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  Volume 38, Number 1, Spring 1995

Table of Contents

Introduction

pp. 1-3
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John Gay, Bertolt Brecht, and Postcolonial Antinationalisms

pp. 4-21
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Homeless Words: Field Day and the Politics of Translation

pp. 22-41
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"Spectacular Resistance": Metatheatre in Post-Colonial Drama

pp. 42-51
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Theatre and Caribbean Self-Definition

pp. 52-59
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The Uses of Nostalgia: Drama, History, and Liminal Moments in South Africa

pp. 60-70
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National Battles: Canadian Monumental Drama and the Investiture of History

pp. 71-86
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When the Cutting Edge Cuts Both Ways: Contemporary Scottish Drama

pp. 87-96
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Smashing Temples: Cultural Symptoms of the 1980s in Australian Mainstage Comedy and Farce

pp. 97-108
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Reconstruction of Legend in Contemporary Panjabi Drama in India

pp. 109-122
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Post-, "Grapes," Nuts and Flakes: "Coach's Corner" as Post-Colonial Performance

pp. 123-130
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Book Reviews

The Plays of Caryl Churchill by Amelia Howe Kritzer (review)

pp. 131-132
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Joyce, O'Casey, and the Irish Popular Theater by Stephen Watt (review)

pp. 132-133
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British Theatre in the 1890s: Essays on Drama and the Stage ed. by Richard Foulkes (review)

pp. 134-135
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Confronting Tennessee Williams' "A Streetcar Named Desire": Essays in Critical Pluralism ed. by Philip C. Kolin (review)

pp. 135-138
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Communists, Cowboys, and Queers: The Politics of Masculinity in the Work of Arthur Miller and Tennessee Williams by David Savran (review)

pp. 138-140
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The Rites of Passage of Jean Genet: The Art and Aesthetics of Risk Taking by Gene A. Plunka (review)

pp. 140-141
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Partnership in the German Theatre: Zuckmayer and Hilpert, 1925-1961 by William Grange (review)

pp. 141-143
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Peter Handke by Richard Arthur Firda (review)

pp. 143-144
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Contributors

pp. 145-146
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Research Areas

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