roof: The Uneasy Marriage of Success and Idealism

pp. 324-335

Self-Consuming Artifacts: Power, Performance and the Body in Tennessee Williams' Suddenly Last Summer

pp. 336-347

Watching Over Frank McGuinness' Stereotypes

pp. 348-361

Shakespeare's "Sisters": Desdemona, Juliet, and Constance Ledbelly in Goodnight Desdemona (Good Morning Juliet)

pp. 362-377

The Scandal Maker: Thomas Bernhard and the Reception of Heldenplatz

pp. 378-388

Athol Fugard and the Problematics of the Liberal Critique

pp. 389-407

Edward Bond: An Interview

pp. 408-415

Book Reviews

Ingmar Bergman: A Life in the Theatre by Lise-Lone Marker and Frederick J. Marker (review)

pp. 416-418

The Profession of the Playwright: British Theatre 1800-1900 by John Russell Stephens (review)

pp. 418-419

David Mamet: A Casebook by Leslie Kane, and: David Mamet and Film: Illusion/Disillusion in a Wounded Land by Gay Brewer (review)

pp. 420-421

The Canadian Dramatist, Volume Two: Playwrights of Collective Creation by Diane Bessai (review)

pp. 421-422

Laughter in the Dark: The Plays of Alan Ayckbourn by Albert E. Kalson (review)

pp. 423-424

Contemporary Feminist Theatres: To Each Her Own by Lizbeth Goodman, and: A Stage of Their Own: Feminist Playwrights of the Suffrage Era by Sheila Stowell (review)

pp. 424-426

Ionesco's Imperatives: The Politics of Culture by Rosette C. Lamont (review)

pp. 426-428

Rereading Shepard. Contemporary Critical Essays on the Plays of Sam Shepard ed. by Leonard Wilcox (review)

pp. 428-429

Pinter at Sixty ed. by Katherine H. Burkman and John L. Kundert-Gibbs (review)

pp. 429-431


pp. 432-433

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