1. North and South: Two Landscapes of Alan Bennett
  2. Daphne Turner
  3. pp. 551-567
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  1. Supranational Civics: Poverty and the Politics of Representation in Brian Friel's The Freedom of the City
  2. William Jent
  3. pp. 568-587
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  1. "I Am Cast as a Monster": Shelley's Frankenstein and the Haunting of Howard Brenton's Bloody Poetry
  2. Jennifer A. Wagner
  3. pp. 588-602
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  1. American Clocks: Sam Shepard's Time Plays
  2. Enoch Brater
  3. pp. 603-612
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  1. Russian Dramatist Mikhail Kuzmin and the Sexual Ambiguity of the Commedia Mask
  2. Lurana Donnels O'Malley
  3. pp. 613-625
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  1. Blind Process: Maeterlinck's The Sightless
  2. Ashley Taggart
  3. pp. 626-637
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  1. Comparative Perspectives on Gender and Comedy: The Examples of Wilde, Hofmannsthal, and Ebner-Eschenbach
  2. Gail Finney
  3. pp. 638-650
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  1. The Dangerous Seductions of the Past: Ibsen's Counter-Discourse to Modernity
  2. Brian Johnston
  3. pp. 651-664
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  1. The Cycle Returns: Brian Johnston's Ibsen Cycle
  2. Gerald Dugan
  3. pp. 665-680
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  1. Approaches to Teaching Beckett's "Waiting for Godot" ed. by June Schlueter and Enoch Brater (review)
  2. Patricia Howard
  3. pp. 681-682
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  1. Shaw's Daughters: Dramatic and Narrative Constructions of Gender by J. Ellen Gainor (review)
  2. Catherine Wiley
  3. pp. 682-683
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  1. Shaw and Politics, Vol. 11 of Shaw: The Annual of Shaw Studies ed. by T.F. Evans (review)
  2. A.E. Wallace Maurer
  3. pp. 683-685
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  1. The Playwrighting Self of Bernard Shaw by John A. Bertolini (review)
  2. J.L. Wisenthal
  3. pp. 685-686
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  1. How to Play: The Theatre of James Reaney by Gerald D. Parker (review)
  2. James Noonan
  3. pp. 687-688
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  1. Contributors
  2. pp. 689-690
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