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  Volume 37, Number 4, Winter 1994

Table of Contents

North and South: Two Landscapes of Alan Bennett

pp. 551-567
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Supranational Civics: Poverty and the Politics of Representation in Brian Friel's The Freedom of the City

pp. 568-587
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"I Am Cast as a Monster": Shelley's Frankenstein and the Haunting of Howard Brenton's Bloody Poetry

pp. 588-602
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American Clocks: Sam Shepard's Time Plays

pp. 603-612
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Russian Dramatist Mikhail Kuzmin and the Sexual Ambiguity of the Commedia Mask

pp. 613-625
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Blind Process: Maeterlinck's The Sightless

pp. 626-637
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Comparative Perspectives on Gender and Comedy: The Examples of Wilde, Hofmannsthal, and Ebner-Eschenbach

pp. 638-650
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The Dangerous Seductions of the Past: Ibsen's Counter-Discourse to Modernity

pp. 651-664
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The Cycle Returns: Brian Johnston's Ibsen Cycle

pp. 665-680
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Book Reviews

Approaches to Teaching Beckett's "Waiting for Godot" ed. by June Schlueter and Enoch Brater (review)

pp. 681-682
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Shaw's Daughters: Dramatic and Narrative Constructions of Gender by J. Ellen Gainor (review)

pp. 682-683
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Shaw and Politics, Vol. 11 of Shaw: The Annual of Shaw Studies ed. by T.F. Evans (review)

pp. 683-685
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The Playwrighting Self of Bernard Shaw by John A. Bertolini (review)

pp. 685-686
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How to Play: The Theatre of James Reaney by Gerald D. Parker (review)

pp. 687-688
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Contributors

pp. 689-690
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Research Areas

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